November 23, 2022

Ron Koertge

THINGS AND HOW THEY WORK

1
 
In grade school a girl who could draw
guided my hand while I tried for a horse
that resembled a horse.
 
I didn’t mind that she was better at drawing.
I could play shortstop and she couldn’t.
 
I told my parents about her. They said, “Well, 
maybe she could draw blueprints.” 
 
They were practical. Art was just short
for Arthur. From school right to work. 
Like the thigh bone connected to some
other bone.
 
Everybody worked. All the time. My math 
teacher, Mr. Taylor, put on a white apron, 
a paper hat and handed ice cream cones 
across a counter all summer.
 
My hometown wasn’t much, but one part
of it was a real Christmas card: Miller’s pond 
froze over every winter and we could skate there. 
With a fire and everything. 
 
Mr. Taylor showed up with his littlest daughter.
He was a really good skater. Graceful.
Not a word I’d say out loud then, but he was.
 
My mother was there, just waiting for me 
and watching. When I sat down for a minute 
she said, “He’s been to Rome. Isn’t that 
something?”
 
How did he end up in a small town east
of the Mississippi, a town that worshipped
high school basketball and especially 
our skyscraper center who could score outside 
the paint, too?
 
I didn’t actually ask but my mom whispered, 
“Things don’t always work out, honey.”
 
I started to ride my bike by Mr. Taylor’s house. 
What things didn’t work out for him, the skater 
from Rome?
 
Sometimes he waved, sometimes not, probably 
lost in thought. I liked taking phrases like that
apart:
 
Thought as a place someone could get lost
in, like a national park, but with no bears. 
Not real ones, anyway.
 
Once I saw his wife standing in a blow-up kiddy 
pool smoking a cigarette and crying, holding 
her house dress up around her knees. 
 
And then I’d think house dress house dress
house dress until it turned into somebody
whispering in another language.
 
 
2
 
Basketball was a language everybody understood.
Jack, Marcus, and I listened to away games on
 the radio and went to home games. 
 
We liked being at the high school where we’d
end up. The halls were wide and didn’t smell 
like disinfectant so much.
There were trophy cases. Famous graduates.
Some not so famous who we could see every
day behind a counter or fixing a car.
 
Friday nights, the gym was a madhouse. 
Jack’s mom went to Mass every day and twice 
on Sunday, so he called the gym
 
Shrine of the Deadly Hook Shot because Terry
Armstrong besides being six-ten was unstoppable 
with his left hand.
 
The town was like a graveyard during home games.
Even the cops and the firemen were there, hoping
nobody called in, then taking it easy on the parties
afterward.
 
“Going to state,” everybody said. “Terry’ll win
it for us. It’s his last year!” 
 
Then the team went to Oak Park for the regionals.
They looked big even on the radio. They outscored
us, and outran us. Their center blocked shot after
shot. We lost 102–68. And that was that.
 
Things don’t always work out.
 
The old guys who drank coffee every morning
at Gus’s dug a grave and pushed Terry into it.
They called him a traitor and a coward and a
fuck-up. 
 
He finished the year, graduated and got a job
selling Oldsmobiles.
 
My friends and I rode by the car lot, saw him 
standing around in a suit that belonged to a giant. 
 
Then Simic Motors put up a rim behind
the service bays and a customer could go
one-on-one with the star salesman.
 
We watched Terry in hard-soled shoes
handle fat guys at lunchtime, hitting from
anywhere until one day he got into it 
under the basket and broke some guy’s nose 
with an elbow. A guy who did not drive off 
the lot in a new Rocket 88. 
 
After that, the backstop came down.
Terry kind of melted into the town
like everybody else who lived there
and probably planned to die there.
 
He married Marsha Noyse from Troy. 
They went to St. Louis for their honeymoon.
 
Jack, Marcus, and I got together every night
We roamed the town on our bikes, knew back 
streets and alleys. 
 
Terry’s house was our last stop because he shot 
100 free throws after dinner. One miss before 
he got to 100 and he’d start over. 
 
Almost dark, the sound the ball made 
dropping through the net so fast was like
people whispering in church. 
 
If he saw us over there he didn’t let on,
or maybe he liked spectators—three where
there used to be hundreds. 
 
Once the ball bounced off the rim and,
glowing like a planet, rolled out of the driveway 
and toward us, 
 
“Little help,” he said finally. One of us tossed 
it to him. Marsha came out of the back door, 
holding a baby. She watched him start over.
“What the fuck, Terry.” We looked at each other,
me and Marcus and Jack I mean, and grinned.
 
We said “What the fuck, Terry,” all the time
for awhile. We’d stare at a giant cone from
Dairy Delight and say it. 
 
A girl we knew would look at us and smile
so we’d say it. Jack would make a circus
catch in left field and we’d say it. 
 
