December 22, 2023

Richard Prins

THE GOD ZOO

I.

Elvis
blimps above
the walrus shade.
Jesus rides an elephant
away from Calvary. Sparrows
learn to fly, pitched from Ganesh’s
trunk. Muhammad’s mastering the art
of a blowhole ablution. Wildebeest chuckling
at Moses’ wimpy forty days. Caesar’s gassy after sharing
unripe mangos with a chimp. Marx is munching grass. Lost a bet
with Nebuchadnezzar. Buddha chucks some birdseed, lectures the pigeons
about desire. Ra folds after a plague of platypusses; his firstborn’s grown a beak.

II.

Twin walruses sharpen their tusks on the dunes.
Buddha’s navel a lager spout.
Only a fool would chug the end of desire.

The wildebeest flies upside-down, jousting all the stars.
Muhammad wears a tunic of sequin nipples.
Only a fool would record their voluminous lactations.

Pigeons crap on godhead an eggwhite fedora.
Jesus plucks thorns out of his prom night eyelashes.
Only a fool would unbutton that snarlyhaired tuxedo.

A chimp is licking termites off a shark tooth comb.
Elvis gets rich off a lunch money racket.
Only a fool would wipe a toilet down with mutton chops.

The elephants windmill their snouts, inhaling each tornado.
Ganesh snorts a boogaloo on his nostril trumpet.
Only a fool would scrape that flugelhorn free of barnacles.

Rows & rows of whale vertebrae. Time to build a railroad.
Ra smells pyramids with every beard-stroke.
Only a fool would refuse a chance to mummify the queen.

Sparrows ford rhinoceri across the fishleaping river.
Marx redistributes chin hair to all the eunuchs.
Only a fool would alienate this harem’s labor.

The platypus is still sloshed and dancing by herself.
Caesar skiffs his gondola across the sky.
Only a fool like Cleopatra would try to flag him down.

from Rattle #38, Winter 2012
Tribute to Speculative Poetry

___________

Richard Prins: “When I was eighteen years old I fell asleep on a late-night train and woke with my jacket pocket knifed open, the pocket that always held my wallet. After a few desperate grabs, I found my wallet transplanted to my pants pocket, no money missing. A napkin, however, with two poems inked on it, had been extracted. I’ve been mugged twice since then, once in Brooklyn, once in Dar es Salaam, and still curse myself—why didn’t I think to recite a poem to my attackers?” (web)

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September 7, 2013

Natalie Padilla Young

DISCUSSING EARTH INSECTS

A praying mantis perches on the coffee shop doorframe,
the alien is intrigued. He takes out the human’s camera.

Look at how sturdy its skin is,
how mean. Like it will reach out and slice
anything that gets too close.

He wants to know where insects come from.
Where the aliens come from insects don’t really exist.
He wants to know,
What is the difference

between a moth and a butterfly?

She doesn’t know the science
behind classification, the pieces and parts,
something about antennae—smooth club vs. pipe cleaner,
fuzzy vs. shaved.

They are not small birds?
No. No bones.

She explains how she sees,
A moth
is furry, a butterfly’s not. A moth can’t resist light.

The alien considers the distinction.
So, I am the butterfly and you are the moth.

from Rattle #38, Winter 2012
Tribute to Speculative Poetry

[download audio]

__________

Natalie Padilla Young: “A friend once told me that you don’t choose the art, the art chooses you. I didn’t really seek poetry out—it latched onto my leg and wouldn’t let go. It has turned out to be a good companion; it’s led me to be an editor and graphic designer, and to share time and pages with incredible people.” (website)

