John L. Stanizzi: “It occurred to me that generations upon generations have been ‘practicing’ in one way or another for some terrible ‘thing.’ We have been rehearsing so that we will know just what to do when the unthinkable happens. This is the myth around which my poem swirls.” (website)
As much as we loved providing an audio CD for issue #27’s Tribute to Slam, we didn’t want page poets to be left out. The tradition of public readings is central to contemporary poetry, whose medium, we’ve always felt, isn’t the page, but rather the breath itself. Here is an opportunity to listen to poems as the authors intended them to sound, in their own voice.
Any poems that have appeared in Rattle are eligible, and this archive will be updated regularly. If you are a poet who we’ve published, and would like to be included, email us to ask how. We also plan on adding audio clips from recent and upcoming interviews—keep an eye on this page for updates.
Releasing in December, 2009, issue #32 celebrates the “little song,” poetry’s most enduring traditional form. Shakespeare and Petrachan sonnets, a backwards sonnet, free verse sonnets, blank verse sonnets, clean sonnets, dirty sonnets, invented sonnets, sonnets that praise sonnets, sonnets that mock sonnets, a sonnet that uses only one rhyme-word fourteen times…all capped off with a full heoric crown of fifteen sonnets by Patricia Smith. The variations are limitless—there’s nothing more liberating than a little restriction. T. S. Davis introduces the special section with a personal essay on his journey into form.
Also in the issue, Alan Fox interviews Alice Fulton and Molly Peacock. Along with 60 pages of open poetry, we share the 11 winning poems from the 2009 Rattle Poetry Prize, culled from over 6,000 candidates.