July 13, 2013

Deborah P. Kolodji

BASHO AFTER CINDERELLA

(i)

a glass slipper
in the middle of the road
spring rain

(ii)

thistles in bloom
village gossip
after the ball

(iii)

pumpkin vine
a mouse remembers
how to neigh

(iv)

fairy dust snow
perfectly-sized boots
for her bare feet

from Rattle #38, Winter 2012
Tribute to Speculative Poetry

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__________

Deborah P. Kolodji: “At some point in my poetry career, I decided my poems were too wordy and discovered haiku. Writing haiku soon became a way of life, and I have learned to appreciate small moments of my day and write them into snapshot poems. Because I also enjoy speculative literature, it’s fun to imagine the landscape around an imaginary or literary event, such as the evening of Cinderella’s ball, or the moment Arthur discovers the Sword in the Stone, and wondering what Basho, the seventeenth century haiku master, would write if he was there to see it.”

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July 11, 2013

John Philip Johnson

STAIRS APPEAR IN A HOLE OUTSIDE OF TOWN

Stairs that never stop going down,
concrete steps, concrete walls:
down twelve, turn right, down twelve more,
fluorescent bulbs humming on every landing—
you can look between metal railings
and see down into the vanishing point. It’s creepy
because it’s so bland, because it is so otherwise
plausible. There are little clusters of tourists
and townsfolk, walking up and down,
murmuring their speculations. The municipality
has stationed a few policemen in the upper stories,
after that it’s the wilderness of young men
who aren’t huffing, or letting their better judgments
hold them back. Some pack a lunch,
see how far they can go. A few loners
have gone for days, or longer, obsessed, and come back
with critical perspectives on prior stories brought up,
arguing against them, bringing rumors of their own,
rumors of the lights shifting imperceptibly,
of ambiguous odors, of vast ballrooms
and wide open spaces, of small villages
with picnic areas, of hot steamy dioramas of hell,
strange animals, grotesque and sublime,
of a rapture that some theorize is the bends
but they swear is as real as the bright pounding light
that fills everything down that deep, where
the stairs are made of light, the walls a glow
you can’t quite touch—this is weeks down,
beyond some rapture or rupture point,
beyond some point from which they never
really come all the way back.

from Rattle #38, Winter 2012
Tribute to Speculative Poetry

___________

John Philip Johnson: “I hear a lot of poets say they’d rather be jazz musicians, but if I could be something else it would be an astronaut. I’d rather land on Mars than win a Nobel Prize. I got into poetry because I had a great high school teacher named Kirsten Van Dervoort. In college I came to believe I could write the stuff when I read Byron rhyme ‘gunnery’ with ‘nunnery.’ I thought, golly, anybody can do this.” (website)

 

John Philip Johnson is the guest on Rattlecast #43! Click here to watch …

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July 4, 2013


Penny Harter

BLUE SKY

On weekends when the woman walks up hills, she does it to see the sun. At sea level, thick smog obliterates the sky, a gray and toxic smothering. Despite the altitude, once she gets above it she breathes easier. She has not seen such a blue sky from down below since childhood.

masquerade party—
strangers crowding into
a downtown loft

When she tries to get some of her co-workers from the factory to climb with her, they merely laugh. “But you can see the sun,” she exclaims. “And the sky is blue!” Her friends prefer the mall or the movies, so she climbs alone.

shooting star—
how briefly its wake
marks the dark

Years pass, and she has to climb higher and higher. Having retired, she can climb more often, but it’s slower going now. One day when she arrives above the timber line, stumbling among rocks shining with lichen, she is breathing in stabbing gasps. Soon she will be too old for this, she thinks. Head spinning, she clings to a nearby boulder and stares up into the blazing heavens. Then she looks down at the tide of gray creeping up the slopes. She knows it is only a question of time until she will be forced to go up and up.

