August 2, 2017

James Gering

HAVE COFFIN, NEED PALLBEARERS

I’m celebrating my 48th. No birthday paraphernalia
in the house, so I’ll blow out a mourner’s candle
stuck in a muffin. My son usually calls,

but last time I said no need. That boy is too bloody literal.
Should I email myself? Happy returns, you old sod.
Maybe a selfie with the muffin raised high?

No—I will send out notes in bottles.
Hello, son, remember me? A birthday tree
has just fallen in my forest.

A rogue note: Have coffin, need pallbearers.
So why am I hanging around? How absurd, this train
of thought that will, if let, gather all the pace it needs.

The window breeze calms me and a voice
floats up from the playground, a mother singing
happy birthday to her daughter.

I want to pluck one of the birthday wishes
out of the air, but the mother stops singing
and looks up. I realise I’ve been singing along.

In a feat that startles me, I say, “Hi there,
birthday girl, would you and your mum
like to come over for birthday cake?”

from Rattle #56, Summer 2017
Tribute to Poets with Mental Illness

[download audio]

__________

James Gering: “Depression takes various forms in my poetry. I used to think writing came first, now I believe health is paramount—of body, mind, and emotion. When writers approach optimal health, they have a stable base for sustainable writing. The character in my poem reaches out to people, despite himself. He houses the wisdom, in a remote embryonic chamber, that ongoing solitude and its array of pitfalls are detrimental to his cause. When I am writing sustainably, my poems gradually take on life. Some of them have been gestating for over five years. I regularly visit the notebooks and files housing them and meander through, waiting for insight, waiting for a sublime line or metaphor to elevate the poem such that it gains weight, warmth, and shape while shedding all remnants of melodrama and sentimentality.” (website)

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July 31, 2017

Rhonda Ganz

WHAT GETS US OUT OF BED IN THE MORNING

I met a man Thursday whose brain once kept moving at high speed after his skull had come to an abrupt stop. When we met, he was pushing a shopping cart with empty soda cans and wine bottles, which he figured would get him six bucks at the depot. Seventy years old, he’d slipped on the ice three times already that morning because people on his route hadn’t cleared their sidewalks. He couldn’t decide between blueberry or cherry danish at Sally Café so I bought both, and we stepped into rare winter sunshine as he told the story of how he’d come to be where he was. When he got to the part about being in a coma for six weeks in Atlanta, a Southern drawl introduced itself. After the coma, he spent another 540 days in hospital. They were using him for drug experiments by then, wanted to dissect him for research. His sister, a lawyer in the fancy part of town, finally got him out of there and sued the state of Georgia for 5.6 million dollars. A cheque will be ready in February he said, signed by Obama before he leaves office; a cheque the new guy can’t take away from me. That’s great I said, February’s not very far away. Just around the corner, he said back. It’s just around the corner.

salt water aquarium 
jellyfish 
press against the glass

from Rattle #56, Summer 2017
Tribute to Poets with Mental Illness

[download audio]

__________

Rhonda Ganz: “When asked to identify my illness, I have trained myself to answer only with my name, rank, and prescription number. When I write about depression, obsession, compulsion or other mental health issues, I challenge myself to do it without using those words. Sometimes I say to people that poetry saved my life. Unless they’re a poet, they don’t know how to respond, but truly, it has been the combination of psychiatry, the right medication, and the community I’ve found with poets and poetry, that keeps me here.” (website)

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July 28, 2017

Rachel Custer

COLOR STUDY WHILE WITHDRAWING

The new couch is gray. Or it’s a color
called, in the inflated language of glossy ads,
puffed musk. Which, to be more precise, 
looking more closely now, is a shade of mushroom 
somewhere between morel and portobello. Why 
do I keep thinking it’s gray? 
          My daughter’s eyes
are hazel, but tend, certain days, toward gray.
If you’ve ever seen a foal just birthed, that 
so-fast tremor of skin new to air, my daughter’s
eyes are like that—the sense of being wholly
alive. My daughter’s eyes are gray.
                      Sometimes
I feel the pull, magnetic, of the time I almost
managed to escape this life, and that, too, is gray,
like if you ever mixed papier-mâché. Which
is wet newspaper covered in a flour and glue
paste. That pull is like this, holding a cold glop
of that grayness, when your only real desire
is to have clean hands.
My only real desire
is to look at the couch. That gray, textured,
tactile, so here. To avoid the too-alive gray
of my daughter’s eyes. To ignore the sick-
wet pull of the in-between.
        I swallow it all
and stare at the couch’s back. My daughter
watches mine.

