December 16, 2015

Lisa Glatt

A WOMAN LIKE THAT WITH PROBLEMS LIKE THOSE

Last night on the beach I rattled around
with a man I’d never see again.
He was younger than me,
sort of stupid, I think, though I was drunk
and high and grieving
so I can’t be sure of anything.
We rattled around, like I said,
in the sand, and it was hard to walk,
and it was hard to see, and he was hard,
my hand making its clumsy ride into his boxers,
and he was saying something cliché
about the moon, three stars, hoping that a woman
like me, a woman drunk at 3 a.m. with a stranger
on a beach, a woman whose ailing mother slept
within earshot, a 30-year-old woman like that
with problems like those, with so much obvious
desire and sorrow, would respond to the moon,
to those three stars, to him, to the bottle
of brown booze he had snuggled
in his backpack. After playing around,
I stopped him—some might call it teasing,
others insight, but it hit me like a diagnosis,
what I was doing, where I had been,
and I jumped from the sand, and left him there,
with his Levis half on and half off, his confusion,
maybe anger, left him with the moon,
with only my body’s imprint in the sand,
with his hard penis like a finger
pointing at my back.

from Rattle #7, Summer 1997

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April 24, 2011

Lisa Glatt

THE ATHEIST’S TUNNEL

A woman in a bright yellow coat wraps the cuff around my arm and asks me first about headaches, and then about cramps, and then about my mother, dead early from breast cancer, which makes me just a tad more interesting than the young women here whose mothers are still breathing. It’s my first visit since she died, and the woman wants to know how I feel, do I feel OK. She remembers I lived with my mother while I wrote and nursed at once. I didn’t nurse, I say, I was a miserable bitch in the next room, I was what my mother called a bummer, but she’s not listening anymore, this cheerful woman dressed up like a flower. She’s leading me into the examining room, where teddy bears and buttercups line the walls, where a three-foot picture of Santa hangs even though it’s April. I’m in that paper robe, leaning back into position, wondering about Santa’s perseverance when the doctor enters. He wants to know my mother’s age, which breast, and I’m surprised when I say left, not because I know it, but because it’s there on my tongue, and then I’m moving toward him, and I’m thinking that it’s a wonderful thing my love and I don’t have sex on a table like this, that he doesn’t see me in this light, that he doesn’t peer in with sticks and tools. Just then the doctor pipes up, saying my cervix looks great, and he says this with such enthusiasm that I suddenly see my cervix made up for the prom, lipstick and blush, a pink glow that speaks of health and wellbeing. He wants to talk about life and death, about heaven, and I’m wincing, not because the speculum is cold, but because I know how unpopular my beliefs are, even here among these scientists, so I say nothing as the doctor chatters on about his own dead mother. Oh I understand how you feel. I was just thirty when my mother died, but I believe in God, you must believe in God, you do believe in God? he says, his head popping up from between my knees, and I see him, a believer in latex gloves, a balding orphan in bright light. I force a smile and he returns to my crotch. You must believe in heaven, he continues, talking right at it. I’m certain that when mama went she went into a tunnel, a beautiful tunnel, he says, at the exact moment his finger is scooting into my ass.

from Rattle #25, Spring 2006
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