July 8, 2021

Manuel Paul López

THE NEIGHBOR

He cuts his grass three times a week,
Never more, never less
And sometimes I catch him on his porch at night
Small lump at his center drooping
Over the elastic of his shorts
Staring
His garage is an immaculate jewelry box.
So much so, that I wouldn’t be afraid
To lick a pipe, or rim a corkscrew.
His one car and two pick-up trucks
Glisten in the sun
Sitting on the carport
Like a queen aside the brawn
Of two heavy generals.

I often wonder how he sleeps at night
If he dreams
If he wonders
If he’s smelled romance

He’s always outside,
Pestering the soil
The air
The peace
Like the mockingbird
That litters the hood of my car
With shit.

He and his wife hardly speak
Passing each other like two guards in a palace

As the grass grows and grows.

My mind wanders
What could he have possibly done to her
Or she to him

What if, I thought, he strayed?
Fucked her best friend on bedsheets
That told the story like a newspaper

Or maybe he socked her one,
Too many times beneath too much makeup

No,

Or maybe he simply did nothing
But watch the grass grow and grow.

from Rattle #15, Summer 2001

__________

Manuel Paul López: “I currently work for the Imperial County Office of Education. I have already gotten caught three times writing poetry on the job. Oh well.”

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December 31, 2010

Manuel Paul López

THE SCALES

She dyes my hair black on Tuesday nights.
I think she wants me to look like Trent Reznor.
Or like that long-haired guy from AFI. Or like Nobukata Kawai,
the guitarist from her favorite Japanese band, Envy.
I believe this though my brother says I look like Janet Wood from Three’s Company,
and that makes us both laugh.
She says my face is too oily.
My mother says, She’s the one. Isn’t she?
I nod obediently and remain silent.
I can’t stand the way she bites her fingernails.
She likes to butter my toast, but instead of butter, she uses bacon grease,
and I hate it when people touch my food!
She plays my bass guitar in my spare room.
Her timing is impeccable, but I’m too scared to ask her to play in my band.
She even knows all of her scales.
I don’t want to be overshadowed. Besides, she’s too pretty to be in a rock band.
I shouldn’t think this way because she’s awesome sometimes.
My friends think so, too, though I think they secretly want her to front our band.
This all sadly reminds me of that heartbreaker of a movie, Rock Star,
the film where Marky Mark’s character is secretly nudged out of the band he helped create.
I barely own any gear.
My days in the band are numbered—I can feel it.
Actually, my bandmates told me my days in the band are numbered.
I suppose everyone’s days are numbered,
so that’s why I want her to have our babies! Three of them!
Since we both eat fast and really really like energy drinks.
We’ll name them The Pointer Sisters even if we have three boys!
But she’s a smoker and I don’t think she’ll ever stop.
I can’t help but imagine ourselves in a delivery room.
Some day waiting in some hospital in some Boll Weevil’s kind of town,
waiting for our little bambino’s arrival.
For godsakes, our first child is going to be a large Humphrey Bogart Bobblehead:
squinty eyes, fedora, a Lucky Strike in its mouth for her to pluck from its lips and say:
Share with mommy … shaaaare … shaaaare …
A real bonding experience between mommy and newborn Humphrey Bogart Bobblehead.
I can already read the Tweets, Facebook, and Myspace posts as I stand there with my hands on hips
in total disbelief, asking our doctor for some kind of guidance, wisdom,
for godsakes in this strange David Lynch movie moment—
But she doesn’t want kids, anyway.
She says she only pets them if they can spell Mississippi,
if they can refrain from shitting in their pants.
She likes the Cars but hates Ric Ocasek.
She keeps the exact amount of change in her pocket at all times and she insists that I do the same.
So what do I do? Naturally, I do. She tests me. Sometimes
when I least expect it. One day we were swimming at the Plunge.
She reached into my bathing suit pocket and grabbed my scrotum really hard
and said, Nope, no bones here.
Everyone laughed.
She grinned then dove back into the deep end without ever making a splash.
She always tests me. I always fail. She says it’s bad luck to always fail.
I say No shit. So that means I must be the unluckiest bastard that ever existed.
She rolls her eyes then plays Manaqui Lazer songs on her iPod,
her thumb and fingers plucking bass lines across her thigh.
I can’t stand people who read cereal boxes.
I especially can’t stand people who read cereal boxes when they should be reading Baudelaire, she says.
I can’t stand Baudelaire, but I’ll never admit this,
because if I do, she’ll insist that I articulate this judgment (most likely in front of others),
and will prod me until something foolish escapes from my mouth.
She’ll call my analysis childish, naïve, and grossly insufficient for a guy my age—
especially for having such a large head.
And don’t think I mean that figuratively, she’ll say, you are, after all,
the jackass who can never find a baseball cap that fits.
She rubs black dye in my hair while she restates all of this.
I convince myself that she does all of this because she cares about me,
though never of love (I can feel it in her fingertips).
I reassess this relationship most days while staring at the sun:
Is Ric Ocasek really worth fighting for?
Only to nod
and only to remain silent
obediently.

from Rattle #33, Summer 2010

__________

Manuel Paul López: “I’m currently living in a small, small agricultural town in southern California, about 14 miles from the Mexicali border. This place might not be London, or Paris, or Los Angeles, but there’s love here too.” (web)

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April 16, 2010

Manuel Paul López

THERE IS A HOLE IN MY LIVING ROOM

for Macedonio, Manuel, and Fidencio

There is a hole in my living room that my grandfather cannot climb out from. I bring him water sometimes, because I know he’s thirsty, because I know his medication dehydrates him, I know the crackers and salami he loves to eat need to be washed down with something. But I can only hear the incomprehensible echoes of Spanish like the death hum of a gasping bird trying to lift itself out of the darkness. I leave each glass of water around the hole in my living room like a vigil of glass and water alive with sunlight. No one drinks them. There are 2,700 glasses of water near that hole but no one will drink them. My grandfather has died, and there are 2,700 glasses of water near a large hole in my living room where my grandfather used to dance, where he used to sing El Rey and balance all of his nietos like a dozen brown canaries across his biceps. My grandfather has died, and there are 2,700 glasses of water that cannot satisfy our thirst.

from Rattle #23, Summer 2005

__________

Manuel Paul López: “I’m currently living in a small, small agricultural town in southern California, about 14 miles from the Mexicali border. This place might not be London, or Paris, or Los Angeles, but there’s death here too. This poem was written after the passing of my grandfather.” (web)

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