from Rattle #56, Summer 2017
Tribute to Poets with Mental Illness

[download audio]

__________

Rachel Custer: “Mental illness (depression and anxiety) both inform and breathe life into my work, while simultaneously making it difficult to actually get work done. I write to escape fear, and to process trauma, and in a sometimes desperate attempt to purge the dank, poisonous landscape that is clinical depression. I write because I am compelled, and also because I love to write. Sometimes it’s hard to know if writing helps me stay sane or just adds to the negativity of my thoughts when I am in the grip of a depressive episode or panic attack.” (book)

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July 26, 2017

Michelle Chen

KOOTENAI CRADLEBOARD

after Eileen Myles, while visiting the National Museum of the American Indian

You flowered
like a salmon
moves against 
sharp bone
like a beaded
ribbon swings
I called you 
loon because 
you knew
approaching
storms
I called you
washing, the wood
asleep like
a bowl
Inside 
your spine straight,
cheek against
buffalo teeth
Burbling, 
you swallowed
sweet camas bulb
in the shape
of your lung
And 
lifting
this cloth 
against
the mountains
bright under 
the light
like a 
wail

from Rattle #56, Summer 2017
Tribute to Poets with Mental Illness

__________

Michelle Chen: “I’ve learned to write with greater empathy in my poetry because of my experiences with mental illness. Depression, obsessive compulsions, and social anxiety lent me more curiosity and sympathy for narrators who are on the fringes of society. However, both the thought and execution of empathy often falls short in my poems’ universes, and I utilize this theme as a reflection of the difficulties involved with emotional distress. The feeling of being disconnected is the main theme of all these pieces, involving narrators with several small differences or diverse situations that end up eating away at them. I hope that my work will give insight into the realities of mental struggle, if not mental illness, and bring to light the reality and importance of mental health. The lack of tolerance of mental illness has affected me personally—I’ve been personally advised to remove the subject entirely from multiple applications for school and work—and this institutionalized discrimination and delegitimization of those who struggle mentally just as with any other illness is important to discuss. I hope that my piece allows readers not to forgive, but to understand the distressing isolation of thinking and living differently.” (website)

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July 24, 2017

Jackson Burgess

HEIRLOOM

Finally it’s middle night, the town’s asleep
and I can watch my breath hit the porch
with no fear of friendly small talk from neighbors
introducing themselves for the umpteenth time.
My father sings and strums throughout the day—
lovelorn ballads about winter following spring.
His voice cracks and twangs, he falls deep
into his Valley accent only then, when he thinks
I can’t hear through the door. I truly am
my father’s son, burying old love notes
in our overgrown heirloom tomatoes,
giving the dirt her words, the ink that she watched dry.
This late at night, he’s due to come down
in his underwear, use the bathroom, drink
from the tap, and in that moment we’ll be
the only ones awake in this single-stoplight town.
Goodnight Dad. Goodnight son. From my father, I got
my fingernails, my slouch, my rearview mirror.
From somewhere I’m not sure of I got these lungs
full of confetti and a case of somniloquy
only she could stand. Here in Shenandoah
where no one but family knows my name,
I can watch frost creep over the garden and listen
to my father sleep fitfully upstairs, shaking
the house with every stir. If he talks in his sleep,
I can’t hear him through the door.
One of us will have to die first.

from Rattle #56, Summer 2017
Tribute to Poets with Mental Illness

__________

Jackson Burgess: “In college, when I started taking writing seriously, I fell in with a crowd of writers, musicians, graffiti artists, dancers, and derelicts, all of whom loved art so hard it would crack your bones, and most of whom suffered from some sort of mental illness (myself included). It was the first time I’d been in such a community, where depression and medication and therapy were discussed so openly, and as someone with bipolar disorder, it taught me to value open dialogue about those painful topics, rather than to box them up and feel alone. I write to bear witness to experiences and feelings, always from a place of anxiety, and always with the goal of dispelling solipsism in some reader who may have felt the same.” (web)

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July 21, 2017

Katie Bickham

A DIFFERENT ANIMAL

1

Early in the morning, I ghosted 
into the white tile bathroom, stripped—
even my jewelry—

drove myself to vomit, spit, 
and defecate, shook out the ounces of my breath,
and took my weight. I avoided my crooked

reflection in the silver towel rack.
The worst days, I pondered quarters
of pounds harbored in my tonsils and my hair.

