March 4, 2024

Jeff Vande Zande

IN EARLY DRAFTS, ROBERT FROST RELIED HEAVILY ON THE THESAURUS

Discontinuing By Timberland
on a Fleecy Eventide
—Robert Frost

Whose copse this is I speculate I get.
His domicile is in the township, yet;
He won’t monitor me refraining here
To observe his pines congesting with wet.

My petite steed must reckon it bizarre
To knock off with the next shanty so far
Flanked by boscage and glaciated loch
The blackest eve of Earth’s loop around star.

He gives his tackle’s carillon a flap
As though he’s inquiring, “What the crap?”
The single other racket is the zoom
Of cozy zephyr and pubescent scrap.

The thicket is cute, sooty and abstruse.
But I’ve contracts that I don’t want to lose,
And 5,280 feet more until I snooze,
And 5,280 feet more until I snooze.

from Rattle #33, Summer 2010
Tribute to Humor

__________

Jeff Vande Zande: “I guess I was reading a lot of student papers in which students were compelled to try to make their papers sound ‘better’ by using the thesaurus. For instance, one student had been arguing why people should take up jogging and then, in the middle of the paper, started arguing why people should take up cantering. I thought it might be funny to rewrite a Frost poem under the premise that Frost was a thesaurus abuser. Then, after reading it, Tim Green said, ‘I like it, Jeff, but can you make it rhyme?’ That’s three hours of my life that I’ll never get back!” (web)

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April 18, 2023

Peter Krass

ALL DRESSED IN GREEN

In the latest issue of Quagmire I find 7 new poems by Billy Collins.
In the new Kiss My Quarterly, 12 poems by Billy Collins.
Coming soon in Broken Meter, 18 poems by Billy Collins.
On NPR radio, Billy Collins reads “Wish I’d Written That.”
In my sleep, Billy Collins stars in a major motion picture
Directed by Billy Collins, produced by Billy Collins,
And featuring a supporting cast of thousands of Billy Collinses.

Tonight, at my local Barnes & Starbucks,
Billy Collins is giving a reading,
So naturally I go, all dressed in green,
Color of envy, money, and snot.
Other striving poets fill nearly every seat,
Each wearing something green,
Each moving their lips as they quietly pray,
“O gods of poetry, whoever you are,
Please let a magic morsel fly
From the mouth of Billy Collins
And infect me, like a virus,
With whatever he has: The virus
Of being published,
The virus of selling books,
The virus of success.”

I sneer at them: “Stupid poets,”
I say, “That’s not how life works.”
But when Billy Collins appears at last,
Smiling and nodding, clearing his throat,
I find my seat in the very front row,
Open my mouth as wide as it goes,
And breathe.

from Rattle #33, Summer 2010
Tribute to Humor

__________

Peter Krass: “With my own poems superbly insulating a couple of desk drawers, I couldn’t help but notice how my favorite literary journals were being dominated by just a few well-known poets. The same six or seven names seemed to be everywhere, taking up all the literary oxygen and leaving none for me. Suffocation being a strict taboo in my religion, I instead wrote ‘All Dressed in Green’ and have been breathing freely ever since.”

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August 11, 2022

Greg Kosmicki

A HAZARDOUS BRUSH WITH AN ABNORMALLY EXTENDED FEELING OF WELL-BEING

Sometimes you can be so happy and it’s inexplicable,
driving your car down the freeway
or sitting in your kitchen eating an apple

or say you just completed a mundane task
like putting two stacks of paper into order.
It has nothing to do with that probably

probably it has nothing to do with anything.
You can actually be happy for no real reason
just as you can breathe for no reason

or take a dump for no reason
I mean, other than the obvious reasons
or maybe it’s only because you can say reason

at least as many times as you’d like
at the end of a line for no reason.
If someone tells you you can’t be happy

tell him take a hike, there is no reason
not to be because if you want it to be it can be
and you don’t even have to have a reason

to be happy, you can just be
kind of like a spider might be happy
sitting up in a corner in her web

trying to think about whether or not
she can understand the concept or even
if she cares or not. There is the web,

and the corner, and someplace flying toward her, lunch,
and someplace a poem that ends with the word lunch.

from Rattle #33, Summer 2010
Tribute to Humor

__________

Greg Kosmicki: “I write poems because I’ve found that it’s the easiest way to agitate my wife of 36 years.”

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May 21, 2022

Lola Haskins

THE FRUIT DETECTIVE

On the table, there are traces of orange blood. There is also a
straight mark, probably made by some kind of knife. The
detective suspects that by now the orange has been sectioned,
but there is always hope until you’re sure. He takes samples.
Valencia. This year’s crop. Dum-de-dum-dum.
          The detective puts out an APB. Someone with a grudge
against fruit. Suspect is armed and should be considered
dangerous. He cruises the orchards. Nothing turns up except a
few bruised individuals, probably died of falls.
A week passes. There are front page pictures of the orange.
          No one has seen it. They try putting up posters around town.
Still nothing. The detective’s phone rings. Yes, he says. And Yes,
thanks. I’ll be right over
. Another orange. This time they find
the peel. It was brutally torn and tossed in a wastebasket.
Probably never knew what hit it, says the detective, looking
sadly at the remains.
          There is a third killing and a fourth. People are keeping
their oranges indoors. There is fear about, that with oranges
off the streets the killer may turn to apples or bananas. The
detective needs a breakthrough. The phone rings. If you want
to know who killed the oranges, come to the phone booth at the
corner of 4th and Market
, says the voice.
          The detective hurries on his coat. When he gets to the
booth, the phone is already ringing. It is the egg. I did it, says
the egg, and I’ll do it again. The detective is not surprised. No
one else could have been so hard-boiled.