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September 4, 2013

Shangrila Willy

WHAT TO SAY WHEN YOUR BABY SISTER TELLS YOU THAT SHE’S JUST BECOME ENGAGED TO SLORBGLAUGH, EMPEROR OF THE SLUG PEOPLE

It’s definitely not Congrats! Not, Why?
Not, Will you winter here or in the caves
of Glubslubgoo? Not, What a lovely ring!
or Well, I guess Thanksgiving’s going to be
salt-free this year. Not sobbing. Not a sharpened
shiv of intake followed by, I think
I swallowed a fly. Not silence or the breath
-less hitch that’s worse than silence, inching down
the passage of your throat secreting slime
the way the cavern worms who live below
Slub City, big as wingless Boeings, eat
the rock and unrelenting dark beyond
the phosphorescent dim of what they call
a sky and shit a trail of gleaming lime
while in their seismic wake the houses shed
their needless shingles tipped with gilt. So not,
You’ll be an Empress of all that. Do you
remember back in second grade, when I
left elementary school to skip ahead
and you cried every day because you took
a different bus than mine—how Mother made
two crowns from Christmas foil that Halloween
and Queened us both, we Cleopatras draped
in gold lamé and rhinestones, smiling like
a pair of Sphinxes off their leashes left
to wreck the pharaoh’s gardens on a lark
sans chaperone, our hands together, bound
by pact to split the share of Snickers bars
collectively, a fifty-fifty fair,
but really so you wouldn’t have to walk
alone, afraid of the dark, your sticky palm
damp as dread and tight in mine until
the almost end, when you braved Fat O’Keefe’s
unlit Victorian—as I hung back unwilling
to go—and came out with a treasure trove
we squabbled for all week. Not, Are you sure?
Not, When’s the date? Not, He’s not even fit
to wed a cross-eyed cow. Not, What if you
get lost among the fungus fields and no
one hears your cries for help? Not, So. You’re caught
between the time you told her muddy sluice
was chocolate milk and had her drink it from
your crooked fingers cupped beneath her chin
and now, when every face you’ll try to wear
is wrong. No matter what you find to say,
or not say—the truth is this: you’ll lie.

from Rattle #38, Winter 2012
Tribute to Speculative Poetry

__________

Shangrila Willy: “The world was always making words at me, and like Eurydice, I followed the music—sometimes out of Hell, sometimes into it. I write because I’m a good Texas girl with attenuated roots in a thrice-colonized equatorial island who was transplanted to the motley hothouse of the Mid-Atlantic, and to not say anything back seems awfully rude.” (website)

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September 3, 2013

Corrie Williamson

XANTHUS, ACHILLES’ IMMORTAL WARHORSE, RODEOS IN AMARILLO

Ah, why did we give you…to a mortal,
while you are deathless and ageless?
Was it so you could share men’s pain?
Nothing is more miserable than man
of all that breathes and moves upon earth.
—The Iliad, XVII, trans. Stanley Lombardo

It was meant to be a gift, though the gods
should know by now it never is: sick of it

themselves, grown fidgety, restless, meddlesome.
It was harder on me of course than Balius,

him having never known speech while I tongue
the narrow trough of my mouth and half

expect words to return. Where he is now
I don’t know. After a time, we gave up being

untamable, and let ourselves be led, be put
to whatever tasks men could imagine. They call

this place Texas, hot enough for wandering
souls, where all of time stretches before me

as an endless tunnel of wind. The children wear
strange hats and their boots point like nettles

between fence boards. Men wish to be thrown, and,
understanding, I toss them, light as milkweed,

as burdock. But how tiring to make a living
from this act of riddance: spur in the side and belly

raw, summoning the body’s rage, a strap of leather
and bone buckled and desperate for breaking.

from Rattle #38, Winter 2012
Tribute to Speculative Poetry

__________

Corrie Williamson: “After college, I embarked on a trial career as an archaeologist. A year later, I gave it up to pursue my poetry MFA, but for me, the disciplines remain closely related. Poetry too is a process of excavation which I think at its best, for reader and writer, involves dirt and dust, gentle brush strokes, and the piecing together of something buried or broken that gets held up to the sun either to illuminate or expand the mystery.”

