May 8, 2019

Stephen Harvey

PETRARCH LOOKS FOR LAURA AT HOLIDAY WORLD

High noon and ninety-nine in Santa Claus,
Indiana. Before I start to melt, I spot 
some sorry bastard sweating off his balls
in costume. Ho-ho-ho-ly shit, it’s hot!
I whisper when the kids can’t hear—he’s not 
amused. I take the rickety applause
of wooden roller coasters that slingshot 
my pain-in-the-ass nephews through bendy straws
of rotten lumber. I gorge on Dippin’ Dots
and look for you in crowds even now because
that’s what I do. Dusk. Santa blows a snot
rocket in the shrubs, abandons his post.
I’ve totally gotten over you almost.

from Rattle #63, Spring 2019
Tribute to Persona Poems

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Stephen Harvey: “As a formalist, I’ve always been intrigued with Petrarch but can’t quite stomach the mushiness of the Canzoniere which, some critics argue, is written in persona. I borrowed his concept a couple years ago, using Laura as a stand-in for whatever longing I can’t come to terms with. It took a little tinkering, but soon I discovered the voice of a modernized Petrarch bumbling through brothels, the White House, and other disreputable establishments. The hard part now is getting him to shut up.”

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April 27, 2017

Ekphrastic Challenge, March 2017: Editor’s Choice

 

La Familia by Lisa Ortega

Image: “La Familia” by Lisa Ortega. “Modern American Gothic” was written by Stephen Harvey for Rattle’s Ekphrastic Challenge, March 2017, and selected as the Editor’s Choice.

[download: PDF / JPG]

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Stephen Harvey

MODERN AMERICAN GOTHIC

Fresh from the feathers of our mother’s womb
and nursing at her daffodils in bloom,
my baby brother swings around the shoulder
of our flat-affect father. Three years older,
I wear that paisley Easter like the fringe
of my pink shawl while holding to the hinge
who held us all together. Time erases
everything—the faces from our faces,
all shadows, the ground and background sky.
Our father loved us when he didn’t try;
dead language for lyrics, he couldn’t name
the thing he wanted to; left us the same
blank expression, a longing to belong.
The shirt he gave us off his back was song.

Ekphrastic Challenge, March 2017
Editor’s Choice

[download audio]

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Comment from the editor on this selection: “There’s a reason that the sonnet has so long been the most popular English poetry form: The combination of brevity and natural music make it the quintessential poem. Those attributes are on full display in this couplet sonnet by Vanderbilt anesthesiologist Stephen Harvey. The poem serves as a unique and insightful character sketch, while also featuring a few of the best single lines I’ve read all year—that last line in particular.”

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