February 4, 2024

Beneth Goldschmidt-Sauer

ANY KIND OF LIGHT

Your voice said Watch what happens now and then
I woke. Of course it was a dream for you’ve
Been gone for many years, dead dead & Dead.
But still I wait. For what? An icy sluice,
 
A spurt of flame or lightning’s long arm bent
To etch your insignia on my back,
Okay, more pain. I thought of you—I read
We’ve learned why moths (you always wondered) bash
 
Into light, any kind. Why don’t they stop? Stop.
They can’t. For eons stars were brightest
And moths steered clear of sky, but now they drop
Into the suck of incandescent night,
 
They spin and spin, wings loosening their damp
To heat. Now watch what happens, says the lamp.
 

from Poets Respond
February 4, 2024

__________

Beneth Goldschmidt-Sauer: “Scientists think they have discovered why moths and other nocturnal insects are drawn to light; it’s a glitch we’ve introduced into their evolutionary engineering, caused by our pervasive light pollution. Their discovery provides both an indictment of the damage we have done to our planet and also a tidy metaphor for damaging relationships.”

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January 28, 2024

Dick Westheimer

A SKEPTIC’S GUIDE TO RELATIONSHIP SCIENCE

Deb and I lay in bed last night skin to skin. I think my hand was on her thigh and hers caressed my chin, maybe thumbed my earlobe like she sometimes does. We talked, again, about “love languages,” how she likes to give little treasures and wants me to be more attentive to her lists. Like today, her cellphone wouldn’t sync. She needs help with it. She reminds me I still haven’t hung Jeff’s picture in the rec-room. I know Deb’s notebook is full of to-dos for me, all dated, some starred in red pen. There are too few checked off. I tap my fingertips, one by one, feather-light on the small of her back. She sighs.
 
I love
her touch
typing
 
Today I read to Deb from a new study. “Love Languages,” it says, “are not supported by empirical data.” (One of my Love Languages must be “empirical data.”) She tells me about a conversation she had with our friend Claire. They were walking along Barton Pond in Ann Arbor. Deb recalls wearing new blue walking shoes, the ones she now dons to work in the garden. It must have been thirty years ago, she says. Claire’s man Paul hadn’t read the Love Languages book either.
 
growing old
we remember
different things
 
I always wake later than Deb. This morning I find a note taped to my computer keyboard: “Kitchen Counter,” it read, written in aqua-marine script. I’d left the remains of my dinner fixings and now they stuck like glue to the old Formica. We often prepare and eat different meals—mine always with brown rice and beans and cooked greens, Deb’s according to her mood. On the table where I sit to eat there’s a note rubber-banded to the tamari bottle: “PLEASE, Return Me To The Shelf” it reads in bold black marker. As I clean the counter, Deb squeezes by. Her bottom brushes mine, comfortably, for sure.
 
our kitchen too small
to miss her
 

from Poets Respond
January 28, 2024

__________

Dick Westheimer: “The headline, ‘Fans shrug off study debunking love languages,’ was catnip for me. My wife was an early reader of Gary Chapman’s best seller and a believer, and more than occasionally speaks of our differences as measured by the ‘love languages’ construct. Of course I had to read the study! (She might say that referring to ‘studies’ is one of my love languages.) And, of course we both know after 44 years of what Pastor Chapman would call ‘incompatible’ love languages that they are not predictive of a long-sustaining relationship—like the study shows.” (web)

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January 21, 2024

P.H. Crosby

COPING

how it eats at you, the news, always it’s in the news,
not even a story needed, just a snippet of headline
finds you scrubbing a little harder with something you shouldn’t,
a piece of steel wool in your fist that will take off enamel,
finds your jaw clenched as you seek some solace in the yard,
icy white clouds rocketing above you in the desolate blue;
and when your wife comes in later from chopping wood,
her face a little gray already with weariness, you convince her to listen to music
instead of turning on the news, so she won’t one more time have to
sit in the grip of powerlessness with you,
unable to affect the course let alone the outcome,
least of all with the lines belting out of your smart little machine,
which ricochet while you pause, searching for the g,
and see you have savaged the very letter off your key.
 

from Poets Respond
January 21, 2024

__________

P.H. Crosby: “A response to yet another story about school shooting, this time a story about law enforcement itself apparently frozen, seemingly incapable of acting, just as we as citizens seem incapable of taking the measures needed—and proven—to reduce gun violence.”

