Jennifer Hambrick: “In my first career, I performed as a professional flutist with major orchestras and in studio recording sessions. Classical music got under my skin during my tender years through an intense study of dance, and pop radio was the soundtrack for my adolescence. That musical immersion helped prepare me for all of my work with music, including my current career as a professional singer, classical music broadcaster, multimedia producer, and cultural journalist. I don’t often write poetry about music, but I do always write poetry—whatever the theme or subject—musically, by ear. The word-rhythms and vowel and consonant sounds I hear in my mind’s ear guide me through the creation of every poem I write. In this sense, the process of writing poetry is, for me, nothing short of making music with words, and the most important ingredient in my writing process is second nature to all good musicians: listening.” (web)
Christiana Doucette: “This poem was written as my phone battery depleted last night. We are on day four of no power, post-Helene. And I am so very grateful for good neighbors and bodily safety. I think we of the South Carolina upstate, and Western North Carolina will be carrying the terror of this storm for a long long time.” (web)
Alba Payton Valencia: “I like to write poetry because it makes me feel happy and also because I like to write it with my papa. And because it makes me think of my home.”
Vince Gotera: “I play bass in the band Deja Blue and also guitar in the duo Groovy News. I’ve played in bands for several decades. Music has been a crucial theme in many of my poems, focusing most often on guitars and guitarists as well as on the act and feeling of performance.” (web)
Thomas Dorsett: “One afternoon, over 40 years ago, I got on the subway on my way to the New School in New York City. I had signed up for a course in poetry taught by the great Jose Garcia Villa. My brother had warned me that he often severely criticized student work. I was very nervous. A little while later, he read some student poems and, true to form, demolished them. Then he came to mine. After reading it, he looked up, and asked Thomas Dorsett to identify himself. I stood up—Here it comes, I thought; my poem must be especially bad. ‘You will become a poet,’ he said. I just stared in amazement until he told me to sit down. That night I thought that I must do something on the side so I can afford to eat. So I became a physician, too. After 60, I added a third ‘p’ and have become an avid amateur pianist.”
Mark Fishbein: “I am known as PoetwithGuitar (email, website, and social media). After playing at folk clubs in the ’60s and rock bands in Paris in the early ’70s, I joined the Musician Union Local 802 in New York and played in various venues for a year. My last gig was at a Hawaiian restaurant for several months in a small tiki band. Realizing my music talents were average at best, I took a business opportunity, and stuck to poetry. However, I later took up classical and Brazil style playing, and now perform in a ‘piano bar’ format at art and poetry events, private parties and banquets, and to accompany my readings. I have four published books. This poem is part of a collection of fifty poems, Poems in the Key of Music, currently seeking publication. I currently live in Chicago.” (web)
Lynne Knight: “I walk by this ravine almost every morning. Years ago, it was overrun with brambles. Then one year, whoever lived in the house by the ravine slowly cleared the brambles and planted wildflowers. I walk at dawn, so I never saw anyone at work. But it was easy to imagine a source for all the energy it must have taken to reclaim the ravine, the way it was easy to turn the brambles into metaphor.”
