September 7, 2020

Jennifer Perrine

FUR BABY

How I disdain that phrase
because I have no children,

only a sprawling yard
and a penchant for naming.

I called my first dog Frank,
hoping she would be forthright.

I have loved too many
closets, too many half-truths

that were also half-lies.
Frank refused such legacies,

possessed no genes of mine
to muster her best defense

against, though I suppose
she had some inheritance

of her own to struggle
with. Frank, so far as I know,

never considered me
a parent, never measured

me unfit, though I fumed
when she ate my papers, locked

her in her crate for hours
after she chewed through that couch

in the rented house. Ten
years on, when my partner left,

Frank’s warmth punctuated
the bed, a comma behind

my knees, an em dash when
her greyhound legs stretched. I bore

accidental scratches,
holes her claws snagged in my clothes.

When I woke, we would walk
to the park, tots with no fear

flocking to her white beard.
When passersby asked her name,

I never felt the need
to correct when they assumed

our genders, dubbed both me
and Frank him. Still, I saddled

her with a moniker
that may not have matched her sense

of self, if she had one.
She may have longed for a word

more apt, more feminine,
more evocative of sly

delights, though her earnest
glee seemed unmistakable

when, as she paddled far
from shore, I summoned her back,

the splash of her long limbs
a graceless mess. It’s not true

to say I wanted no
children, just fewer chances

at sorrow. Little did
I know what honesty Frank

would mother in me, months
I could not feed her enough

to keep up with the rush
of steroids prescribed to shrink

the mass in her brain. Starved,
she swallowed a whole bottle

of fish oil and shat grease
in the backseat all the way

to the hospital. Well
enough again the next day,

her fur retained that scent
for a year. She learned to stay

as I administered
injections, nursed her so long

I forgot she was still
sick. When it was time, I can’t

be sure if she heard me
as I soothed her, hushed my hands

on her black ears, her flank,
cradled her, whispered Frank, Frank.

from Rattle #68, Summer 2020

__________

Jennifer Perrine: “A writing teacher once told me that no one wants to read poems about pets, and I repeated that misguided advice for many years after I became I teacher myself. If I could go back and amend all those conversations, I would say that the world needs more poems about love, no matter what form that takes. I would also say, ‘Who cares whether someone else wants to read it? If you care about it, write it.’” (web)

 

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May 22, 2019

Jennifer Perrine

COLOSSAL

Liberty Takes a Sick Day

Give me a moment of rest. I am tired of this stress position. My poor
arm trembles. Let me huddle in bed, catch my breath. The doctors say I’m free
to leave, but movement makes me wretch. I refuse to pretend that I’m not sore,
that I can’t sense my temperature rise. Tonight, I’ll let this fever toss me.
I’ll drop my lamp at last. Someone else can stand fast, hold open this damn door.

 

 

Liberty at the Bar

Give me your finest brandy. Scratch that—I’ll take whatever’s handy. Pour
me enough slugs of the stiff stuff to mute these untruths. Land of the free?
Home of the praise for barricades and bans, for guarded borders and shores.
Send me into senselessness. Line up the shots. Raise a toast! Drinks on me!
I’ll lift my glass to drown the pleas of the ghosts who still stand at my door.

 

 

The Huddled Masses Make Their Reply

Give us a break. We were never free.
We were one bad check from homelessness.
We braced ourselves, shored up against loss.
We crossed our hearts, prayed away the poor,
left our mark, smudge upon a glass door.

from Rattle #63, Spring 2019
Tribute to Persona Poems

__________

Jennifer Perrine: “I fell in love with poetry by writing in persona. When I was a junior in high school, my English teacher assigned The Scarlet Letter and asked everyone in the class to write a response. She gave us several options, and among them was the chance to write a poem in the voice of a character from the book. I chose Pearl, Hester Prynne’s daughter, because she was so central to the story and yet hardly spoke in the novel. I discovered that persona poems were a way I could imagine—and help others to imagine—the perspectives of marginalized characters. In this series of poems, written as the status of immigrants is once again contested in public discourse, I was wrestling with how Lady Liberty, standing there on one of the literal margins of our country, might contribute to the current conversation.” (web)

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June 23, 2017

Jennifer Perrine

I TELL DEATH, EVENTUALLY

when he comes for my friend but stares at me,
looks me over like a tasty treat. He’s

standing in the doorway of her hospice
room, leaning against the jamb. He’s got a

pie in his hand. He’s, unsurprisingly,
a very old man. When I first spot him

from the corner of my eye, I expect
only an underlayer of bone, scythe

and cowl no mortal may see. But he’s dressed
neatly: checked button-down shirt, faded jeans.

