September 15, 2021

Clemonce Heard

NINETY-NINE

years later, I’m lying
in bed with a woman I would’ve been
killed for, 

could still end up killed for.
My temple is pressed against her 
stomach like a boy’s face 

against a window
as his mother drives through the night.
His father left 

behind, stillborn,
in a puddle of blood. 
Ninety-nine is the right number

if you don’t want to cross the redline. 
Ninety-nine doesn’t feel like 
quite a dollar,

feels quieter 
than four quarters that shout
with aha fingers

raised like bludgeons.
My friend Bud says one
hunid when we get off the phone.

It looks like humid but sounds like hunted.
Ninety-nine years ago, in Tulsa, telegraph
lines were cut

like umbilicals.
Strewn across the streets
the white mobs strolled casually. 

No you hang up. 
My eyes closed. My neck slack. 
I am listening to a heartbeat 

in a stomach. This is different than seeing
a screen with an embryo 
curled like a single quote. 

The gel was cold 
when they slathered my chest. 
I could die in my sleep & never know.

I could die reaching 
inside someone, the euphoria 
too hot to handle. 

I got ninety-nine 
word problems, but the one word 
my lover doesn’t like is…

I don’t say it as an example. 
I don’t say it 
the way my sister calls her friends. 

A term of endearment. 
A turn of indictment. 
HOV, allegedly, has a child somewhere

in Maryland. Marry Land. 
This makes sense if you listen
to “Drug Dealers Anonymous,” 

the eponymous single 
parent. Perhaps all parents are single. 
My father used to say I spit y’all out:

ptooey, ptooey. I never heard
him use the word,
but I know he thought it. 

How old is the word? 
How old was Sarah Page 
when she got married? 

Dick Rowland 
was never caught with a blond
strand on him. Something that glistens

in the light it’s colored by. Last night, 
the news read: the protests 
turned to riots. 

I made an o of my mouth
over grits, blew & became a griot. 
In Madison, po/lice swept

civilians away from the capital. In Tulsa, 
a pickup truck 
plowed into a crowd of protestors. 

The news failed
to say that one of the injured
was paralyzed. 

Supremacy gassed 
my friend six feet away. 
In “99 Problems” the po/lice

officer is subservient.
The drug offenders should be free
because dealing is the predicament 

they put ’em in. 
If I were a trafficker, I’d have a tip
built in like a wiretap. 

Even if it was a cent, dollar, year. 
The used car
sticker price doesn’t always end 

in ninety-nine. ’99 Certified.
Like New. 
Today’s Special.

As Advertised. 
No one would expect 
me of dealing anything but cards. 

Even those are hard 
to shuffle. Tulsa was dealt
a joker on Juneteenth. 

A holiday since 1980. 
You see where I’m going?
He rounded it to the twentieth. 

Meaning the BOK Center
that seats 19,199 moved it. 
We gon be okay. We gon be alright. 

Senator Kamala Harris said 
This isn’t just a wink to white
supremacists—he’s throwing 

them a welcome home party. 
Beno Hall as in Be No Hall, 
as in Be No Nigger, Be No Jew, Be

No Catholic, Be No Immigrant
could fit up to 3,000
constituents. By then, we’ll be free-

floating in space. By then the black
holes will have closed their eyes.
My lover told me

when I can’t sleep
to count down from one hundred,
but I don’t count 

the hundred miles & running. 
I start with ninety-nine, 
then work my way down. 

I start with ninety-nine,
& see how far I need to climb
before I’m close enough to jump 

without hurting myself. 
I’m always doing something
wrong let the po/lice tell it. 

They want to exterminate us. 
They won an extra term & ate us.
I’m always firing 

off at the mouth. 
Forcing them to bring em out, bring em,
out their firing squads. 

      SWAT
themselves down. All this firing going on,
but nothing

stays aflame for long. 
’Cept California. ’Cept Amazon. 
Bezos for trillionaire. 

The trills in air
like a fire alarm.
The sparkling sprinklers of deforestation.

Musk for Tulsa tough. 
What imbeciles painted 
the Golden Driller in his image?

