October 4, 2022

Sonia Greenfield

THERE WILL SOON BE A MCDONALD’S HAPPY MEAL FOR ADULTS

—Tweet from NPR News, September 29th

I got my first Happy Meal on a Friday—
after a week of grading and department
Zooms, of talking my mother through crises
of health, of IEP meetings for my son,
of smoothing new creases with night cream,
of the first frost to kill this summer’s
garden—and the red box with golden arches
promised salt, the comfortable familiarity
of fries that taste like America’s best promise,
the tang of pickles like primordial brine, but also
something more. The surprise prize inside.
What do you call the existentialism of autumn’s
dying light, red glow just a smudge of ketchup
along the horizon, while you wait for
a minimum wage worker to hand you
an analogue for happiness from her bright
window and into the dark recess of your car?
But I digress. The first toy I got was
a Tana French novel, one I read before,
having read them all already. Still, I switched
on the cab light to read, loving, as I do,
murder, and stabbing fries into my mouth.
The next Friday, again, so hungry for a thing
I hoped to feed at Mickey D’s, another red box
full of hope, hope held aloft and motionless
in Marietta’s hands for those split seconds
before I can grab it, hope woven of cars
merry-go-rounding through the pick-up line.
The next toy was a decent bottle of red,
and I shouldn’t have, but I drank half right
where I was parked, close to the building
in order to read last week’s French novel
by the florescence beaming from the dining room
into the sulk of dusk. The following week
I got a certificate for a massage, so I finished
the other half of the bottle in the car, washing
down my early death, dubbed fast food,
with cabernet, and closing the final pages
of the novel against its doom, all in order
to roll up on the bodywork parlor.
What do you call the existentialism
of men and women starving for touch?
Skin beneath their clothes as urgent
to absorb the masseuse’s oil as an apple pie
dipped into a fryer? Their bodies snaking
in a line through three neighborhoods
just to get in, just to have hands laid
upon them? You don’t have to answer.
It was rumored the following week was
to be, somehow, a hot tub, and the week after
a babysitter, though I don’t know how they
would have pulled it off. We never
found out. For a while cars slipped into
the lot and sat there with engines idling,
silhouettes of their drivers like statues
carved in the name of confusion, then
they backed out into the street again. I heard
that McDonald’s, citing the immense
expense of adult happiness, had
discontinued the program.
 

from Poets Respond
October 4, 2022

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Sonia Greenfield: “Sometimes you read something in the news, and it begs to be a poem. I mean … as if a McDonald’s meal with a prize could make an adult, like, for-real happy? It’s useful to consider, as Zadie Smith did, the difference between pleasure and joy. No doubt an adult Happy Meal would provide me with a moment of pleasure.” (web)

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March 20, 2022

Sonia Greenfield

IT VIBRATES, IT IS DEADLY, IT IS VERY NECESSARY

How it hangs in the water, an iridescence of blue tentacles
Outstretched & you only want to touch its
Poison. We know some things
Exist innocent to their venom. Even

I could lick the dart frog for a taste of the
Shimmering undulations wet across its back.

Then I see it again in the ashen tone of the Ukrainian soldier’s face.
How it drags at me all day, what we
Entreat of this world. That some could

Tally him as nothing more than a spent casing
Hurled from the butt-end of a Kalashnikov.
I see how his mother curves her body over the casket &
Nurtures his death toward something noble while
Gently o so gently cupping his face in her hands.

When even here—which seems so far from there, though
I know it isn’t, because even they once
Thought to be done with war & its drab rot rolling
Heavy artillery across fields now certain to fall

Fallow—I tend to tiny pots packed with loam.
Every waning winter I
Ask seeds to become something more.
That even in the garden I cultivate
Here on my windowsills in March, I load
Each pot heavy with need & if luck be—because
Really, that’s what twists with it—all the
Sprouts will take. Their roots anchored & actual.

from Poets Respond
March 20, 2022

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Sonia Greenfield: “This poem is an acrostic that borrows the title of the well-known Emily Dickinson poem, as I have been thinking about hope lately. How it buoys us, and how it lets us down. Yet, without it, why do anything?” (web)