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September 1, 2013

Lesley Wheeler

SCIENCE FICTION

No jack at the nape of the neck, no Mars colony,
no teleportation, no flying car jaunts
with your friend the cyborg. However, you may
own a cell phone so tiny you can’t see
it without cochlear implants, requiring you
to hire an immigrant child with delicate fingers
to press its microscopic buttons.

Don’t listen to me, a poet, specialist
in memory not speculation. This future tense
thing is just a game. Ridiculous to guess
you will still read poems in the bathtub
and the steam will make you feel sexy.
Green hair today, you’ll decide, dictating
commands to a sleek plastic coiffurator,
thinking of moss sparkling deep in the book’s
virtual glade. Water will stream
off your skin as you emerge, laying down
the words that transport you. Humidity
makes tech buggy but moss likes moisture, just keeps
softening, thickening, so real and verdant
now, so clean-smelling, language falls away.

from Rattle #38, Winter 2012
Tribute to Speculative Poetry

__________

Lesley Wheeler: “I’m addicted to the Book as Transporter Device—novels can certainly pull you into an alternate reality, but some poems can, too. ‘Science Fiction’ is about that experience of reading as absorption and transformation.” (web)

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August 31, 2013

Charles Harper Webb

BLACKDOOG™

Its wet fur smells like pepperoni pizza.
Its skin kills ticks and fleas on contact.
Its droppings—green!—blend perfectly

with grass, and break down into weed-
killing fertilizer that won’t stick to shoes.
Blackdoog bites only criminals,

but sniffs those out unerringly. Its gills
(for water-rescues), blue stalk-eyes,
and elephant-trunk make it ideal to kick-

start conversation. Its gentleness
and nurturing drive, along with mammaries
that produce human milk, make it perfect

for the nursery. Its manual dexterity
and general “handiness” let it fix anything
around the house, and program the VCR.

Its sole drawback is its intelligence—
150 minimum on the Stanford-Binet—
which gives it an off-putting air of authority,

and a tendency to stare into space,
ignoring commands to fetch and beg.
My doog—when my wife left me

for his litter-mate, and I was at my loneliest—
would levitate into my tallest oak
to contemplate, alone, the falling night,

the white light rising from its fur
giving it the look of an ascended master,
or a moon caged in the branches of my tree.

from Rattle #38, Winter 2012
Tribute to Speculative Poetry

[download audio]

__________

Charles Harper Webb: “When I was sixteen, playing in rock bands and preparing to become a physicist, if someone had said, ‘You’ll end up a poet,’ I’d have assumed they’d end up swinging a rubber hoe on the funny farm. Now I find I’ve written poems for more than half of my life. So why (besides the groupies and big bucks) do I persist? For one thing, I hope to give to others some of the pleasure that good poems have given me. But I also want to wring more out of the time that I have left—to live, whenever I can, with my awareness, intelligence, and imagination fully engaged. Poetry does that for me.”

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August 29, 2013

BJ Ward

WOLVERINE THE X-MAN KISSES

His bones, lined with adamantium, are unbreakable,
      so his lover is just licorice and moth wings
in his careful palms.

And tucked within each open hand
      lie three knives, retracted,
but one thrust and snickt

(x, x, x)

whatever he holds could die.
      What delicacy is in his hug,
but is this a fair relationship?

Before you answer, know this:
      he is a mutant, able to heal
from the deepest of cuts,

and so to hurt him
      she must kiss him.
Look at his trembling lips

as he leans in to hers—see the nervous animal
      in his eyes, how it paces back and forth (x, x, x)
knowing there is no way out of love

but to suffer. He’s a mutant, but is he so different
      from you? Have you ever folded yourself
into someone’s arms, unsure of yourself,

knowing what you have learned in your life
      contradicted such tenderness, leaning in anyway,
lips separating, closing in,

the potential of blades
      running along your bones
just in case?

from Rattle #38, Winter 2012
Tribute to Speculative Poetry

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