Terry stopped shooting free throws.
When we cruised by, we heard the baby crying
and them arguing. So we didn’t want to say 
it anymore. 
 
Then one night there he was again. Marsha
on the back steps with the kid on her lap,  
counting for Terry, waving the baby’s arms 
at one, two, twenty-two, forty-five.
 
We counted, too. Not loud but we did it. 
“Don’t miss,” Jack whispered. Seventy-five, 
eighty-three.
 
A wind pushed the trees around.
Their shadows came for us, then stepped
back. We held our breath at ninety-nine. 
 
Swish.
 
Marsha stood up. Held out the baby, and Terry
took it.
 
“See you guys,” he said without looking at us.
The door closed behind them. The porch
light went out. 
 

from Rattle #77, Fall 2022

__________

Ron Koertge: “In the Midwest, people live for basketball. NCAA stuff, of course, but also high school ball. Stats filled the pages of local newspapers. Fans drove hundreds of miles for away games. Identification with a local team and a local hero was standard fare. ‘Things and How They Work’ chronicles a period of madness, both March Madness and generic basketball madness. The boys in the poem see how things work as they watch Terry’s star rise and quickly fall.” (web)

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February 10, 2021

Ron Koertge

BECAUSE WOLVES ARE A PROTECTED SPECIES, THIS ONE IS MERELY INTERROGATED

Show us on the map where you often lurk.
Don’t be afraid. It’s just the two of us.

Would a cigarette help? A soft drink?
Start with the woodsman’s hut? These places 

here and here and here—what are they called?
Take your time. I can offer you money,

and a new identity. Why even hesitate?
Look, this wristwatch belonged to my father. 

It’s yours if you tell the truth.
Those sites I asked you about earlier—

your favorite was Bridesmaid’s Dress.
Don’t embarrass us both by pretending.

Name your most frequent visitor.
That’s right. Now we’re getting somewhere. 

Pretend I am young and innocent. Say to me 
exactly what you would say to her.

Do you think you can fool me? And we were 
getting along so well. I’ll ask another way.

This item of intimate apparel is called
a galvanic bonnet-with-blue-cornflowers.  

Put it on. Now point to Grandma’s house. 

from Rattle #70, Winter 2020

__________

Ron Koertge: “When I read that wolves had been reclassified as a protected species, the poetry apparatus I keep well-oiled turned itself on. When it comes to writing, and I tell my students this all the time, I’m a big believer in ‘What If.’ So what if hunters couldn’t hunt? What might they do instead?” (web)

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April 9, 2018

Ron Koertge

TWO WEEKS WITH PAY

Isn’t there always a bird in the airport?
Here’s one who got by without a passport,

surprising the uniformed TSA folks,
and setting off a lazy series of jokes

about flying for free. This sparrow
navigates the crowded, narrow

lanes that lead to the waiting 747s
about to penetrate the local heavens.

We wait and watch and read
and listen to the nearby child plead

with her parents to do something
about the poor bird reappearing

now here now there but clearly
scared and lost and probably

an orphan! The parents say, “Hmmm.”
So the child, flushed and overcome,

takes matters into her own hands.
Breathing hard, she stands and scans

the sun-shot, glassy cage we’re in.
She’s off, nearly as fast as her twin—

the bird in question. At first it’s cute:
a kind of game called LAX Pursuit:

she dodging totes and roller bags,
the other swapping zigs for zags.

And then the bird careens into
a wall resembling something blue

out there. The child’s scream
shatters each vacation dream

and brings the dreamers to their
feet to stand and mostly stare.

The cops show up. They close
around the scene, blue shadows

who whisk the child away.
The parents tag along in disarray.

Someone with a handkerchief
disposes of the lost and brief-

lived bird. Magazines reopen,
someone checks her suntan lotion.

The dreams return: a turquoise sky,
drinks that stun, fish that fly.

from Rattle #58, Winter 2017
Rattle Poetry Prize Finalist

[download audio]

__________

Ron Koertge: “I was writing poems that were so easy-going they could have been prose. When that happens, I fall back to fixed forms and fool around with sestinas and villanelles and things like that for a while. The incident in the poem—a bird more or less trapped in an airport waiting area—made me want to be trapped in a very fixed form, so couplets stepped up. Some of the rhymes fell into place. With others I’d look for a likely word then a less likely but more interesting one would volunteer. Sometimes things just work out.” (web)