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May 12, 2020

Sonia Greenfield

JAPANESE AQUARIUM URGES PUBLIC TO VIDEO-CHAT EELS WHO ARE FORGETTING HUMANS EXIST

—The Guardian, Friday, May 1, 2020

hey eels aka carpet of
writhing grass aka sinews
of sea floor aka silver speckled
& smiling sand spitters

the world has gone
bonkers & even humans
can forget humans exist like
that tiny grandmother whose

white hair looked like a moon
jelly bobbing in the dry
ocean on the other side of
your glass she’s gone now &

the nurse in subtidal scrubs
that soothing blue is gone too
hey eels we have a sickness
rippling through this sea

of humanity so I’m taking
a Zoom meeting with you can’t
roll up to your window & smile
back can’t be jostled by

a family of seven edging
me away from my vantage that’s
how we are we humans we’re
just like animals hey eels I like

how you duck into your home
in the sand how you suck
yourself into your safe space
and now humans are doing that

too sucking into our safe
spaces & shrinking away from
faces coming too close
which is to say I’m just like

you hey eels beyond your
invisible walls beyond the four
walls beyond your aquarium
beyond the teeming of Tokyo

I hear wildlife is reclaiming
its spaces that pumas wander
the streets that waterways are
becoming more uncluttered by

the detritus of human indifference
hey eels every time I would take
my son to see you he would sit
by your side & I think he saw

something of himself in the way
you’re alone in your hole & in
the fear that guides your hiding
hey eels it’s where we all are now

from Poets Respond
May 12, 2020

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Sonia Greenfield: “I suppose, to a certain extent, even humans forget other humans exist.” (web)

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February 9, 2020

Sonia Greenfield

MEDALS OF FREEDOM IN THE AFTERLIFE

In the afterlife, all the recipients
ride the same cloud in heaven,
their medals like halos
strung around their necks, their halos
like reflections of golden
medals against mist. Rosa and Georgia
and Harvey and Cesar, beatific—
how they hang their heads
over the edge and whisper
to each other about the newcomers
with medals still fixed over hearts gone
as quiet as a shock jock
in hospice. In heaven, your feet
are never cold, you sleep in sheets
like cream pressed thin and still
warm from ironing, and your lungs
become two aquariums swirling
with neon tetras or whatever
illuminated fish you prefer,
and why not? Let’s make it as lovely
as we can. Let’s fake it until we’re
so full of belief that even those recipients
peering over the edge—Martin and Helen
and Elie and Nelson—think the next one
might be redeemed after all. His desperate
prayers rise up and are collected in a can
like f-bombs in a swear jar brought to God
who shakes it and shakes it until the rattle
strikes the right atonement. Such fantasies
the sight of paradise can produce!
He’s so close to the end now they can
practically smell his imminent arrival.

from Poets Respond
February 9, 2020

__________

Sonia Greenfield: “Like many others, I was flabbergasted to hear that Rush Limbaugh received the Medal of Freedom. He received it, I assume, because he’s dying. I then imagined how he would be received by prior recipients, and that’s how this poem came about. I don’t particularly believe in heaven, but it’s a pretty fantasy.” (web)

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June 12, 2018

Sonia Greenfield

CALL IF YOU NEED ME

I can’t claim to know why,
but for me it was circumstantial—
hormone dump after miscarriage
plus my only child’s diagnosis

had my drunk face lit by a screen
detailing ways to jettison this failure
of a body. And because I could not
believe in God, I harbored no notion

I would still get to see that child
as a man, so here I am. It was that
and the instinct for preservation,
instinct to stay, o please stay. Don’t

say these are dark days, they are
no worse than windows of a copy store
plastered with missing person’s posters
that Christmas after 9/11, no sadder

than thousands of Teddy Bears sent
to Newtown. I think too much
already about how each day leaches
a little magic and how my son

won’t watch a video of lava rolling
down a hill because he’s afraid
to see people die when yesterday
he knew it only as a slow pour of fire.

