LANA DEL REY INTERVENES WHEN SHE NOTICES I’VE STOPPED WRITING ABOUT MY EX
It’s good that he’s gone,
but don’t let him be too gone.
He’s got to be candle blown out
in the other room gone.
Or exhaust pipe
huffing down the block gone.
Not closure-gone. Not someone-else’s-
baby-gone. Not cut your hair gone.
He can’t ever be too far
away to hurt you, honey.
You can pedal away but make sure it’s a polaroid
of him clicking in your bicycle wheel down the boulevard.
Put a suitcase in a trunk and every state in between you
if you want, but when you turn on the radio,
search for his song.
Don’t get me wrong, you can love.
You can bend over
a pinball machine for a biker,
or a balcony for a photographer.
You can bend over a bridge
for a poet, but when you’re in a strange city
at a lonely hotel bar and they ask
what you’re drinking,
say his name.
—from Rattle #46, Winter 2014
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Megan Falley: “I started writing poems when I was a little girl—mostly in handmade Mother’s Day cards or valentines. I think most of my poems are still basically Mother’s Day cards and valentines, just dark, grittier ones that no one would ever want to receive.” (web)
