March 16, 2024

Lynne Thompson

A LOVER, REJECTED, REJECTS THE MYTH THAT IS BILLIE HOLIDAY—

knows she was an uncommon arroyo who understood
that blue on the quintile is a withering thing;

knows Billie lived in an upended Vermont and was
not unlike a nova or a seed in a scalawag’s belly;

figures that La Gardenia’s mistake was believing that
autumn in New York would make a satisfactory break

and that junk was the best horse she never saddled.
But I have learned to beware the tonsils of swivelhipped

conquerors whose lanolin cannot absorb
loneliness. I have gotten lost in the politics of

undressed mud and am no longer obliged to lie down
with fat cats. When I am too scared to dream,

I, my own bald-faced tympani, admonish my dismal pen
to publish the music that will alarm my arrogant judges.

from Rattle #22, Winter 2004

__________

Lynne Thompson: “’A Lover, Rejected’ was the chance to allow language to elope with some of my favorite concepts—sass, skepticism and Billie Holiday, with bon mots like ‘scalawag’ and ‘quintile’ in attendance.” (web)

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August 16, 2022

Lynne Thompson

LAMENT: I AM IMPLICATION—

an afterthought,
meat gone rancid,
Anna Karenina in blue hose,
ephemerata.

Every need I’ve declined to marry
has failed me: moonrise and the milksops

I would have loved. Every daughter
who could have been my revenge.

Surprises have never been much of a surprise
and that has wrought thimbles of scandal.

Also, wheelbarrows and Puccini, the Eucharist
and television have all failed or been botched.

It’s getting on time and I can’t find one Schnauzer
who will nuzzle his constant heart in my lap.

Someone in Kansas plays a Stradivarian dirge
but even those wry notes are much too sweet.

My pigment drips more than Pollock’s.
My hard history has been sung.

See the palimpsest of my body,
its full-length chiaroscuro
laying stranded, lovely
in its ruins?

from Rattle #23, Summer 2005
Tribute to Lawyer Poets

__________

Lynne Thompson: “Although I was a civil litigator for more than fourteen years, the practice of law seldom, if ever, enters my poems. It’s as though that person has gone off for a long (and well-deserved) sleep and this poet—always bemused—has taken her place. I like her.” (web)

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July 27, 2021

Lynne Thompson

BOOTLEG FIRE

In California, there were seasons for fires, once. When
Motown released Martha & her Vandellas’ Heat Wave

and I shimmied with the door knob because I was
a believer that tomorrow was a vow lit from within,

the season usually began with a rudely-named Indian
Summer and was over just about the time the family

sat down to gorge on turkey flash-dancing in filmy gravy,
macaroni-and-cheese, and collard greens. There’s no such

season anymore and fires are no longer content to play
by themselves. See how Oregon’s Bootleg Fire isn’t fire only.

Is lightning. Is generator of its own weather and the clouds
pyrocumulonimbus. Remember Mrs. Dent, second grade, who

taught us nimbostratus, cumulus, and we, thinking that was all
there was, hung from monkey bars, skipped rope, stole home?

from Poets Respond
July 27, 2021

__________

Lynne Thompson: “A New York Times article described the Bootleg Fire in Oregon as creating its own weather. I couldn’t help but recall a more ‘innocent’ time when fires—though devastating—were not as horrific as those we all face today.” (web)

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August 19, 2016

Lynne Thompson

THE CURIOUS ADOPTEE

I’d like to find her.
Compare notes.

Which of us got lucky?
I’d like to know

why? My parents
could have been

hers but something
fell through—as in

the rabbit hole,
as in next in line?

step up to somebody’s
game or the funny papers.

Or, nothing fell.
God just said

“oops.” He’s only
God, after all.