For him, I will always stay longer.
I will climb hand-over-hand this
failed body up the side of a hill,
or I will hang a bird feeder.

And when the wren with the red head
comes to feed, I will ask myself
red like what? then try to come up
with something better than blood.

from Poets Respond
June 12, 2018

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Sonia Greenfield: “It’s always a shock to hear of someone’s suicide—in this case, Bourdain’s. We always want to know why, as if some sort of knowing would make sense of it; however, suicide is such a deeply personal choice, and most deeply personal choices can’t be made sense of even with the people we’re close to. I know many of us have thought of it, which makes Bourdain’s death feel a little more intimate.” (web)

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August 8, 2017

Sonia Greenfield

DEAR KIM JONG-UN,

Do you work out? Because I’ve seen a lot of flexing
going on in state houses while the rest of us
are just trying to figure out what to feed our kids
when they want nothing but pizza, so we come up
with novel ways to pair bread and cheese as if
we’re fooling ourselves into thinking it’s not pizza.
Do you like cheese? My son likes string cheese best,
Manchego second, and sharp cheddar at a distant third.
I would be happy to feel your biceps if it would mean
endless bomb-free days of incognito pizza. Do you think
your ego is more Maine Coon in that it’s big and plush
or is it more Siamese in that it is almost slick to the touch
and likes to talk loudly in the middle of the night
while you’re trying to sleep? If you want I will stroke
your ego until it purrs if you put away your pet
submarine. I saw that picture of you posing
with your warhead, and I really like your fur hat
but was a little surprised to see that nuclear annihilation
could be wrapped in a package that looks like a prismatic ball
meant to turn and toss reflected red spotlights
all over a club floor. Do you like to disco? My son
likes to play freeze dance at summer camp to songs
by Lady Gaga. I know under your double-breasted
khaki coat a heart beats same as mine. Do you like
children? My son has a beauty mark next to his mouth
and eyelashes every lady says she want to steal.
He is made of cameo pink incandescence and clumsy
grace. I can feel his guileless heart hammer through
the thin wall of his chest which can’t be much different
than your daughter’s delicate ribs wrapping around her motor
as a hand cups a flame to keep it from blowing out.

from Poets Respond

__________

Sonia Greenfield: “In the news this week were several stories about North Korea’s missiles and nuclear aspirations. One wonders whether such stories are meant to elicit fear with their doomsday scenarios or whether they are meant to inform us of a true threat. Either way, the rest of us, the citizens in our homes—presumably in either country—are just trying to keep our children alive.” (web)

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December 11, 2016

Sonia Greenfield

GHOST SHIP

I have been that young, that electrified
by the bohemian scene of a city spilling its lights
all around me. I have been to parties
in sketchy spaces where painters have work
on the walls that should be seen by millions
but is seen by the few of us figuring out
who we’re going to fuck after too much cheap wine
drunk from plastic tumblers, figuring out
how we’re going to make it a country’s width away
from families, struck out on our own
like explorers getting comfortable with being alone
in a wilderness that is actually just a room
rented in a house of strangers. I have been
that woman high on E, my eyes doll-dark, jaw
clenched, body ready to swallow pleasure
in a million lusty gulps. I know any space we inhabit
can become a ghost ship. I have read enough
to know stories of wildfires, of boats found
empty, of the soul yanked whole-cloth from
its innocent wearer. But you can’t live in fear
of the apparition, the adventurers afloat on
their rickety structure and cast to a sea
of flames. It can happen at any time to anyone,
so when music flares up and takes a hold of you,
when a swirl of colored spot lights sets you
spinning, you have to dance as if
the very act of living depends on it.

from Poets Respond
December 11, 2016

[download audio]

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Sonia Greenfield: “When I read of the ‘Ghost Ship’ fire in Oakland at the artists’ warehouse, and I read of the individuals who were lost in the fire, I realized how much those people were like me twenty years ago, trying to make it in the Bay Area, in love with life on my own and the creativity and melodrama of being young in the city. Besides the years between us—the then and now—the only thing that separates them from me is chance: my luck and their misfortune. It’s a terrible story and too true in terms of how fate works.” (website)

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