Even the police 
cruiser gets relief, eventually. 
Even the odds, the piece of Greenwood

not burned. Every block was hot
but one. They fussed: Yonder is a nigger
church, why ain’t they burning it?

They replied:
It’s in a white district.
Maybe there only need be one church.  

Whoever’s not on time, as in camping out,
will have to attend
stained glass where the sun is magnified

into the magma of an incinerator,
atop a ladder or with one foot
pushing off

the palms of another brother or sister,
if not the palms of a tree. 
The palmetto leaves

my grandmother keeps
next to her bed, next to her rosary. 
There ain’t many of us she tells me. 

My homie said Hov 
there ain’t many of us. I tell him less
is more nigger there’s plenty of us. 

I mean Gurleys. 
I mean we might be related to Ottawa. 
If we were, I’d dub him Uncle O-Dub. 

 Her dreamland is our family living
in a mansion,
but I think she’d settle 

for a boarding house were it ours. 
Reparations have lolled 
for ninety-nine years now. 

Reap the rations. Repair the Oshuns. 
The Oceans. 
Oshner’s where she’s shuttled

whenever she’s having a tough time
breathing. When we can’t
understand our heartbeats

or why the voltage spikes.
The gel is smeared. 
The doctor says

it was inherited. 
Could be what they fed her with
before she was she, before that even. 

Could be what I still eat today. 
Some days the work is so much 
I have to wring out my intestines

like a towel. 
A rag alighting a bootblack’s shoulder
like a smoldered parrot. 

The fire
time after time again. I read 
Dick Rowland knew Sarah Page. 

I read, to know, in the Bible, 
meant to be physical. 
Today, to get physical can mean coitus

& cudgel. Let’s get physical po/lice say 
in their heads. Let’s get a physical. 
Let’s cuddle, civilians say

in their fantasies. 
To have authority is to author. 
The poet who lies in their diary

knows someone is reading it. 
The officer who lies 
in their report hopes nobody will. 

Handcuffs are not always kinky. 
We put our hands up 
like Ys cause we want to be free. 

Both vowel & consonant. 
Why’s to all the answers 
given without proper consent

or consignment. 
I got ninety-nine unread text messages. 
The one from my Nigerian brother reads:

I have not been able to think
beyond death & how it could reach me
doing the most 

mundane thing as be on the street.
Perhaps to be African
& American is to know

a split screen terror. Double fearfulness. 
Beware the Ides of March an error. 
After I’d marched 

to the courthouse & let the chants 
of hippies fill me 
awkwardly & off key,

I drunk Arizona Green Tea
w/ginseng. Watched one Gen Z
teach another 

Gen Z how to skateboard,
holding hands. Another Gen Z lilted 
beside wearing a shirt of expletives:

FUCK
like duct tape where her wings
couldn’t fit. 

Jewelry store broken in
by out-of-towners. Bling. Bling. 
Every time I come around your city. 

What’s a vigil to a vigilante?
Draw my face realism. Say his name. 
Listen first, then say it. 

My brother from Broken Arrow says 
white people need to get 
the fuck out the way. He says excuse me  

& the lake parts to form an isthmus. 
In high school, riding shotgun, 
he found a rope around his neck. 

DJ Trauma. Ad-lib your own life. 
Add lips to the microphone. 
Go home, po/lice say, but we’ve gone

& grown deaf. 
It’s hard to listen to someone talking
at you. Talk to me

not at me my mother would entreat. 
It’s hard to make love
when the tunnel leads to nine months

of uncertainty. 
I can’t see the light at the end
of November. 

Do you remember, September
is the ninth month. 
By the time July is here I’ll have grown

my own mask. 
My nose hair, my mustache, my beard
will have knotted in solidarity. 

My lover wears 
my briefs when she sleeps by me. 
My father wants a grandson,

but forgets he has one. 
She likes the teal ones. 
My waistband ripples. Rip Van Winkle. 

