October 2, 2014

Courtney Kampa

NOCTURNE IN WHAT NOW FEELS LIKE A VERY SILLY DRESS

Tonight there are no taxis
in Harlem, and the moon is somewhere,
mustering itself the way a man does
to take himself to someone else.
You know this night. The one so large you can stand full height
inside it, your eyes blade level
with its throat. And this street, you know it too: busy intersection
where you speak a little louder to be heard
above the blood inside you, gunning
two directions like traffic down a bridge. The taxi, if you could find one,
is for only you, though he is standing here—
because though he’s just left you, he won’t leave you
until he’s seen you safely
on your way—the good-guy, the gentleman, fearing nothing
so much as appearing not to be. He has to think a little louder to be heard
above these speeches corked
inside him, the ones he knows you wouldn’t listen to
in a way he would enjoy. He has watched you die
before. His silence, which is a doorlessness
the street comes, also, to resemble. His hands half-hidden
in his shirt sleeves, like a boy.

from Rattle #43, Spring 2014
Tribute to Love Poems

__________

Courtney Kampa: “Why write? Revenge.”

Rattle Logo

October 1, 2014

Susan Doble Kaluza

KISSING AS A RELIGION

In 19th century Rome it was said that the monks
kissed the backs of their hands as a sign of repentance.
Oh, how I repented as a Catholic girl, even as I kissed you—

kissing and repenting, kissing and repenting—as I pulled your top lip
with my teeth, biting ever so gently. How absurd to think
kissing gets any better than the first time you leaned over me,

breath thick with Jack and Coke, that rogue teenage elixir,
and whatever warp speed hormone instigates back seat sex
and what is now considered nothing but a little teasing

in the area of petting. Sounds like a zoo, kissing does, back then
travelling north on the county road just after dusk, after the cattle
lumbered off on their arthritic hocks, kicking up dust that smelled

like manure and left us alone in your idling car in the middle of the pasture.
I’ve fought the urge for years to write a poem about your lips, for which
I can only think in terms of “exquisite” and other adjectives strictly forbidden

in poetry classes—your perfectly aligned teeth, your soft boyish whispers.
Sometimes I think I was never actually there in the afterlife of your words,
those jerry-rigged one-liners bolstering my heart, stopping, not stopping

in my ear as you pulled back my hair. Now I think there was nothing to repent for,
nothing to confess. If ever there was a sin for which penance was required
it would be for never kissing like this not once since.

from Rattle #43, Spring 2014
Tribute to Love Poems

__________

Susan Doble Kaluza: “I think I write for the kind of truths that poems give voice to, the kind that startle me about myself when I’m connecting thoughts with sounds, and vice versa. The English language is (I hope a worthy metaphor) an untapped oil well of riches that, through a very careful and personal arrangement of words, must be worked for, even won. It might even be an extended creation of one’s own being out of the sense that sounds make. When I’m working on a poem, when I don’t know what day or time it is, when I forget to eat, is when I’m happiest. In fact, often, in combination with my weekly runners’ highs, I’ve nearly collapsed from joy. When I finish a poem, when the whole thing rolls musically and effortlessly off my tongue, I sit back like I’ve just tunneled through the cells walls to another human oil well, and sometimes I cry.”

Rattle Logo

September 30, 2014

Jill Jupen

THE SPACE BETWEEN

This entire day
I have felt
just a few seconds
separated from myself.

Stepping outside
I close the door upon my foot.
The glass on the table
is moments away
from the water I pour.

I speak words
that sound foreign
even to me;
said too early,
or perhaps too late.

The tenderness
I thought I felt
is gone
before my hand
ever reaches your arm.

from Rattle #43, Spring 2014
Tribute to Love Poems

__________

Jill Jupen: “I have been writing poems since I was five. I met the poet Hayden Carruth when I was eighteen and he said, ‘Write.’ He stuck with me until the day he died, reading everything I sent him. Sometimes he would send my work out and it would be published. I’ve decided he would want me to keep sending it out.”

Rattle Logo

September 25, 2014

Troy Jollimore

TAMARA

Years from now he’ll remember the months he spent
trying to unlock a lock of her hair
and how, when she kissed him, he felt like a poem
being translated from one language into another.

from Rattle #43, Spring 2014
Tribute to Love Poems

__________

Troy Jollimore was featured in an interview in this issue. Read the full conversation at Rattle.com next Monday, September 29th.