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January 14, 2024

Christine Potter

WHAT NEXT, WHAT NEXT?

We are all the children of what
our former lives have been. Our
 
parents were powerful but they are
gone somewhere we cannot know.
 
Winter won’t stay winter for long
enough to get a good night’s sleep
 
before it ends up there, too. I don’t
mean spring. Maybe the hour after
 
a storm when the sky clears, when
the temperature plummets. When
 
even the jays at the feeder cry out
What next, what next? See their
 
police-blue tail feathers pointing
back to where they’ve been? Life’s
 
not what we expected—certainly
not fair—and much of it stops me
 
as I strain to understand it: pale,
floodlit national monuments, God-
 
knows-what echoing inside their
stone columns and domes, wind
 
swirling something fierce outside.
Planes aloft with emergency exits
 
blowing out for no reason except
someone having forgotten it could
 
really happen. The little patches of
shelter below, where we try to live.
 

from Poets Respond
January 14, 2024

__________

Christine Potter: “The story about the plane with the emergency escape window that blew out stayed in the news a long time, probably because we have all flown on airplanes and worried about something like that happening—and also, of course, because the pilots of that flight landed it with nobody killed or badly injured. I hate flying worse than almost anything else, but I do it when I have to, so of course I read the news articles, horrified and fascinated. The whole thing also felt like a metaphor for something much bigger.” (web)

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January 11, 2024

Richard Krawiec

THEY ARRIVE

The paper opens at the pressure of the pen and the ink sinks into the fiber.
I almost wrote “welcomes” but the paper doesn’t make that decision. It doesn’t “allow” the ink to enter it, either. Paper exists in its absorbent state and whatever presses upon its surface, whatever arrives, it is powerless against.
Just as the pen is powerless, once the tip is pressed down, to prevent the ink from flowing out.
I almost wrote “escaping” but that seems to imply capability, more choice in action, the ability to avoid, than what is held by pen and ink.
Welcomes. Allow. Escaping.
It’s like Gaza. The people in their homes do not welcome or allow the explosions. Like the paper, their homes simply sit, open to, powerless against, the incursions of missiles and bombs and bullets. Targeted or not, the explosives don’t escape to Palestinian homes.
 
in the corner
a hunter spider
wraps bodies
 

from Poets Respond
January 11, 2024

__________

Richard Krawiec: “The continuing tragedy of Palestine brings daily video of destroyed homes, people defenseless to the ordinances inflicted on them. To the point where the UN just a day ago, Friday January 5, called Gaza ‘uninhabitable.’ Yet, people are powerless to stop the flow of attacks.” (web)