When it was said
& done, I was in

so she was out;
out of luck

or lucky?

from Rattle #52, Summer 2016
Tribute to Angelenos

__________

Lynne Thompson: “I was born and raised and have lived most of my life in Los Angeles. I write poems that reflect the history of the city—what is discarded and what is kept and why. When the answers elude (as they always do), I write other poems that reflect the questions that haunt me—where I’ve come from, where I’m going, what I’ve lost along the way. When the answers elude, the ocean always consoles.” (web)

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November 30, 2014

Lynne Thompson

SONNET CONSISTING OF ONE LAW

You remain free to kill black boys.
You remain free to kill black boys.
You remain free to kill black boys.
You remain free to kill black boys.
You remain free to kill black boys.
You remain free to kill black boys.
You remain free to kill black boys.
You remain free to kill black boys.
You remain free to kill black boys.
You remain free to kill black boys.
You remain free to kill black boys.
You remain free to kill black boys.
You remain free to kill black boys.
You remain free to kill black boys.

Poets Respond
November 30, 2014

[download audio]

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Lynne Thompson: “This sonnet was written the morning after the ‘prosecutor’s’ announcement of the Ferguson Grand Jury’s decision not to indict police officer Wilson on any of the five counts alleged against him.” (website)

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December 4, 2010

Lynne Thompson

ANTILLES. LESSER.

When you’re a girl and your pop-pop tells you
he was born in the lesser Antilles, you don’t ask
questions. Truth is, you don’t really know what

Antilles are; barely know lesser although you do
know about comparisons. You have book smarts:
have read the oeuvre of Dumas pére & Dumas fils;

read about Alexander the Great (which suggests
there must have been an Alexander the Less but
you’ve never read anything about him and can

imagine how embarrassed his kinfolk must be).
Anyway, when pop-pop tells you about these lesser
Antilles, these small islands, you worry they’re just

magic dust & sure enough because when you look
on a map, circa 1957, those islands aren’t even there
which is humiliating because when you go to school

where some little white girls are boasting of County
Cork or about a seder their forefathers prepared in
what’s now called Prague—easy to find on McNally’s—

all you can say is: my people were born in the West
Indies, Antilles (trying much too hard to sound exotic)
but Mrs. Lordamore’s exacting, wants to know where

in the Antilles while she goes on to tell the class how
Cristóbal Colon (aka Columbus) landed there when he
was looking for America; specifically, that he landed

in the Bahamas and then she turns to you, asks are you
saying your people come from the Bahamas? and you
pucker your forehead the way you do when you want

others to think you need time to remember but you’re
already remembering your pop-pop looking glassy-eyed
when he sermonized about the Antilles; about plantain

and rum. But just now, Mrs. Lordamore’s still waiting;
saying show us, show us on the map and now you can
barely stand up and when you do, you walk very slowly

to the map, point to the place you already know isn’t there
and you pray and glory hallelujah!—prayers get answered!—
the school bell rings and it’s the last day before Christmas

vacation and you’re sure everyone, even Mrs. Lordamore,
will forget the question by the time you all return, January
next. And all of them do. But you don’t forget although

it’s years before you see pop-pop’s St. Vincent (his lesser
island) on a map. But by then, pop-pop doesn’t talk about
sweet fruit anymore. It’s left to you to find anyone to tell.

from Rattle #33, Summer 2010

__________

Lynne Thompson: “As with many poems, this one has its genesis in the hard truths of childhood. How to explain to a child that the country her parents come from is not on the map? What insidious message does that send to the psyche? One that can only be mediated (for this writer) in a poem!” (web)

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April 27, 2010

Lynne Thompson

PSALM FOR WORKING WOMEN

A microwave is my savior; I shall not starve.

It alloweth me to eat quickly. It leadeth me
to purchase Stouffers in bulk.

It restoreth dehydrated onions. It delivers me
from pre-heating for pre-heating’s sake.

Yea, though I walk through the valley
of canned goods, I shall fear no tin containers
for plastics art with me and glass and ceramics,
they comfort me.

It preparest a roast turkey in thirty-six minutes;
four for carrots when they’re ’waved on HIGH.
My rumaki comes out crisp.

Surely, defrosting and warming shall follow me
all the days of my life and I shall dwell
in the land of a Hotpoint forever.

from Rattle #23, Summer 2009
Tribute to Lawyer Poets

__________

Lynne Thompson: “Although I was a civil litigator for more than fourteen years, the practice of law seldom, if ever, enters my poems. It’s as though that person has gone off for a long (and well-deserved) sleep and this poet—always bemused—has taken her place. I like her.” (web)

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