from Rattle #33, Summer 2010
Tribute to Humor

__________

Lola Haskins: “As a kid I loved the way Jack Webb (whose hat I also loved) used to say ‘Just-the-facts-ma’am.’ I had a really good time writing this in that spirit. And I won’t regret eating the egg, not one bit; after all, he’s already hardboiled. I do, however, feel sorry for the oranges so I said a few kind words to the one I had for breakfast this morning. And, having suffered through my little ditty, I’m sure the reader will be relieved to know that my book coming out in June has nothing to do with fruit.” (web)

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October 6, 2020

Rick Lupert

RULES FOR POETRY

Never use adjectives
unless you’re trying to describe something
and you don’t want to do it the hard way.

Never use the word “forever.”
It reminds people they’re going to die
and the last thing you need is people distracted
by their mortality during your poem.

Write what you know
unless you’re a fool, in which case
look to the internet, and write about something there.

Avoid vowels
and their angry sister
the letter Y.

Avoid cliché.
On the other hand …

Learn the difference between
epigraphs,
epigrams and
episiotomies.

Use as few words as possible.
In fact, hand out blank sheets of paper
and tell people it’s your finest work.

If you ever use the phrase “darkness in my soul”
be prepared for me to come to your house
and kill you.

If you’re going to write in form, do it right.
For example, as I understand it, a haiku
is eight hundred words written while
sitting on a cheesecake.

Line breaks are important,
but use them carefully. Once you’ve broken a line
its parents will never forgive you.

Finally, go to poetry workshops.
Sometimes they serve food and
you can’t write poetry if you’re dead
because you forgot to eat.

from Rattle #33, Summer 2010
Tribute to Humor

___________

Rick Lupert: “Once I met Art Garfunkel. I handed him a small journal and told him it was a book of my thoughts. He wrote in it ‘Rick, I’m your next thought.’ Soon after I lost this journal. I continue to write thoughts, in the form of poems, in the event I might run into him again and bring closure to that embarrassing loss. I’ve since published twelve poetry collections. I also organize the Poetry Super Highway, an online resource and publication for poets. The mission of these projects is to expose as many people to as many other people’s poetry as possible. The secret mission is to prepare people, in case they run into Art Garfunkel.” (web)

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May 17, 2018

Marsh Muirhead

THE FIRING

I fired my secretary today. It felt like murder,
although I’ve never murdered anybody.
I’ve never fired anybody either and
it wasn’t easy. I’ve tried before.
It was always the right day
early in the morning,
my list of grievances sufficient,
but by coffee break she seemed quite convivial,
her faults, perhaps, imagined, and she was
reprieved—day after day after day,
despite her poor grammar and procrastination,
her petty gossiping and unnecessary overtime,
the unauthorized purchases and internet surfing.
These I would enumerate, lying in bed,
waking from dreams of murder or assault,
too much water, not enough air, breathless,
covered in sweat. I rationalized her shortcomings
as my own—not enough clarity or direction,
a failure of discipline or training.
But by the light of day the faults were hers again—
all the things she didn’t do as I requested,
all the things she did that were a waste of time
or insufficient or quite plainly—prohibited.

I fired my secretary today. By three o’clock
I had cased the house, considered witnesses,
checked the locks, confirmed the escape route,
still queasy and unsure, but determined to be a man,
do the right thing, fire her ass—then knew I wasn’t
that kind of man. Kindness was what was needed
and I was calmed by the patience I had exercised,
by my own suffering on her behalf. The clock
ticked on, the gun was loaded, I wavered, thought
myself both justified and cruel, considered a hit man—
a carefully crafted note which I could hand her as
I made my escape, a cowardly dog. In the final
minutes, she chatted away on the telephone,
cheerfully unaware of the grizzly bear outside
her tent, Raskolnikov at the door. Then, she
put away her things—pens, memo pad, paper clips.
She switched off her computer, turned,
and looked at me. I fired. Her mouth dropped
open. The room filled with the stench of gunpowder.
I turned and raced for the door, forgetting
my hat and coat, hoping it wasn’t raining,
trusting that the getaway car was out there,
that I had the keys.

from Rattle #33, Summer 2010
Tribute to Humor

__________

Marsh Muirhead: “We have an island in the Mississippi here, three acres of pine and birch, surrounded by the flowing river, the sounds of loons, crickets, owls. My literary and musical friends have declared it The Island Republic. In a hammock, under the influence of wood smoke and an excellent Merlot, I achieved the tranquility in which I was able to recollect the powerful emotions surrounding the situation which, then, gave rise to this poem.” (web)

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February 17, 2011

Mike White

THE FRESHMAN ESSAY
(IN A NEW VERSE TRANSLATION)

The question one will argue in this essay is what is a cannibal.
You are so wrong if you said “a kind of animal.”

Fact: they are not like a dark stranger.
Fact: they are much endanger.

Maybe you think just because you are you
you would not do what they do.

Well think again civilized man and/or woman.
Plane crash must eat frozen dead co-pilot proves ordinary people can.

Let us now consider the state of nature,
a spot of time when toil-free work and whore-mongering made life richer.

Another point is what is so gross anyway about people meat.
One went to Chinatown one time and saw chicken feet.

In conclusion we are too full of ourselves here in the West.
(Can you let me know if the last day to drop this class has passed?)

from Rattle #33, Summer 2010
Tribute to Humor

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