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October 11, 2017

Ron Koertge

CAT WOMEN OF THE MOON

Once my friend Rusty and I saw that movie, we couldn’t think of anything else. Sometimes we wanted to go to the moon in small space suits and surprise them. Other times we wanted to be Cat Women. The possibility of a new and feline gender made us queasy and excited. We fantasized about pouncing on our schoolyard tormentors and tearing their throats out with our claws and fangs. Then we would change back into boys with baseball gloves who were interested in Marilyn and Becky, pretty girls in our grade who wore fuzzy socks. But we weren’t just boys. We were Cat Women, too. We prowled on our way to school. We ate only fish sticks and drank only milk. We thought some day we would marry girls like Marilyn and Becky but never tell them that we, Rusty and I, dreamed the same dream every night: on the moon with our Cat Women friends: playing with a ball of yarn, grooming each other, watching for a rocket ship which we hoped would never come. 

from Rattle #56, Summer 2017

__________

Ron Koertge: “I love movies and see about 50 a year. In theaters. DVDs and Netflix aren’t part of that 50. I see a lot that way, too. I’m always available for a poem, or at least that’s the idea. There’s a cool video rental place in South Pasadena called Videotheque. Big old place with hundreds and hundreds and hundreds of DVDs. They also have a poster outside; it’s under glass like in an old-fashioned Orpheum or Rialto, and it changes every few weeks. One evening there was the poster for Cat Women. I could feel the warm breath of the muse, so I just stood there for a while. I thought about the poem a lot, stroked it in a way. Then pretty soon—presto: There it was.” (website)

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August 3, 2016

Ron Koertge

DEAR CITIZEN,

That letter you received last Tuesday, the one with
the official seal, was not meant for you. We hope
you have not read it.

We know you like to put things off. Perhaps
the letter is lying on that yet-to-be-paid-for coffee table
with the coupons and bills?

We hope so! The letter was meant for another citizen
who resembles you in many ways, but who is not you.
Only you are you.

Destroy the letter now! You do not have to drive
to the Fortress. A note will do. No one will come to
your house with a Taser. No one will hurt Sasha,
who is a good dog. We trust you.

If you have read the letter, well, it disturbs us that you
know more than you should. A little knowledge really
is a dangerous thing. Any knowledge, really.

You have been a good citizen up until now, the tapes
show that. Do you know how to forget? Let’s try that
first. Before the other. Simply put the matter out of
your mind.

Continue leaving for work at 7:50 every morning and
walking Sasha in the evening after dinner and before
the curfew. Once you’re sure you have forgotten,
write and tell us.

We know how difficult it can be, remembering
to reassure us that you don’t remember. It’s a fine
line, isn’t it? But it can be done.

Others have, and most are living happy and productive lives.

from Rattle #52, Summer 2016
Tribute to Angelenos

__________

Ron Koertge: “I’ve lived in the L.A. area since 1965. Sure, I came for a job, but I’d been to L.A. briefly and it struck me as wonderfully indifferent to what I did, whom I slept with, what I wrote. For somebody from a little town, that seemed like paradise.” (web)

 

Ron is the guest on Rattlecast #47! Click here to watch …

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August 1, 2016

Ron Koertge

A SURPRISE VISIT

She appears during my office hour, says a name,
and asks if I remember her son.

“Victor. Sure.”

“Did you know he died?”

That makes me sit up straighter. “Jesus, no.
I’m so sorry.”

She shows me a handful of poems written
in the lilac ink he adored.

“He wrote these in the hospital.
Were the other students kind to him?”

“It was a good class.”

“He talked about it a lot.” She grips a double-strand
of pearls. “I promised him I would stop by.”
I stand to shake hands. Then walk her to
a door that opens to the usual pandemonium:

the insults and flirting and threats of the living.

from Rattle #52, Summer 2016
Tribute to Angelenos

[download audio]

__________

Ron Koertge: “I’ve lived in the L.A. area since 1965. Sure, I came for a job, but I’d been to L.A. briefly and it struck me as wonderfully indifferent to what I did, whom I slept with, what I wrote. For somebody from a little town, that seemed like paradise.” (website)

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June 12, 2015

Ron Koertge

GETTING TOUGH WITH JOHN RUSKIN

The lady at the reference desk just called
to say that Seven Lamps of Architecture
finally came in, so even though it’s raining
I have to put on my turquoise polo because
picking up a new book is a little like
meeting someone for the first time, though
I certainly don’t want Ruskin lighting my
cigarette and asking where I found a shirt
that so perfectly matched my eyes, the way
Oscar Wilde did last week.

I wouldn’t even read Ruskin if I didn’t have
to. He was the jerk who thought all naked
women were going to look like the marble
statues in museums. So when Effie Gray
turned out to have pubic hair he was horrified
and the marriage was never consummated.

Well, I’ll tell you what, Johnny. I’ll drive
over to the library and pick up your book,
but if I don’t like what I see muy rapido
it’s back where you came from. And if
you thought industrial England in 1862
was ugly, wait’ll you see the bottom
of a book drop on a day like this!

from Rattle #13, Summer 2000

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