September 27, 2013

Ann DeVenezia

NO PHOTO

I wish I had not forgotten my camera
the day Kristina Michelle was christened
a clear day in mid-February

pure snow on the ground in upstate New York
at Saint Anne’s church along the dirt road
an itinerant preacher renewing the vows.

Would I remember how tiny she was
how her long white dress fit so perfectly
if I had no picture pasted in the album?

She was crying at home in her bonnet
but when the water hit her head
she lay quiet in her mother’s arms.

I smelled the incense
felt the oil on her fair skin
trusting to memory the candle’s glow.

from Rattle #20, Winter 2003
Tribute to Italian Poets

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September 26, 2013

Alfredo de Palchi

THE BORDER

Incongruous consolation of being at the window,
grass sterilized by frost
scraps of metal, wheels, handlebars, cylinders,
entire cars, what a splendid flowering

it’s so dark in my unconscious
I don’t know how to damn myself
for confiscating the center that lights up
the unconscious, which strengthens the instinct
right with these chairs around you
in this home on this bed

here is the border where you are the last physical
boundary; more space lies beyond
although I can spot it in you, clear concept,
immediacy—perhaps it’s the way
of words uttered by the midnight voice
when you dream yourself in a trunk or a room
without windows or door, or when
you hear knocking on the outside wall
someone who wants to come in.

—from Addictive Aversions, translated by Sonia Raiziss

from Rattle #20, Winter 2003
Tribute to Italian Poets

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September 24, 2013

Diane Shipley DeCillis

OPERA BUFFA

At La Dolce Vita, in the village,
the gnocchi lifts itself off the fork,
floats like a cloud in your mouth,
the marinara so fresh,
it ripens the tomatoes, garlic
and basil right on your tongue.

Clemenza’s in the kitchen
stirring the sauce,
telling everyone he really doesn’t eat
that much, it’s the fumes
that have permeated his body,
gotten under his skin
and made him fat.

My date Antonio closes his eyes
after each bite, groans,
Marona, this is as good
as my mother’s.

Satisfied, he lays his folded napkin
on the empty plate and slumps
in the chair while I,
having saved room,
crane my neck looking for the waiter.
What, you want dessert too?
He seems surprised.

I’d like to see what they have,
though I’ve committed it
to memory.
Aren’t you full? he asks.
Am I full? I think to myself.
It’s bad enough that we have to die,
that I’m not taller, that my metabolism
is molto lento, but to dine with someone
who is indifferent

to a chilled plate
of Panna Cotta,
silky, quivering cream
adorned with fresh berries,
or Torta Strega, cake
perfumed with liqueur,
filled with pastry cream
and finished
with hazelnut meringue.

I cannot live on lasagna alone
and the fact that Antonio
doesn’t sense this threatens
our chance for a future.

The waiter smiles as he unravels
the dessert menu, handwritten
on rough brown craft paper.
Tiramisu
Umbrian Apple Tart
Selville Orange Sorbetto …
This is so beautiful
, I say,
ordering the Panna Cotta.
May I keep the menu?
Of course Signora
, he says.
And you sir?

No. Nothing for me,
just a cup of espresso
.

Oh Antonio, Antonio what
are you thinking?
How can I trust a man
who doesn’t like sweets?
At La Dolce Vita
what could have been the start
of a beautiful romance—
snapped like a broken string
on a Stradivarius!

from Rattle #20, Winter 2003
Tribute to Italian Poets

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September 23, 2013

Antonio D’Alfonso

10.04.02

Paris is far, so is Rodin’s Secret,
those lovers’ hands that caress one another
without touching, and still touching
is touching, a whisper that encompasses what
can’t be confined, my home is a city of confinement,
though the cage is invisible and the bars glittering.
Paris is a secret that unfolds within like a whisper,
and the walls fall apart when the taxi driver smiles
and the waiters laugh: This restaurant
is a lover’s sex for poets to kiss. What lips
have we touched today? No price to fix
on the works Paris promises.
In the atrium, the workers of joy.
Above us, the aristocrats of history snore.
One leaves and one gives, one takes and one breaks.
No photograph can capture the multi-dimensions
of those fingers that touch without touching.
My city is a haven for replicas where touching is killing.

from Rattle #20, Winter 2003
Tribute to Italian Poets

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September 22, 2013

Giovanna Capone

MY MOTHER

You were always the loud, strong-willed one
ruling us like a high-strung captain
our ship flung
headlong through a tempest.
You were the flaming sun
around which we orbited
your sparks flew
in radiant hues.
I always knew your fire
could warm me
or singe.