moon colony—
again, the supply ship
arrives late

from Rattle #38, Winter 2012
Tribute to Speculative Poetry

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July 2, 2013

Benjamin S. Grossberg

THE SPACE TRAVELER’S MOON

Tucked behind an obscure gas giant,
tiny, shaped like a kidney bean—
but I had it registered as mine
for a small fee and now have
a certificate to hang in the ship
and a place to visit on holidays
and for picnics. The sky’s dominated
by a ringless planet rarified enough
to float in a bathtub (a large one)—
and planetrise is watching
the curtain lift at a Grand Opera:
orchestral swell; swirls and storms
near enough to touch, as if a finger
dipped in its surface might ripple out
progressively larger circles. Certainly
there’s no air or vegetation, and very
little gravity. No place is perfect.
I dream (what kind of space traveler
wouldn’t?) of planting organic
ground cover, having contractors
put in an atmosphere, and a nice
surface liquid. Perhaps one day,
a species. At some point the notion
of making overtakes the notion
of finding. Just because there was
a planet inhabited by creatures
like me, where I saw silhouettes
in the rockface and even weeds
had a pleasant familiarity, doesn’t
mean there is.

from Rattle #38, Winter 2012
Tribute to Speculative Poetry

[download audio]

__________

Benjamin S. Grossberg: “I think I started writing because it seemed my brothers had taken the other arts (painting, music, etc), and only poetry was left for me. But it could also be something in the genes. One of my grandfathers was a jeweler, the other a Rabbi. Maybe a poet is what you get when you cross a jeweler and a Rabbi.” (website)

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July 1, 2013

Kim Goldberg

GREEN THUMB

Did you hear about the woman who was lonely but did not know it and so, being an amateur horticulturalist, grew a WE in her garden? (Without realizing of course—for once the intellect twigs to the doings of core intelligence, it’s game over for the road that cannot be known, the thought that cannot be thought, etc.) The freshly turned soil around her WE quickly filled with weeds (as freshly turned soil is prone to do). And the woman just as quickly hauled away a barrowful of EDS. She found she had to do this daily but took pleasure in tending her WE (which she still did not recognize as such, although she had begun to wonder if she should cut back on the manure tea). One night, while the woman slept, the WE went. The next morning (an exceptionally brilliant morning) the woman walked out to her garden and saw what had happened. She brought her clippers, then her loppers, and finally a hacksaw. But it was no use. The NT could not be removed. The woman brooded over the loss of her WE until mid-day when she discovered that a flat of scarlet dahlias worked much better in that spot.

from Rattle #38, Winter 2012
Tribute to Speculative Poetry

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June 28, 2013

Conrad Geller

THE DESTINATION

The path the old man walked to the Final Place
was dimly lighted, treacherous underfoot
with crusty snow glittering in the moonlight.
The perfect snow for sledding, he remembered.
The night was chilly, but he had a coat
and, anyway, had never minded weather.

He thought of all the pleasures he had passed,
cream cheese, hot cocoa, delicate flaky pastry,
other January nights ablaze with stars.

He did not blame the keepers, who were kind,
nor the hard necessity that made the rule
of making way for children who were coming,
but would have liked some music with the meals
or, all in all, some pictures on the walls.

from Rattle #38, Winter 2012
Tribute to Speculative Poetry

__________

Conrad Geller: “I have been writing poems since Harry Truman was president, maybe before that. The problem is, I can’t stop writing them. My pleasure in poetry comes not from expressing myself (who would care?), but from playing with language—its sounds, rhythms, and the reverberations of its words.”

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June 27, 2013

Rhonda Ganz

CRYOGENESIS

Official records of the events of December 7, 2053, remain maligno-encrypted. All my attempts to trace the origin of reproductive plasma stored in the iCrypt of the Proto-Matriarch stall at googleterminus. But this morning, (praise-be-to-the-Supreme-GMO), an anonymous researcher at an untraceable IP sanctuary uploaded these fragments.

Ganz

from Rattle #38, Winter 2012
Tribute to Speculative Poetry

[download audio]

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