June 4, 2018

Scott Beal

AMBIGUOUS ANTECEDENTS

When the kid tells you their new pronoun of choice 
is it
you count to ten. You try to see
the kid as the kid sees itself.
A pile of wet stones. A pall of whetstones.
Morphology with segmented abdomen. 

When strangers hear me speak of my partner
they assume he’s male. When my partner
speaks of her partner,
strangers assume she’s female.
Partner seems like such an unloaded word,
a word that should make 
a harmless click when triggered.

A female client (A) tells her female therapist (B)
about the myriad joys and frustrations 
of her relationship with Nick (C),
and with no interrogation they both agree:
he, he, he, he.  When A tells B
the Nick is a transgender man,
the therapist immediately switches Nick’s pronouns
to she, she. It is a curious reflex,
a perturbation of the X-Y plane.
Nick becomes quadratic, a variable in a problem 
with multiple solutions, neither of which
can displace its opposite.

Redact the last stanza. I loathe referring
to people I love as coordinates.
Someone’s feeding coordinates into targeting systems.
My friend snaps her fingers in her therapist’s face.
This is the love of my life you’re trying to erase.
The therapist snaps back.

No matter how I hated my name
I never dreamed of changing it. It sounded
like a hammer glance off rock.
It sounded like a syllable
repeated by a clock. I almost wrote
glock. It was the suit of plate
I was born inside. Its hinges were fixed.
I would grow into it. Its perimeters
defined my growing shape.

Now it places the lotion in the basket.

Every term I tell my students their writing fails
due to unclear antecedents.

Christian groups oppose the LGBTQ agenda.
They’re trying to impose a radical view of sex.
 
Kid wants to use the same bathroom as my son.
Kid was born female. This is unacceptable.

When the teen musters the guts to tell you
they want you to refer to them
no longer as Z but as A,
it is not monstrous to wonder, though it is
monstrous to say it, what was wrong
with the name I gave you?

Okay. You weigh it. You’re it.
You’re who everyone on the playground
will be hyperaware of. The one
they’ll do their best to not let touch.

When a person is introduced as he or she,
you code the designation in your brain.
Does the designation change when you receive information
the person is trans? Due to what disbelief?
RuPaul says we’re all born naked,
and the rest is drag.

When you’ve known a person their entire life
so well finally they trust you with the gift
of their one true name, you have to train
your mouth that love’s sound can take new shapes.
Each time you speak of your child
there’s a hitch as you make sure
you remember who they are.

When Prince died I told my kids how he made himself
unpronounceable. They hummed at how the symbol
he invented for his name
blent the arrow and the plus.
Vector/excess. Female/male.
They never considered the nail, the cross.

This morning the artist formerly known as Zoe
would like to be known as they.
If you’re vexed at the fact
that they’s a plural pronoun,
you understand better than you think.

When the kid tells you their pronoun is it
you flinch. You love them so much
for trusting you with this. You want to give them
every inch. But it’s so easy 
to string up a thing by a pulley.
It’s so easy to burn an effigy.
You worry what way it’s trying to pave.

from Rattle #59, Spring 2018

__________

Scott Beal: “When I was nineteen I wrote a poem called ‘Assessment of My Masculinity,’ and assessments of the idea of masculinity have driven much of my writing since. It’s exciting to be living in a time when all the received notions about gender are being challenged, opened, surpassed. I learn new things every day about how it’s possible to be a person, from my kids, students, friends. ‘Ambiguous Antecedents’ is one of many recent poems that grapples with both the liberation and the danger of stepping beyond the binaries we’re coached into.” (web)

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March 3, 2014

Scott Beal

FEATS OF PAIN AND DARING

Once I got lost alone in the woods
and found my way back. It made me
not new or strong, but wary of woods.
I trudged through shallow swamp and thickets
of prickers and chiggers, through tree dark
stretching all directions, four hungry hours
and no one made me do it the way they make you
chug a beer through a mouthful of tampons,
or get your back daggered into crocodile skin,
or spill over the side of a bark canoe
and swim the quaking mile to shore.
No one spun me with a blindfold and basket
and said, Bear this back to the house of your father
and he’ll pull the ripcord to rev your testicles
and carve you a sharp new Adam’s apple,
no tribe had gathered to cheer as I stumbled
clear of the canopy and back into my prescription
for Clearasil, my graph paper dungeon maps.
This was before I failed to swing back at bullies,
before the summer I failed driver’s ed
and had to take a makeup course at Sears
from a man who wore black socks with sandals.
It was not the woods where Wayne led me
to a Hefty bag of Hustlers, their centerfolds
stiff from snow. Not the woods
where Lee would stash a six pack of beer
and a box of stogies in wait for me, and slowly finish
two of each as I stood refusing to join him
in fear of my mother. Last week I sat to watch
a National Geographic special with my daughter,
and the screen filled with a million shimmering sperm,
like Hubble footage of a skyful of galaxies
thrashing their little flagella to race
at a tenth of an inch per minute
through vaginaland. I said, You have to learn
about this stuff sometime, and she said,
No I don’t. She’s eleven. At her age I was abusing
a St. Louis Cardinals wristband so early and often
I never had a wet dream. We stopped
the film before one brave sperm could ignite
an egg into a person who would grow to the age
when they saw off your clitoris, or file your teeth
to points with a sharpened stone, or knit leaves
into a glove and fill it with bullet ants and watch
to see if you scream as you shove
your budding warrior hand inside. They make you breathe
in a burqa, stuff your foot into glass, volt you up
on brown-brown and hand you a machete. They offer
a doctored passport and a waitress shift in London
where you find yourself bound to a dirty box spring
in a curtained corner. They want to test you,
they want to hurt you, they want to escort you
into the savage mess they’ve made of womanhood
and manhood. I failed in so many ways, I
was so lucky. I walked into woods by choice,
for kicks, it wasn’t supposed to smelt me into iron
and it didn’t. I even lied when I said I was alone.
I was with Greg Jensen, a boy I neither loved
nor respected, which made the loneliness worse
as we trod between wolf-whispering trees,
stomach-weak, scratched with brambles.
We had to hide the cowering boys inside us
and pretend we could hack it like men
who could swallow poison, take or give
a whip without flinching, like men who’d earned our way
to one day look a child in the face and say this
is how you grow up, this is how you die.

from Rattle #41, Fall 2013
Tribute to Single Parent Poets

[download audio]

__________

Scott Beal: “I am a recently divorced father with joint custody of two daughters, ages twelve and nine. In high school I had a crush on a girl who carried Anne Waldman and Allen Ginsberg books in her backpack.  It mystified me that anyone would read poetry by choice, rather than as a painful school assignment. When Lisa played me a recording of Waldman reading ‘Makeup on Empty Space,’ I got swept up in the energy and nerve of the words. I started writing partly to impress Lisa (which didn’t work), but also to see if I could make words, and the world around them, zip and snap like that.”

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