April 4, 2024

Michael Chitwood

SUMMER JOB

At the end of the work day
you could tell exactly how far you had gotten
and how much farther you had to go.
Of course, it was just a ditch for a pipeline
to carry the reeking slop
that a neighborhood of toilets
would put together to be drained away
but it was clean, the trench,
the slick walls the backhoe bucket cut
and the precise grade of the bottom.
My job was to sight the transit.
I gave a thumbs up or thumbs down
or the OK sign if the pitch was right
so that some future day shit would flow
just as it should, downhill,
but you knew where you stood,
what you had done in a day,
and what more there was to do
and every meaningful thing I had said
I had said without a word.

from Rattle #39, Spring 2013
Tribute to Southern Poets

__________

Michael Chitwood (North Carolina & Virginia): “Several summers I worked for my uncle’s construction company and my job, because I was under-age, was to read the grade transit. It was solitary work, standing behind the tripod. It’s like writing poetry now, huge machines rear and grind all around you and you are quiet and alone.”

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March 15, 2023

Marcela Sulak

MEN ON STRIKE

Men on parade. Men
migrant Hispanic and red
necks in long hair clean

shaven the kind my
daddy bought parts from never
touching some of them

could rewire your grand
ma’s house sharing their wife’s tort
illas. They’d have stopped on

the narrow shoulder
of the highway to help you change
a flat or driven to town

to fill up the gas
can they were lending you or
given you a jump in

the near-deserted
parking lot, and here they are
now—embarrassed as

hell, like you had asked
them to hug their neighbor’s wife
in church at the kiss

of peace, you know they
secretly like it. The men
I like most answer

not yet instead of
none that I know of some wear
Cuban heels and tight

jeans and spin when they
dance you. The tall black Southern
leader counter clock

wise keeps time today
calling whoooo’s the man? Calling
who’sgonnago? in

sharp beats—merengue
they are embarrassed to dance
with invisible

partners called below
minimum wage! Insufficient
benefits! Every

one looking attract
ing attention the fact of
bodies as things with

needs where before there
had been only necklace links
impossibly de

licate their daughters
brought them unknotting themselves
beneath thick fingers

engines shuddering
to the quick strike of a spark
plug the free combusting

that which a casing
contains all the invisible
forces that keep the machines

of the world worlding
and pinned to the self-cleaning
sky. Chrysler building

in full bloom, forgive them they
feel bad, like they ruined a play
ground. This one here, where

just past Broadway the Grace
building slides to a stop at
their feet.

from Rattle #39, Spring 2013
Tribute to Southern Poets

__________

Marcela Sulak (Texas): “I write poetry because I read too much of the wrong kind of literature growing up on a rice farm.”

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