May 4, 2020

Sarah Freligh

WILD ME

after Mary Oliver by way of Kim Addonizio

You do not have to be bad.
You do not have to get down on your knees
in a gas station bathroom for a guy
whose name you’ve already forgotten. 
You only have to tell him
a dirty joke in which you’re
the punchline. Tell me
about your sex toys
and I’ll show you mine. 
Meanwhile the sun sets.
Meanwhile feral cats slink
from shadow to shadow 
howling at your need. 
Meanwhile, you grow paws, 
claws, a tail. Wherever
you are, a coyote is watching
and waiting over and over
for you to lie down.

from Rattle #67, Spring 2020
Students of Kim Addonizio

__________

Sarah Freligh: “Years before I took the first of three online classes with Kim, she was already teaching me about the kind of poetry I wanted to write. As a fiction writer turned poet, Jimmy and Rita and Tell Me were my first bibles; I kept copies in my purse or backpack until they were worn-out and dog-eared. Years later, Kim is still teaching me and so many others. In fact, I wager you’d be hard-pressed to find a contemporary American poet who hasn’t been influenced in some way by Kim. My biggest takeaway from studying with Kim is a reminder to be fearless in my own work, to pursue my own truths about the world with passion.” (web)

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January 13, 2013

Sarah Freligh

SEX EDUCATION

How is it I recall so exactly the clatter
of film unspooling from loop
to loop, the musk of perfume radiating

from my wrists and throat, the warm gush
of Juicy Fruit, the rasp of stockings
as we crossed and uncrossed our legs. The heat

in that room, a flock of girls cooped up
away from the roosters, the almost men
of our fantasies who we dreamed

would stand beneath our window
one day and crow for us the way
Romeo had for Juliet. How we laughed

when an army of sperm ejected
from a cannon into a body
of water where they swam or died,

cartoon smiles disappearing in tiny peeps
as one by one they drowned, leaving
one last lonely sperm to swim up

the long isthmus where the river
opened to an ocean and I still recall
how the orchestra soared as he swam

and swam toward the round ship
of the egg, and how we stood
and cheered when he docked, exhausted

and triumphant, this tiny survivor,
this sturdy sperm we would spend
the next ten years trying to kill off,

and because of the stupid movie I felt
like a murderer each time I imagined him battering
frantic and headlong against the barrier

I’d erected down there, shouting
defense de la defense! as he died in spasms
of agony and once—because I was drunk

and didn’t give a damn, because I wanted
only to sink into the soft chance of carelessness—
I let the whole bunch of them skinny dip

without a death sentence of chemicals
awaiting them at the end of their swim
and because I’d forgotten what

my sex ed teacher said that day
when the film ended and the lights came up:
Remember, girls, it takes just one.

What chance did I have anyway?
They were as fit as Olympians, hardy
and well-trained. They came in droves

in armies, entire Caesar’s legions, coming
and coming and coming, so
many of them against one of me.

from Rattle #37, Summer 2012

__________

Sarah Freligh: “My poem ‘Sex Education’ emerged from an exercise I give my creative nonfiction students: to locate a memory by recalling a particular taste or smell. On this particular day, I had twelve minutes to scribble in my own notebook and I conjured up the taste of a fresh stick of Juicy Fruit gum and the smell of Ambush, cologne that was popular at the time. Those details led me back to that sex education classroom and into the poem.” (web)

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