Rattle Logo

September 24, 2014

Jackleen Holton

HOOTERS

I’m at Hooters, you tell me when I call, and I make you repeat it because I’m sure that I misheard. But on your third attempt, I catch the word. Oh, Hooters, I say, and wonder if this is the beginning of the end. And the waitress is there, trying to take your order. Can I call you back? Sure, I say and hang up. Go ahead, ogle her, in her little orange shorts and white tank, pulled tight, those owl eyes bulging. She’s probably flirting with you now, the way they’re trained to do, commenting on your accent, asking you where you’re from. And I know she’s not pretty or even beautiful, but gorgeous, because I knew a guy who worked construction at the franchise before it opened, who watched as the girls came in for their interviews, and there was this one who smiled at him, and he remarked to a co-worker, she’s hot, but the other guy shook his head and said maybe, but she wasn’t Hooters-quality gorgeous. And just after college I met a Hooters girl named Stephanie who was a few years younger than me. And as we sat in the Italian restaurant with our mutual friends, an older man stopped by our table to call her that very word: gorgeous. Envy prickled in me, not because I wanted to work at Hooters, but because I probably wouldn’t make the cut, what with the little bump in the center of my nose, my eyes set a bit too close together, not to mention my cup size too small for their requirements. But that was nearly twenty years ago. Even Stephanie the Hooters girl is now past forty, as are you, sitting there waiting for some terrible food to be delivered as you watch the parade. What’s next, I wonder, strip clubs and lap dances? My old boyfriend Dave had a drawer full of other women’s numbers. Is that where we’re headed? The phone rings. You should come here, you say. It’s such a typical American spectacle. I laugh. I’m good. While shopping at Target, you got hungry. Outside, the first thing you saw was Hooters. Of course, I reply, those big eyes. In college, the opening of the restaurant sparked many a debate in my women’s studies classes about the objectification of the female body. But now I’ve accepted the fact that women will continue to objectify themselves. If anything pisses me off about it anymore, it’s that they’ve co-opted the owl. You tell me you’ll try to come by later. But later you call again, your stomach aching. Too much salt on that chicken breast sandwich. You’re going to bed early. Poor baby. I hope you feel better, I say, and mostly I mean it. I look out the window, thinking of owls, the real kind, like the one I saw last week flying from a dark eucalyptus, over my balcony into the canyon; the sound it made, less of a hoot than a harrowing shriek as it flashed a momentary silver then disappeared into a copse of black trees.

from Rattle #43, Spring 2014
Tribute to Love Poems

__________

Jackleen Holton: “I was trying to write a poem for a class I was taking. I think we had five different prompts that week, and I was coming up with nothing. So, to distract myself from the task, I called my boyfriend. From his first sentence, ‘I’m at Hooters,’ the poem sprang forth and, by the end of the evening after he called me back with a stomach ache, it had pretty much written itself.” (web)

Rattle Logo

September 23, 2014

Mark D. Hart

ICHABOD

No telling him
he looks ridiculous.
This banty rooster—
all 8 inches of him—
puffs up and
struts his maleness
dwarfed by the full-sized hens.
Icky’s crow is an
octave too high and it
falters at the end to a
squeak, and we laugh,
but fondly.

from Rattle #43, Spring 2014
Tribute to Love Poems

[download audio]

__________

Mark D. Hart: “Our little banty rooster, Ichabod, has been dead for years now, but he remains alive in the treasury of family memories. Writing poetry is a way for me to, if not immortalize, at least prolong the memory and the savor of the joys and sorrows that have made up my life and to share them with others.” (website)

Rattle Logo

September 22, 2014

Benjamin S. Grossberg

THE SPACE TRAVELER’S CRUSH

Interestingly, it puns the same
in my language, too. Think
soda cans, think trash compactor,
think an enormous industrial
apparatus that squeezes and stacks
old cars. And how all these shrivel
beside the compaction of a heart
in the twin grinding knuckles
of desire. He wants to tell me
it doesn’t work that way, not
at my age—though he and I
reckon years by different suns,
so he has no idea how old I am,
not really. I want to tell him
I am as old as the wisdom
he hopes for in a lover, as young
as the incarnation of desire:
which must be beyond age, as
beyond gender, beyond species—
a lithe blue flame that manages
to warm even those parts of the body
decades cold. Listen, I tell him,
speaking into the intercom,
my voice moving out beyond
the ship—vector as the crow flies—
I don’t want to compromise
our friendship, but I’m willing to try
if you are. Except I don’t tell him,
and it’s the air vent I’m speaking into,
not the intercom, getting dust bunnies
in my face. Soon we will meet
to hike an asteroid. Then
I will swing by his planet to watch
a flick on his world’s crude
Internet. We’ll sit on his couch,
as we do, and he’ll lean his head
to the side—over a little further, then
a little further, until it seems almost
inevitable that it would float
to a soft landing on my shoulder,
like how you can cut the engines
and let your ship drift those last
few feet before touchdown.

from Rattle #43, Spring 2014
Tribute to Love Poems

[download audio]

__________

Benjamin S. Grossberg: “I wrote ‘The Space Traveler’s Crush’ after an evening with a ‘friend’—the last time we socialized—that helped clarify the nature of our relationship. We watched the HBO series Spartacus, and he was mesmerized and exclaiming about the gladiators, but not about me.”
(website)

Rattle Logo