Even now, at 75
so much hinges
on your gray-headed ultimatums
your words flying freely
Your love
filling the house.
Your round face
and dark brown eyes
could always
inspire fear or pride
in your children.

When I was little
you often dressed
in black
to go out.
Standing before the mirror
you plucked stray hairs from your chin
with silver tweezers
powdered your nose and cheeks,
applied dark red lipstick
tossing it all
in a big black pocketbook
that hung from the doorknob
of your room.

I didn’t know
if I wanted to be like you
or fall in love with you.
You were

Elizabeth Taylor
in a hot black dress
nylons
sparking as you walked.

from Rattle #20, Winter 2003
Tribute to Italian Poets

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September 21, 2013

Dorothy Barresi

THE GARBAGE KEEPERS

Where is their calm, their rest?
Ghosts drink milk
to keep their collars clean

a ragged man tells me, grinding his teeth
between lights at Adams and Main.
He breaches the curb
with his ten thousand clattering
things in a shopping cart.

Is there, I wonder idly to my friend John, walking with me,
a shriveled Vietnam
somewhere in that mess,
or a sinister mother
archived in the spindrift avalanche of cast-off
encyclics from the phone company,
charity blankets,
a spawning run of soda cans? What cause?

Do noises of the air command him?
That’s just your problem, John says.
Where you see mess,
he sees universe
saved for a day
beyond use.
He sees the secret love in things—
every string connects
to every necessary eggshell. Well, I say,

isn’t that romanticizing
tragedy a bit? Reagan’s legion
left babbling on city streets, lost,
turned out,
become avenging angels
of our shopping sprees?
Redeemers of our irredeemable, irreducible stuff?

Sure, my friend shrugs.
At least Reagan got his.

Yeah, I say—isn’t it romantic?
Nancy spooning pablum.

I toil not, neither do I spin. I’ve forgotten
who said that
then, or if we said it at all,
though we should have;
we were no longer grinning.

Once, John said in a distant voice,
I felt a wire of my mother’s hair
grow up out of the ground
to wrap around my ankle
and hold me still
so I could see.

Oh, I said. And as he turned down his street, I shouted,
Call me! Meaning
for God’s sake, don’t leave me on this earth alone
too long.

Then, end of the day. Twilight
setting its jewels into the horizon.
There is always earth trouble, I told myself,
mid-brain, deep-brain
fear, but which was this? What
fresh disaster, this using and leaving-off
use without cease
and for what? For what?

Later that night, in the Times, I read
about a man who died
unnoticed in the bushes off the 101 Freeway.
By the time he was found,
a wood rat had dragged his skull
some thirty feet off
to use as a nest.

“A wood rat can pull amazing weight,” the young coroner
was quoted as saying, who found
fourteen babies
socketed in that stone human cup,
worm-pink, squirming for milk.

from Rattle #20, Winter 2003
Tribute to Italian Poets

Note: This poem has been revised since it first appeared in Rattle, and was published as it appears below in Barresi’s book American Fanatics. We thought it would be interesting to share it both ways now:

LITANY WITH GARBAGE KEEPER AND BONES

For the ragged man grinding his teeth at Adams & Main

and for the ten thousand clattering things in his shopping cart,

phone books, coat hangers, soda cans, floor mats that say Volvo. For noises of the air
command him.

For Vietnam, for a cock-bastard father
archived in that spindrift avalanche.

For a day beyond use, for he has saved the world within worlds,

one string connecting
every necessary eggshell,
redeemer of our irreducible stuff.

For I toil not, neither do I spin.

For the street we are on right now
and the curbs we are about to breach.

For his small, hard, distracted wave goodbye when he turns his corner,
a charity to me—

for Christ’s good sake,
don’t leave me here alone
I could say but I keep walking.

For the dead man in the Times
who went uncollected for months

in bushes along the 101 Freeway. For the coroner’s report,
and for James H. Armbruster, Jr., Los Angeles County Deputy Assistant Coroner
who filed it so capably.

For a wood rat had dragged the skull thirty feet away from the rest of the body
to couch a nest in dusty weeds.

“You’d be surprised what a rat can haul under the right circumstances,”
Mr. Armbruster said.

For fourteen babies
socketed in that human cup,

worm pink, squirming for milk.

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