April 17, 2024

Matthew Shelton & Timothy Liu

BABEL

Scattered across the islands of the Galápagos archipelago there are half a dozen species of lizard that rely upon a method of communication comprised of what can only be called “push-ups.” When one lizard encounters another, each takes its turn bobbing head and torso up and down in a complex and jerky system of frantic interaction. By this means, lizards of each species establish territorial authority, reinforce social hierarchies, even engage in mating rituals. 
 
It appears that these lizards evolved from a single species settling the islands from the mainland some 34 million years ago in what scientists have identified as two major waves of colonization. A small “Eastern Radiation” left two species endemic to San Cristóbal and Marchena, while the majority of lizards have come to inhabit the southern and western islands, spreading over time to the younger islands as the older were transported eastward, eventually eroding below sea level. 
 
Each species has developed its own particular vocabulary, its own dialect of body language, to such an extent that each species might be said to “speak a different language.” Suffice it to say, when a lizard from one species encounters a lizard from another, bobbing head and torso up and down in a complex and jerky attempt at frantic interaction, try as they might they cannot understand each other. Lizards from one island are consequently unable to interbreed with lizards from another island. Without communication, it appears, there can be no intercourse.
 

from Rattle #83, Spring 2024
Tribute to Collaboration

__________

Matthew Shelton & Timothy Liu: “For the past five years, we have been collaborating on poems and performances that incorporate music with verse. The texts for the project include pieces performed both acapella and with instrumentation (tabla, shruti box, log drum, singing bowl) in the tradition of the Sufis. Through the use of repetition and incantation, a single sonnet can be stretched and pulled beyond recognition into a hypnotic and improvisational rhythmic space.”

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October 10, 2019

Timothy Liu

WITHDRAWAL

Do they serve
turkey in Turkey

is a question

no one asks
on the highway

out of Raqqa—

from Poets Respond
October 10, 2019

__________

Timothy Liu: “As a child, I often wondered why things were named what they were named or spelled as they were spelled (remember ‘colonel’ or ‘bologna’?). As an adult, I find myself musing on slippages of language bordering on the absurd.” (web)

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February 1, 2018

Timothy Liu

STATE OF THE UNION

Seems my tears are good

for nothing but to salt
corn on the cob the hired

help shucks to get me

thinking about something
other than that porn star

one-hundred-thirty-thousand

dollars richer for keeping
her mouth shut both during

and after my husband

sodomized her right after
we were married. You too?

I’m not immune to feeling

shame. I don’t wear black
tonight not because I don’t

identify in some small way

with the rest of you—no!—
but I too am a Dreamer

decked out in a Christian

Dior cream-colored suit,
my Dolce Gabbana blouse

a nod to humbled privilege

just South of the Tyrol
where no one could ever

imagine building a wall

let alone asking the public
to pay for it! He promises

unity yet sows discord!

What exactly does the meme
of a North Korean refugee

holding up a crutch mean

in the middle of a speech
no one will remember by

morning when everyone

opens their phones to scores
of fact-checked lies as he

tweets more fake news to his

37% approval-rated base?
Fuck Davos! I’m getting used

to taking a separate car

on that short journey from
here to wherever I’ve never

been able to quite call home …

Of course the Chinese see me
gussied up as an angel of death—

raccoon-eyed and diaphanous

under heavy pomade and
camouflage, hovering here

in the balcony like a helicopter

straight out of Apocalypse Now
blasting some inaudible tune

with no safe place to land.

from Poets Respond
February 1, 2018

__________

Timothy Liu: “To watch or boycott the State of the Union address was on my mind. I ended up watching the thing go down.” (web)

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December 1, 2016

Timothy Liu

PROTEST SONG

Do I have to
comfort you,

little ones?

The cancer
has spread

deep into

the country,
even beyond

the outlying

provinces.
The Christian

god won’t bring

back coal.
And don’t you

think the air

is too full of it
already? You

can’t fight

the lower
wages across

the border,

and besides
this will mean

others will

have more
reasons to stay

on their own

side where we
know they

have always

belonged. Fear
not. This

is how we make

America great
again as, one

by one, million

dollar mansions
crumble into

an unforgiving

sea, not one
then, but two

Americas

as the borders
that have

been drawn

start to redraw
themselves

again, can’t

you smell
the fear inside

their blood

just before
it’s shed?

The pipeline

will not
go through,

not if

any of us
can help it.

Goddamn

the buffalo
gathered on

the horizon

if they aren’t
ready to

stampede

for they know
which side

we’re taking,

water cannon
fire be

damned,

concussion
grenades

be damned—

lobbed across
lands we hold

most sacred.

A man without
a soul-friend

is like a lake

no good
for bathing

nor drinking

so fear not,
little ones,

the ancestors

won’t leave us
the same way

shit jobs

have already
left them

holding on

to nothing
more than

a tiny

scorched
tract of earth

called home.

Poets Respond
December 1, 2016

[download audio]

__________

Timothy Liu: “The protestors at Standing Rock have been given a deadline of December 5th to abandon their obstructing location. A friend of mine recently returned from the site, saying, ‘They pray 24/7 there, they never stop praying! Who are they praying too?’ My friend has doubts over the existence of a higher power but did his part anyway. I wrote this poem out of solidarity.” (website)

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May 27, 2015

Timothy Liu

FIVE SENRYŪ

Blind Date

Scrabble tiles spilled
across the bedroom floor—

no one keeping score.

 

 

 

During One of Mahler’s Endless Adagios

The crinkled crackling
of a lozenge being unwrapped

followed by a yawn—

 

 

 

The Honeymoon

My body is not
Afghanistan so perhaps

it’s time you pull out.

 

 

 

Occupied

when he unzipped
to display his sizable

stimulus package—

 

 

 

Spring Is Here

With cherry blossoms
swirling again around us—

stop talking so much!

from Rattle #47, Spring 2015
Tribute to Japanese Forms

[download audio]

__________

Timothy Liu: “As a fan of short syllabic poems, I’ve been writing haiku (5–7–5) and tanka (5–7–5–7–7) for decades and keep them in a special file. I almost never send to haiku journals because they don’t publish the sorts of things I like to read. As for American letters, I think there’s a distrust of poems of such brevity (unless they’re translations of Basho!), so I mostly keep these little gem-like forms to my lonesome.” (website)

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October 8, 2014

Timothy Liu

LOVE POEM

I have no need
for the mirror

you smashed

when I have your
fist to look on.

from Rattle #43, Spring 2014
Tribute to Love Poems

[download audio]

__________

Timothy Liu: “When I was a freshman at UCLA in 1983, I checked out Sylvia Plath’s Ariel from the library and settled down by the pool at the Sunset Rec Center. By the time I got up, I knew I wanted to be a poet. Or as Robert Lowell famously put it in his introduction: ‘To play Russian Roulette with all six cartridges loaded.’” (website)

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October 7, 2014

Timothy Liu

THE LOVERS

I was always afraid
of what might get

revealed in a psychic’s
spread—
Forgive me
for not knowing
how we were

every card in the deck.

from Rattle #43, Spring 2014
Tribute to Love Poems

__________

Timothy Liu: “When I was a freshman at UCLA in 1983, I checked out Sylvia Plath’s Ariel from the library and settled down by the pool at the Sunset Rec Center. By the time I got up, I knew I wanted to be a poet. Or as Robert Lowell famously put it in his introduction: ‘To play Russian Roulette with all six cartridges loaded.’” (web)

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