September 23, 2012

Sara E. Lamers

NOVEMBER

Who would miss her
body if it melted

into bone? She learns
to blend in at parties,

grips a sweaty glass
by its rim. How to mimic
the women? The way

they slip fingers through
belt loops. And those hips!

Chiseled to a perfect arch.
Leaving, she’ll pause

on the pavement,
this blessed suburbia

where garbage bins
await the morning collection,

lids fixed tight so nothing
spills out. So much order!

Parked cars end to end
making parallel lines

on either side of the street.
Lights still on in houses.

She thinks of running—more
than five miles a day, no matter

the weather, no matter
how terribly her body

aches. What kind of
composure is this? Even

leaving each morning
takes several tries: she

has to swivel back
to check the lock,

grip the handle and twist
to know for sure.

Nights, the same
thing: she plants two hands

to the stovetop, relieved
by the coolness of coils.

Sometimes she flicks the dial,
watches for the red light,

twists the knob back
to the “off ” position,

sits in the silent dark
and waits.

from Rattle #23, Summer 2005

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July 18, 2008

Review by Sara E. Lamers

SOME NIGHTS NO CARS AT ALL
by Josh Rathkamp

Ausable Press
1026 Hurricane Road
Keene, New York 12942
ISBN: 978-1-931337-35-9
2007, 91 pp., paper, $14.00
www.ausablepress.org

The poems within Some Nights No Cars At All are poems of distance–the distance we have to travel to get to the person who resides within the same walls we do, the distance to overcome childhood bruises, to see things as they truly are and not as what they appear to be. They are poems that reveal the darkness of relationships, of the way we are apt to wound one another, the way we try to make up, succeed and fail, learn to muddle through and keep on going.

Sure we’ve read poems that tackle these themes before, but it is the way Rathkamp presents tension softly and carefully, breaking the bad news gently that compels the reader onward. As in “June in the Desert,” where the narrative turns from the destruction “out there” to the cold facts in front of the speaker:

Last night my girlfriend said
that there wasn’t a burning
between us, nothing that would make
her tape her life to mine.

Yet the speaker clings to a strand of hope, explaining “but still we decide to wait/ for something to grow/ into something else.” And we sense the pointlessness but appreciate the honesty, knowing that any of us would try to reassure ourselves in the very same way.

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