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January 7, 2024

Nicholas Montemarano

SECOND COMING

Now, I want to address this—
this situation—
if you want to call it that—
I guess it’s a situation
we have going on down in Mexico—
where else, where else—
no offense to Mexico
and the wonderful people
the good ones
who live in Mexico—
people will say—
I can hear them already—
people will say I said this, I said that—
he hates Mexicans!
I can hear them now—
let them say whatever they want,
we know the truth.
So, we have this situation,
if you want to call it that,
down in Mexico—
though it goes beyond Mexico
because people are saying—
well, you know what people are saying
about this boy—
how old is he, thirteen, fourteen—
that he’s the second—
I can’t even bring myself to say it—
it feels wrong, doesn’t it—
and of all places, Mexico—
again, there’s nothing wrong with Mexico—
actually, there’s a lot wrong with Mexico,
a lot of problems in Mexico,
but if there’s ever going to be a second coming—
I didn’t want to say it, but okay—
it would be an American,
let’s face it, we all know that,
because this is the greatest country on—
and have you seen photos of this boy,
he’s a little bit, how to say it without—
let’s just say that some people,
and I can see why,
maybe you felt this way too,
take a close look, the shape of the face, the body,
some people mistook him for a girl,
there’s something, what’s that word,
androgynous,
you know that word,
there’s something—
you look and you’re not sure,
boy or girl,
the long hair, long eyelashes,
maybe he goes by they-them-it,
who knows,
but we’ll say he
he doesn’t say much,
have you noticed that,
other people say things about him,
I find that strange,
don’t you,
other people say he’s this and that,
they use the word messiah,
they’re actually using that word
down in Mexico,
and here’s the thing,
he’s never denied it,
and let me tell you,
I know about having to deny things,
if someone says something about you
that’s not true,
you have to deny it,
you have to,
you deny it aggressively,
but this kid, boy, girl, who knows,
doesn’t say a word
when they say what they say about him,
which to me says something,
and we have all these reports
of miracles and healings,
the blind can see, the lame can walk,
people rising from the dead—
this is what people are saying,
but he denies nothing,
which means that he—
listen, what I want to know is
why are there so many blind and lame
in this small town in Mexico
where this kid lives,
what’s going on there,
this kid’s born and there’s a boom
in people who need healing,
what’s happening down there—
sometimes people are the opposite
of who we think they are,
that’s all I’m saying,
and this is all over the news,
it’s all anyone can talk about
when there are much more important things
to talk about,
like today—
look at all of you out there,
who knows how many tens of thousands,
people are making pilgrimages to Mexico
to see this kid,
many, many people,
but nowhere near as many
as are in this arena today,
the news wants to talk about him,
they inflate the numbers,
and you know what,
if he were American, they’d ignore him,
because they hate America,
but he’s Mexican,
so it’s all right to say he’s this and that,
frankly, I think it’s sacrilegious,
it’s anti-Christian to say what people are saying
about him-they-it,
maybe he’s a thing,
you’ve seen that movie where—
you know the one where the alien
from outer space, and everyone thinks
he’s here to save the world,
but in the end—
well, you know how that ended—
I mean, if you had a video of the kid
walking on water, even then I’d say
it’s fake, it’s AI, you can do anything
with AI, believe me, you can’t believe
anything these days—
like I said, there’s something very strange
going on down in Mexico,
and I don’t mean good-strange,
I’ll leave it at that,
and if you’re looking for a second coming,
if you’re looking for someone
to save us,
well, I don’t want to say here I am,
I’ll say here we are,
all of us in this arena today—
and I’d debate that kid,
I’m not afraid,
not that he says much,
he’d probably just stand there
and stare at me—
gives me the creeps—
we’ll have a staring contest,
I’ll look into his eyes,
I won’t blink,
he can look into my eyes
as long as he wants,
he won’t find anything there.
 

from Poets Respond
January 7, 2024

__________

Nicholas Montemarano: “When Donald Trump visited Iowa this week, he continued his longstanding tactic of fearmongering about ‘terrorists’ and people from ‘mental asylums’ crossing the border from Mexico to the United States. My imagination took things from there: How would Trump respond to something seemingly miraculous happening in Mexico? The double meaning of the title occurred to me only after I’d written this persona poem.” (web)

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January 1, 2024

Abby E. Murray

THE NEW YEAR MAKES A REQUEST

It wants us to stop wishing for peace
like it’s the one guarding some goldmine
of surrender or compassion, like the act
 
of not killing each other really is
as easy as pouring tea into mugs,
like it’s something we could have had
 
years ago if we needed it enough
to get up and make it ourselves.
The new year is broke. The new year
 
wants us to put dinner on the table
for once, wants to arrive in January
without pouring a drink for anybody,
 
wants us to rub its swollen feet,
and while we’re at it, stop drawing it
as a baby, too. Can’t we tell how old it is,
 
how it’s been growing for ages
the way we give it no choice but to do,
its face withered as the leather of believing
 
that wishes are akin to changing?
The new year is tossing our demands
out the window like laundry, and here we are,
 
catching them like the birds they are not,
just a bunch of prayers as useful
as limp underpants and socks:
 
who will destroy the guns? the dictators?
the injustice? we shriek. Who will bring us
what we’re waiting for? and the new year
 
points to so much peace within reach of us
in the shape of rubble or sweat
or estrangement or disapproval or debt,
 
needing to be gathered, sorted, and kept.
Get it yourselves, the new year says,
and its voice is as clear as a mother’s.
 

from Poets Respond
January 1, 2024

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Abby E. Murray: “This poem is what I feel my gut saying every time I wish for peace in the new year, especially this year, as it culminates in more war and uncertainty than last year. I imagine this new year as the mother of our future, listening to our prayers for peace that remain unfollowed by action. She wants us to get off our asses and make the peace we need ourselves.” (web)

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