October 2, 2013

Dan Albergotti

A BRIEF HISTORY OF POETRY

All day the man threw the stick for the dog.
All day the dog brought it back. The beetles
crawled on the branches of small trees, and clouds
drifted along without being noticed.
The man threw the stick. The dog brought it back.

The trilobites scuttled along the floors
of the oceans, the crocodiles crawled out
of the rivers to sun, the mastodons
died off, and the cheetahs stalked the gazelles.
All day the man threw the stick for the dog.

The Phoenicians contrived an alphabet,
and Sophocles wrote some plays. The Romans
raped and pillaged and crucified. The Huns
did what they could to leave a mark themselves.
The man threw the stick. The dog brought it back.

A splinter got lodged in the flesh, a mote
got stuck in an eye, and some angels danced
on the head of a pin. Some babies died
of malnutrition on this golden earth.
All day the man threw the stick for the dog.

A crowd gathered to watch the dog and man
play their game. But the dog and man saw it
as work. They knew everything was at stake.
With each throw the man sent the stick farther.
The man threw the stick. The dog brought it back.

The atom was split, an ant moved a grain
of sand seven yards, and the Khmer Rouge
rose and fell. And somewhere along the way
the dog disappeared, and only the stick
returned to the man. A moment’s magic.

from Rattle #39, Spring 2013
Tribute to Southern Poets

__________

Dan Albergotti (South Carolina): “They just seemed like lines of type on a page at first. And then John Keats was in the room with me. He was still in the ground in Rome, but he was in the room with me too, holding out his living hand, palm up. How could I refuse such an invitation to transcend?”

Rattle Logo

September 11, 2013

Anne Wilson

REFLECTIONS ON A POETRY JOURNAL’S
SUBJECT MATTER IN THE MILLENNIUM DECADE

why we persist in going to stupid
high school reunions; how at 50 you realize
that you’re now too old to die young;
how to explain to a husband and child
that one feels ready to die;
then, there’s the writer who wishes to reach
samadhi—preferably before he has to be at work;
a poem in praise of one’s analyst;
one wondering about the karmic trip of a pigeon;
the melancholy of a disappointing vacation;
spending time in the dentist’s office
with one’s husband; musings on an ex-wife
dying of cancer; and a poem about losing
at Monopoly; there are poems about anorexia,
and a man who is obsessed with fish tanks;
someone else is disturbed by the fact
that he’ll never see his own corpse; another
fears that if he’s laid off in mid-life,
he will let his wife down; a puzzling
poem about what it means to “have fun,”
a meditation on dead tulips; and thoughts of
a man throwing out empty whiskey bottles
from his dead father’s apartment.

If it is true, as Louise Glück has stated,
that all poetry begins with a haunting,
our journals offer a glimmering
of what Americans find troubling
in the millennial decade. The question
of what it means to be human,
staggering in its concern for the trivial,
poses new challenges.

from Rattle #21, Summer 2004

Rattle Logo