Eighteen summers, I silently mined
my body, seeking the fossil
of my skeleton inside me.

My mother watched me swallow
syruped squares of French toast.
She knew and didn’t know.

My death dangled on the edge
of every conversation,
a desperate drop on a cup’s rim. 

Humans facing death in youth
try to swallow everything, cry injustice, 
make wishes, hold their breath.

Dogs refuse food. When Sophie,
our Labrador, faced her end too soon,
my mother crawled beside her

with warm beef stew and my soft 
baby spoon. The dog died,
salivating.

2

I walked down the aisle with whale bones
circling my ribcage. I pictured the whale
vomiting Jonah onto the beach.

I had never purged in church
until that day. God was alive 
in those years and I knew

he saw me, corseted,
flowers fastened in my hair,
and looked away.

My husband tells me years later
the horror
of my torso from the room’s other end.

I feel proud,
but do not 
say it.

3

My doe-eyed mutt stands in the corner 
of the bathroom, watching me heave
my whole life into the toilet

on all fours. I suspect she’s always thought
we were the same—that I was
just another sort of dog

until this moment. She knows now,
I am a different animal entirely:
a creature dragging back

to its own ooze, a broken beast, rotten
with a sickness she can smell. And she
can’t tell a soul. 

After I’ve scrubbed my hand,
my weak teeth, I kneel again
and pat my knee.

Because she is a dog, she comes quickly
and fills my palms with her heavy head.
Starving, I let her love me.

from Rattle #56, Summer 2017
Tribute to Poets with Mental Illness

[download audio]

__________

Katie Bickham: “Eating disorder is the mental illness with the highest mortality rate, and I have been wrestling with it for over a decade now. Disordered eating is one of the strangest mental illnesses, because it’s one that the sufferer almost always wants to have on some level. I’ve often felt addicted to anorexia and bulimia, strangely happy with the havoc they wreak on my body, hesitant to lay them aside and ‘grow.’ The strangest part of it is that I’m a feminist and support a woman’s control over her body and reject male-driven beauty norms. But still, I fight to shrink, to disappear. Then one day, a new therapist who I went to see when there was nothing left to do but die told me something that seemed to throw everything into reverse. She said, ‘You deserve to take up space in the world.’ That same week, I started graduate school and work on my first book of poems. I have grown—in every sense—but the desire is always there waiting.” (website)

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July 19, 2017

Francesca Bell

CONTAINMENT

When the man sat down next to me at Starbucks, need coming off of him like a pheromone, I was quiet, having read, more than once, God save me from the well-meaning white woman, for he was a person of color—I wasn’t sure which color, but not a fucking white person like me—and maybe I was profiling him, maybe I was an asshole and had already offended the black woman who said I could share the table but packed up her things when I sat down, leaving me to chew my dry, multigrain bagel thoroughly like the stereotype it was and read an article about wildfires in Canada and how people watched their homes burn, at a comfortable distance, on cameras linked to their phones, until the man asked quietly, from his place to my side, if I could buy him a cup of coffee, his face open the way a wound is open, soft face about the age of my soft-faced son, and it was Mother’s Day, and I couldn’t escape the bounds of my whiteness, but I worried he was hungry, my son is always hungry, so I said I’d like to buy him something to eat, too, and asked was he okay, and he said he was, but life is strange right now, and I said, yes, isn’t that the truth, and I had an appointment to get to and handed him twenty dollars from the stack in my purse and heard him order coffee and his bagel with cream cheese, and the black woman came back and sat down just as I walked out, my tears overflowing like clichés.

from Rattle #56, Summer 2017
Tribute to Poets with Mental Illness

[download audio]

__________

Francesca Bell: “I’ve written quite a bit about different mental illnesses, my own and others, and I try to even over-share about it. I had this experience, when my relative was very sick with his bipolar disorder and OCD, I shared about it with a woman that I knew, and she came back to me years later and thanked me. Her daughter had developed OCD, and if it hadn’t been for me, she wouldn’t have known what it was, and she wouldn’t have known what to do. So that’s another thing that we really lose when we don’t talk about it. You can save other people a lot of time and suffering, just sharing your own experience.” (website)

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