He’s no threat to any reasonable
person, especially holding a pie

like it’s a Fourth of July picnic, like
it’s harvest time, and we’re all giving thanks

for the bounty we’ve received. My friend’s still
in her bed, silent save her breath. Death

does not approach, only holds out the pie
as if to say, Come, eat. His big dentures

flop loose in his mouth. I want to tell him
go home, it’s not her time yet, keep your eyes

to yourself. Those aren’t the words that come out.
All I say is, eventually,

which is, of course, what he’s saying to me
each time he shows up for a friend. That’s it—

eventually—as if shrugging off
a lover’s touch—not tonight—not to say

it will never happen, but that the time
must be right. But I’ll have no more say than

my friend. At the end, I believe she’ll wake,
even after the monitors switch off.

Death no longer stands watch, just a man who
caught sight of me crying and doesn’t know

whether to leave me alone. He lingers,
aftershave crisp in the fusty air. When

I am ready, when I would say to Death,
take me, too, he is gone, leaving only

the pie, still warm, the cloying smell of peach,
and what can I do in my grief but dig

a finger through the crust, pull up a crook
of cinnamon muck, and suck so I’ll know

what Death will taste like, tart but ripe as spring,
as birds gathering in trees to collect

every last fruit, the trappings of Death not
tie and suit, not black robes, but flour sack,

winding sheet rolled thin by hand, vents so steam
might rise like our breaths. Crumbs drop to the floor.

I look at what’s left of my friend, the mess
I’ve made of my own hands, the room’s empty

threshold, the nothing standing at the door.

from Rattle #55, Spring 2017

[download audio]

__________

Jennifer Perrine: “I love a poem that slows me down. So much of life feels like imposed haste; I want poems that give me no choice but to slow my pace. I often feel overwhelmed by the social pressure to be quicker, do more, multitask, but a good poem reminds me that I don’t really value that way of moving in the world.” (website)

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December 9, 2009

Jennifer Perrine

HOME VISIT: JENNY

When I arrived, she had been alone
with the body for three weeks: her mother
a puddle on the bathroom floor, water

still running in the sink. Jenny found
bologna and old yogurt in the kitchen
trash, socked it away in the fridge to eat

a slice and a spoonful a day. When the smell
overwhelmed her, she buried her face
in the laundry heap, sucking in whiffs

of stale sweat and perfumed cuffs. Of course,
I didn’t know this then, didn’t know
how she’d turned her bedroom into a toilet

to spare herself the sight of all that blood,
how she’d fed her gnarled tabby as best
she could, then buried it beneath the potted

fern. Six years later, she tells me all this,
tells me she doesn’t remember the police
kicking in her door or the flash and whirr

of cameras as I carried her outside,
how she shoved her face against my sternum
so hard I felt her screams hum in my chest.

from Rattle #31, Summer 2009

__________

Jennifer Perrine: “Several years ago, I supported my writing habit by working as an in-home social worker for children with developmental disorders, many of whom had been neglected or abused. I couldn’t stand the heat and had to exit that particular kitchen, but I continue to write poems inspired by what I witnessed as a way to honor those kids, as well as all the folks who continue to do the job for which I was so ill-suited.” (web)

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November 4, 2009

Jennifer Perrine

HOME VISIT: DANNY

Now, I remember nothing of Danny
but the smudge of freckles that hovered
above his upper lip, that constellation

an incongruous mustache on his schoolboy
face. Of his parents, even less: the bite
of his father’s heels into the gravel

drive, the camphor on his mother’s hands.
But no: here are Danny’s hands, too: his little
fist wrapped around the quivering vibrissae

of some stray cat, how he slipped the scissors
open and shut, then bent to kiss the stumps,
the slide of their needle pricks against his cheeks.

Not a real memory, but a scene
I’ve watched through his parents’ retelling:
the details just short of Danny’s own version,

where his mother observes the small drama,
says nothing, locks him in the pantry
long enough that he tries opening tins

with his teeth, names the two spiders curled
dead on the shelf, even prays a little,
silently, after his voice dries up.

from Rattle #27, Summer 2007

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