RIP brothers & sisters. The sun leaks 
through the blackout
curtains that darken my bedroom 

so my eyes
barely need to adjust to see my beloved
falling through the last hundred

or so feet to her own rousing,
if not the yawning branches. 
The moon is not a hammock. 

Her body puts me
in more danger. If she could 
hover above the bed, 

if moles were the jewels of the body
there would be more mining. 
Ninety-nine

is penultimate to Billboard’s
top 100. Ninety-nine
problems peaked at thirty,

the age my brothers hope to reach. 
You see where I’m going?
You can’t knock the bustle. 

You can’t knock 
before you shoot? Neither me nor my blue 
faces can breathe. I slide a Benjamin

 through the partition to pay 
for my sins. They peel me
from the counter. Hold me to the light. 

from Rattle #72, Summer 2021

__________

Clemonce Heard: “In ‘Ninety-Nine,’ I wanted to explore how not even the 1921 Tulsa Race Massacre’s impending centennial celebration will equate to an absolute healing of Greenwood, of North Tulsa, of the city. That the inherited trauma and repression will take institutions of integrity to intercede, and how without it, the effects of the massacre have the potential to carry on for another 99 years, if not more.” (web)

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September 30, 2021

Ekphrastic Challenge, August 2021: Editor’s Choice

 

Rosetta Stone by Emily Rankin, dolls and other items swirling in large ocean swells

Image: “Rosetta Stone” by Emily Rankin. “Griefsong Heard at Sea” was written by Shannan Mann for Rattle’s Ekphrastic Challenge, August 2021, and selected as the Editor’s Choice.

[download: PDF / JPG]

__________

Shannan Mann

GRIEFSONG HEARD AT SEA

She opens her grief as one guts a fish,
nimble and clean, a blade sheened in red.
Don’t let the ocean break you when
you cannot swim. Everyone can swim
until they drown. See, bodies bloating violet
against the surge of each wave, beating
and remembering slivers of a life held
shut like eyes flecked with dreams
of little girls gathering beached shells
under the expanse of a rhyolite sky, singing:
I am a still creature suspended in time!
I am a still creature suspended in time
under the expanse of a rhyolite sky, singing
of little girls gathering beached shells
shut like eyes flecked with dreams
and remembering slivers of a life held
against the surge of each wave, beating
until they drown. See, bodies bloating violet.
You cannot swim. Everyone can swim.
Don’t let the ocean break you, when,
nimble and clean, a blade sheened in red,
she opens her grief as one guts a fish.

from Ekphrastic Challenge
August 2021, Editor’s Choice

__________

Comment from the editor, Timothy Green: “I accidentally read Shannan’s note on the poem before sitting down to compose my own, and now I’m stuck trying to find a way to explain it without repeating what she already said so eloquently. I’ll include that here. All I can add is that the palindrome form is extremely well done, with new meanings and great lines emerging from the reversal. And that I’d characterize the juxtaposition, both in the poem and in the painting, as that of a child splashing around joyfully versus adulthood’s endless struggle to stay afloat within the maelstrom of responsibility. O that we could all swim backward in time.”

Shannan Mann: “Emily’s painting filled me with what initially felt like two mutually exclusive things: a sense of playful innocence and a forlorn ache for everything lost to time. Then, as I continued to explore the artwork, I saw how these two feelings connected. Grief can make us look back and forward simultaneously, madly searching in the ocean of our memories for glimpses and pieces of an innocent time. This is also why I framed this poem as a palindrome. The past sometimes overtakes the present, filling it with grief yet in that very present we can harness the joy of the past and rise above our pain.”

