October 20, 2022

Take Heart by 
Bonnie Riedinger, abstract painting with blue on top and gold on bottom

Image: “Take Heart” by Bonnie Riedinger. “Heavenly-Blue Morning Glory” was written by Dion O’Reilly for Rattle’s Ekphrastic Challenge, September 2022, and selected as the Artist’s Choice. (PDF / JPG)

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Dion O’Reilly

HEAVENLY-BLUE MORNING GLORY

You know those moments
when you’re young, dumb-
struck by the sight of something,
the air undone by mist and naked
sunlight as you pace the tracks
in Seattle for no reason,
save the oily light,
the peel of moon, coy
between the clouds.
Sure, you feel the same
old disaster, the same sadness
about sadness.
That’s a given, but then,
you’re hit by a fit
of chromatic blue. Hunger-
blue, blind-blue, squeezing
the high fence
like a host of baby-faced
pythons, so cerulean, so rare,
in the dripping freeze,
so necessary and painful
after months of gray
restraint, gray as the gray hair
around your mother’s near-dead face,
your hand released, finally, from her
pressed fingers, her furious fist.
It’s the first time you notice—
like the open throat of desire,
the tapped vein—
how much you want the world.
 

from Ekphrastic Challenge
September 2022, Artist’s Choice

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Comment from the artist, Bonnie Riedinger: “I was looking for a poem that moved me, showed the poet’s appreciation for the sound and rhythm of language, created fresh, vivid images, and captured the essence of my painting. ‘Heavenly-Blue Morning Glory’ ticked all the boxes. The unexpected comparison of flowers squeezing the fence and baby pythons provided an effective link to the pressures at the end of poem (the restraint of months, and the mother’s pressed fingers and furious fist). Cerulean as it follows pythons takes on a slithery sound; repeated assonance provides cohesion; the homonym of freeze/frieze unites art and words. Used judiciously, word repetition, alliteration, and hard rhyme provide emotional and rhythmic punches (‘hungerblue,’ ‘blind-blue,’ ‘sadness about sadness’). The last three lines nailed it—uniting the open throat of the flowers, the consuming desire of the baby pythons, the mother’s furious desire and the speaker’s desire for the world. The poem expresses beautifully what I hoped viewers would see in the painting as well as standing on its own as an evocative and well crafted poem.”

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October 15, 2017

Dion O’Reilly

EVERYTHING THAT’S OLD

Jets are the new motor homes
chemtrails are the new clouds
the unknown dead on an island
are the calm before a storm
robots are the new immigrants
Roundup is the new hoe
Colbert is the new Cronkite
smoke is the new sky
drought is the new summer
cars are heart disease
dust is lawn
downtown is the new homeless
Amazon is the new mall
retired is the new nomad
needles are the new rusty nail
plastic is the new lead
viral is the new headline
posting is the new protest
the horizon of the western ocean
is the new ghost of Godzilla
the Cold War is the new Cold War
fire heading down a suburban street
is wind
anxiety is the new air
the Earth’s crust is the weak eggshell
of a songbird.

from Poets Respond
October 15, 2017

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Dion O’Reilly: “There has been much in the news to cause anxiety this week: Trump’s assertion that his meeting with generals was the calm before a storm, the fires raging just a few hundred miles away from me in Sonoma and Mendocino County. Every alarming piece of news is part of a broader picture of a sea change– the eerie feeling we are being forced into a new and deadly normal.” (web)

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