June 2, 2014

Roberto Ascalon

THE FIRE THIS TIME,

or How Come Some Brown
Boys Get Blazed Right
Before Class and Other
Questions Without Marks

how much damn broke
does it take to want to
burn just before class
lung green with chaos
 
how many times the
police come to the door
way past late, your auntie
face forlorn and flashing
 
in the turning blue, how
much knuckle in a boy
fist gotta break cheek till
body want to go numb
 
how much brave you
gotta front, pay forward
like a hard stare, like a
work muscle jaw
 
how many legal papers
say stay or go, right or
nothing, home or jail
love or palm skin
 
how many words
or promises did dad
mom and god knows
who else have to crush
 
so that you spit out
your eyes and slouch
like a demon, daring
me to call out your
 
name, as if it had
power anyway, as if
your own name, when
you strangle it out
 
your throat spill god
stuff, god, like a broke
egg, baby born into
fire, how come fire
 
put you to bed instead
of sweet hands, good
hands, why they put bad
hands, why bad hands
 
why the fire this time
god, why, we ain’t done
nothing, nothing yet
nothing yet and nothing
 
wrong, except the babies
are on fire, on fire, babies
burning by the stairs
before school begins

from Rattle #42, Winter 2013
Rattle Poetry Prize Winner

__________

Roberto Ascalon: “I’ve taught a poetry class in this one school for the last eight years. It’s been fantastic. But hard sometimes—it’s a credit retrieval school—the last ditch for kids who’ve been expelled for being angry or being sad or being high or for fighting or cursing out a teacher or not speaking English well enough or scratching fuck you on the bathroom mirror or being pregnant or skipping school for weeks—conditions and actions that often haunt the poor and the black and the brown. With lots of love, freedom, encouragement and a safe space, I find most kids want desperately to read their work out loud. But recently I had this one boy, who, by his very presence, prevented others from reading their poetry. Class fizzled when he was in the room. He’d talk brazenly on the phone during class or slouch deep in his chair and make offhandedly cruel comments under his breath. His swagger and arrogance conveyed total disrespect—all with this amazing smile and high cheek bones. Infuriatingly, he could have been a leader if he’d wanted to—but instead chose to laugh at other folks when they read. One day I had enough. I stepped to him, suited up in manly-man aggression, kicked him out. After he left the room, to my deep shock and surprise, the other youth called me out and argued with me. They said I wasn’t being right. They said that he needed the class as much, even more, than they did. They saw how unfair it was—all of it. So, I let him back in the next day. There was an uneasy détente. The other kids eventually read their poems. He wrote a handful of lines that year, maybe ten or twelve. A win. I wrote this poem for him—and for the other youth who wanted him back in the room. For Miss Diane and Lasheera and Romeo and Rica. For all of the brown boys that get denied by people like me. For James Baldwin’s nephew.”

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September 15, 2013

Rattle is proud to announce the winner of the 2013 Rattle Poetry Prize:

Roberto Ascalon

“The Fire This Time”
by
Roberto Ascalon
Seattle, WA

__________

Finalists:

“A Poem for Women Who Don’t Want Children”
Chanel Brenner
Santa Monica, CA

“My Mother Told Us Not to Have Children”
Rebecca Gayle Howell
Lubbock, TX

“Baby Love”
Courtney Kampa
New York, NY

“What He Must Have Seen”
Stephen Kampa
Daytona Beach, FL

“Man on Mad Anthony”
Bea Opengart
Cincinatti, OH

“Laundry List”
Michelle Ornat
Elma, NY

“Man on the Floor”
Jack Powers
Fairfield, CT

“Basic Standards Test”
Danez Smith
St. Paul, MN

“Who Breathed in Binders”
Patricia Smith
Howell, NJ

“Of You”
Wendy Videlock
Grand Junction, CO

 

These eleven poems will be published in the Winter issue of Rattle this December. Each of the Finalists are also eligible for the $1,000 Readers’ Choice Award, to be selected by entrant and subscriber vote (the voting period is December 1, 2013 – February 15, 2014).

Another nine poems were selected for standard publication, and offered a space in the open section of a future issue. These poets will be notified individually about details, but they are: Jacqueline Berger, Daniel Bohnhorst, Jackleen Holton, Sharon Kessler-Farchi, Michael Meyerhofer, Kathleen Nolan, Charlotte Pence, Sam Sax, and Timothy Schirmer.

Thank you to everyone who participated in the competition, which would not have been a success without your diverse and inspiring poems. We received a record 2,105 entries and well over 8,000 poems, and it was an honor to read each of them.

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