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May 23, 2021

Clemonce Heard

TRACKING THE SOYBEAN ASSASSIN

If you happen to be looking for corn
beef you’re in the wrong wheat
field. We been stopped harvesting cotton,
but there’s not enough tobacco
in the world to soothe these sweet potatoes.
Let’s just say any million is peanuts

compared to what lies underfoot. It’s nuts
to think no one suspected the corny
white dude who lived a block away was sweet
on the girl. It’s always the wheat,
never the white bread. Always tobacco
that leaves the bitter taste of cotton

in the South’s mouth. He stuffed cotton
underwear down the victim’s throat like peanuts
when there’s nothing else to smoke. Tobacco
can quell hunger, just like corn
grits swell in our guts. In the heat
of the raper’s youth, his mama called him Tater

& fed him all the finger food & toe
nails he could eat. It would take more than a ton
of apologies for the family forced to eat
the words of the investigators from the peanut
gallery that coerced their sons from their corners
to forgive. The Hephaestus of tobacco

over weed, is like the Bacchus
of moonshine over wine. Gods like spuds
with their steaks, & the smoke of burning corn
slathered in butter as dessert. In cotton
jumpsuits, two converging lines make a penis
crop circle to say “Fuck Jim Crow.” The white hate

we feel on our necks is the sun’s heat
on a burning field of Tobacco.
May he get lung cancer. Diabetes. May he pee
only where there’s a tree or pot.
For three decades two Black men slept on cots
of his guiltiness. “You gonna eat your corn

bread,” Buckwheat aka Goldmouth says to Peanut
aka Claude. “Fuck him” Corn aka Ray says sweeter
than tobogganing down a slope of cotton.

from Poets Respond
May 23, 2021

__________

Clemonce Heard: “I read this story and wondered how many people, Black folks especially, have and are still serving sentences for crimes they didn’t commit. The fact that both of the brothers are said to have ‘intellectual disabilities’ make the investigators and verdict that much more heinous. Reading that the white victim was found dead in a soybean field brought me to the legacy of soybean and accompanying crops in North Carolina, and finally the form. The last two quotes are from the 1999 film Life.” (web)

 

Join us this morning for Poets Respond Live! Click here to watch …

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February 21, 2021

Clemonce Heard

ALL MY STRESSES LIVE IN TEXAS

Now I’ve seen everything:
Ivy sagged like an IV neck-
lacing the windows of the burning
house; snow killing my neighbor’s
cacti in their terracotta pots
dwarfing the one my friend sent
a picture of, lampshading a pillar
candle cordoned off by a coup-
le of cinder blocks that would help
heat his house in a blackout
if it was 10,000 sq. ft. smaller. Trans-

former state senator feels no way
about the system he helped deregu-
late over two decades ago.
Says he’s only lost power tw-
ice since then, & notes how,
hunched over, he makes coffee
in his fireplace. I counted two rats

sniffing around my cracked porch,
curled inside my idling sedan.
I spoke to Wisconsin, who s-
aid she smelled gas the same time
I smelled burning wires & thought
it was my battery I hadn’t replaced
before I’d left the Midwest.
How I’d wished it wasn’t the alt-
ernator as it was in the negatives
that day, & I’d have to take so much
out to get to the problem.

from Poets Respond
February 21, 2021

__________

Clemonce Heard: “This poem responds to the Lone Star State’s decades of insufficient power reforms. I recently moved into an uninsulated house in San Antonio. My neighborhood was one that lost power, so I decided to sleep in my car. The next thing I knew, the power had returned, and the back of my neighbor’s duplex was on fire. I thought just how insular a Troy Fraser or a Cancun Ted Cruz has to be to believe preparation is not essential because they possess the resources to cushion the failure. ” (web)

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August 29, 2023

Diane Stone

ILLICIT

First she heard the clatter
of his boots on the porch,
feet and legs sturdy in their haste
to fling his body to her room.
The cranky doorknob jammed
then spun and turned and he rushed in
breathless from wanting and waiting.
Half-dressed by now, he leaned above her
touching arms and neck.
She heard every sound:
dust sighing from webs,
light fingering thin curtains,
rain sliding from the roof in silver yarns.
His face was hard to read—
perhaps she wasn’t apt at reading indiscretion.
There, on a couch in a shadowed room,
she, an unbeliever, watched herself perform,
and found that she believed again in sin.

from Rattle #22, Winter 2004

__________

Diane Stone: “My grandfather taught me that poetry happens anywhere. He quoted his favorite poems even when we went fishing. Because of him, I think of poetry as a best friend. It helps me focus, helps me remember those tiny details from years ago, helps me see the big picture, reminds me to be patient.”

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April 6, 2023

John W. Evans

FIRELINE

And when I heard the two cabins might burn down
at the same time, on maybe even the same day,
I rooted for the fire. Like many Californians
 
I followed with great precision and attention 
the interactive, up-to-the-minute digital maps
that showed a progression of devastation past the water’s edge 
 
of the popular tourist destination
where my ex-wife’s family
had leased summer cabins since the 1920s, 
 
where even that spring they had gathered to enjoy 
the beautiful, pristine wilderness
of land the state said belonged to no one.
 
It was a technicality, that
outrageous claim renewed every ten years
by legacy, a claim I had once enjoyed
 
in an elaborate festival of coming together
we called a marriage: ten years,
then somehow faster and less forgiving
 
the controlled burn of divorce
that took it back. It only took a few months 
to reach the woods and the lake. 
 
The second cabin was half the size of the first 
and much closer to the fireline.
All it had to do was catch
 
one spark near the composting toilet
and the surroundings cabins would tremble. Unfair,
that spark that every day kept not catching,
 
as fist-sized embers crowned the trees.
It was the old growth. I knew they’d fight the hardest.
I had fought against it for years, the impossibility 
 
we might still love each other. We might reclaim together 
the thing she did not want me to have. So
I imagined it myself. Every day the fire took a little more: 
 
Great-Grandma Pummie’s game trophies,
Uncle Chum’s Turkish rugs, Puck’s first editions,
all swept up into the pyro-cumulus and out across state line,
 
with every last remnant of these families and what they cherished.
But the redwood decks and lead-glass windows, 
the rockfalls and surrounding acres of old-growth forest
 
hung in, as sturdy as my dog’s chin on my knee.
He watched me watch the screen. When it was time
to walk, the sky had changed to orange, then blue. 
 
Then, the wind shifted, capricious and weary of the granite. 
The people returned. Their cabins were there. 
In the city around the lake bears had broken in
 
and filled their bellies
with syrup and thawed steaks,
an early hibernation, a carcass every few yards
 
stuck in the mud with singed or infected paws. 
Who is left to love what is gone 
if it belongs to no one else;
 
who dares warm his hands over the ash
or rub his chest with the spite-tongued black, 
murmuring, Mine, still mine. You do not belong to someone else.
 

from The Fight Journal

__________

John W. Evans: “I wrote the poems in The Fight Journal to make sense of an experience about which I felt strongly biased: my divorce. I wanted to recognize the humanity of all involved on the page because this was something I struggled to do in real life. I hoped to find closure, healing, and an answer to two questions. Why had my marriage failed? How had I been complicit in that failure? Adrienne Rich’s ‘From An Old House in America’ was the formal model for the long title poem. Marta Tikkanen’s ‘The Love Story of the Century’ was a precedent for writing about these dynamics. Both poems are personal favorites.” (web)

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March 8, 2023

Jeanne Yu

SCINTILLA

One of the reasons I fell in love 
with my husband is every once 
in a while, he uses a word I read 
somewhere, but I had never heard 
out loud.  
 
It wasn’t I was so impressed with 
his vocabulary as I was impressed
that I felt he was very ordinarily 
valiant in trying to rescue these 
words, those that were harder to 
say, or had more nuanced meaning 
or because it often took effort to
think of them, and through no 
fault of their own, had lost their 
way and were fading into 
obsolescence.
 
Never was he boastful about this 
gallantry, nor did he overthink it, 
he just in no extraordinary way 
hunted momentarily and rather
than offering his handkerchief 
as he often did, he would instead 
gently pull out a salvaged word 
and place it in that perfect 
moment before sunset 
so we could hear it aloud
together, one more time.
 

from Rattle #78, Winter 2022

__________

Jeanne Yu: “I write to make sense of life in this world … and to make sure I am paying attention to the little things that matter as well as the big things, because I have come to know they are all connected. I’m an engineer, mom, and environmentalist, every day trying my best—some days are harder than others—to live from a place of my hope for the world.”

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