September 21, 2015

Donald Platt

ESSENTIAL TREMOR

My right hand shakes
as if a low-watt electric current runs through it—harmless
palsy, neurological

tic that I inherited from my dead father. It affects only
the one hand.
The doctors call it “an essential tremor.” I’m trimming the blue spruce

that Lucy, our younger
daughter who turned eighteen last week, and I bought yesterday.
I’m hanging fragile

red, blue, gold, green, and silver balls with my right hand.
It trembles
uncontrollably. Eleanor, our older daughter who had her first

and so far only
manic episode two years ago, is coming home for Christmas
from Guatemala’s mountains,

where she’s been working as an intern on a medical team.
She’s lived through
an earthquake, amoebas, parasites, chronic diarrhea, weight loss, nausea,

fever, power outages, 30-degree 
nights, no central heat. I wonder whether, sick as she is and unable 
to tolerate her full dose

of lithium, her mind will start to fog and she won’t get on the flight
home. I remember
how two years ago, as she began to escalate into 

mania, she sent
long, rambling, group emails to her professors and copied Dana
and me: “Let me be

perfectly CLEAR. I am having a rough time managing schoolwork,
social time, consumption
(eating and drinking), breathing, sleeping … In fact, I have gotten

to the point where I seem
to be doing NONE of these things well. So I have decided to pause
and think. (And sleep!!!!!!!)

Precisely because I do not enjoy panic. (Well, that is a typical
lie. I meant to say
that I enjoy panic but I must resist most of the time if I want

to remain sane
and be able to actively use my mind.) Any changes? Tell me,
Waldo, tell me.”

With my stuttering hand I hang on the highest branch the glass 
ornament that Eleanor 
free-blew when she visited a glassblower’s studio with her classmates 

on a field trip. Somehow 
it has survived twelve Christmases. It catches whatever light 
sifts through our window.

Once molten, the cold glass sphere still holds the deep breath Eleanor exhaled
when she was ten.
Two years ago I found her huddled under a blanket in her apartment. 

“The vagus nerve,” she told me,
“is the longest nerve in the whole body. It runs up and down
my spine and opens up

when you have sex. Djibril and I have been fucking like bunnies
for four years.
I had sex too early. I should have waited to find out about

my vagus nerve.
I was giving all my love to Djibril. I have so much love to give,
Daddy. But Djibril

wouldn’t give his love back. I tried to give my love to my friends
and to my schoolwork
when I came here. Always I was giving, but not taking. Now

I need to learn
how to take. I need to become an infant again. I want to be
a newborn.”

Psychosis has its own poetry and fractured wisdom. I eavesdropped 
while her roommate
tried to explain it a day later on his cell phone to a mutual friend of theirs—

“Her mind
kind of moves faster than the speed of light. It’s amazing but … getting lost
in your mind

is the loneliest thing. I think she was concentrating all of her energies
in one place, namely
Djibril. All this is very hard to articulate, and I keep saying it

differently and finding
new revelations as I go along. Let me tell you about the aesthetics
of the breakdown. 

I’m not sure it was exactly a moment. There was a build-up.
Basically, her friends
arrived from Mexico, maybe they brought back memories

for her of being
in Mexico with Djibril. She had been working and making money then.
Everything was going

well for her. Anyway, she began furiously cleaning things. We have
a mice problem,
but it bothered her more than it would a normal person. 

We go to yoga
together, and I was working on breathing
with her. So she

was having trouble sleeping, and her eating was off. She got
fixated 
on her breath. I was in my room, doing some homework,

and she came down
from her room, wrapped only in a blanket. She was completely
naked underneath.

She said, ‘I can’t go to sleep. I haven’t been eating in a week
and a half. I think
I’m going to die.’ ‘Well, let’s get you something to eat,’ I said.

‘I can’t chew.
Can you get me a mango lassi?’ So I ordered her one 
from an Indian restaurant

around the corner. But she wouldn’t touch it. She was having trouble
breathing. I held her
and we tried to breathe together. It was hard for her to get

a breath.”
Nothing will stop this essential tremor. It shakes Eleanor 
and me. We are held

in someone’s large trembling hand. Christmas is the manic
season. I plug in
the lights, and the tree is electrified red, blue, pink, green, yellow,

orange. Daughter,
forgive me. You are not some flammable tree I have hung and hogtied 
with eighty breakable 

glass balls. Forgive my dumb anxiety. You will walk across the tarmac
and climb up the skeletal 
metal stairs into a two-prop plane, strap on your seatbelt. I will meet you 

at the new Indianapolis airport
tomorrow night. I will help you carry your carry-on bags.
You will be tanned

from a fierce tropic sun I have never known. You will talk slowly
in English
after having spoken so much Spanish. You will tell me of the volcanoes

you live under—one extinct,
the other smoking. How they are tall strangers, who have become some 
of your many friends. I will kiss

you on both cheeks, my beautiful prodigal, my returned one,
and we will hold
each other still for a long time, my hands clasping your thin

shoulder blades 
under your poncho, while suitcases go around and around on the carousel,
waiting to be claimed.

from Rattle #48, Summer 2015

__________

Donald Platt: “I would hazard that I write poems because I’m a PK (preacher’s kid) and one of my earliest memories is of lying on a pew in Trinity Church on Wall Street in New York City and feeling the rhythms of the Book of Common Prayer, the King James Bible, and the old hymns wash over me. Another root of my writing is the experience of growing up with my younger brother who has Down syndrome. While the more common and unenlightened practice in the early ’60s was to institutionalize those with such disabilities, my parents decided that Michael should live at home. But they never discussed my brother’s disability with me. It was an insoluble given. In reaction, I’ve been living my life trying to articulate what isn’t spoken around me, which is perhaps one of the many definitions of what poetry is and does.” (website)

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February 22, 2013

Donald Platt

CADDY

                           On the driving range’s
fairway, hundreds of yellow balls sprout like buttercups
                           out past the white-on-black

50-, 60-, and 90-yard signs. My 89-year-old father-in-law
                           with Parkinson’s,
one yard short of the grave, wants to practice his hitting, chipping,

                           and putting.
Erwin can’t drive, so I drive him in his old Volvo station wagon
                           with his battered

black and red leather bag of golf clubs to the driving range.
                           I caddy
for him, carry the bag that he can’t lift. Bored, knowing nothing

                           of the art of golf,
I read the large sign, TODAY’S COURSE RULES, posted on two
                           free-standing boards

whose hinged tops lean together to form an upside-down V. I have to ask
                           Erwin to explain
the rules. The first is CARTS SCATTER. “Oh, that means

                           we’re supposed
to drive our golf carts in the most unpredictable patterns possible
                           across the fairway

so we don’t make ruts by all going the same way.” The course rules
                           start to sound
like parables, some parabola formed by the intersection of truth’s

                           right circular cone
with a plane parallel to the truth’s sides. PREFERRED LIES,
                           the second rule,

Erwin says, “means that you’re permitted to pick up any ball you hit
                           into the rough
and change its position, its lie, so that you can hit it

                           more easily.”
The course rules seem like rules for old age. Never mention death
                           directly. Erwin speaks

of his friend Ron, who “went to heaven two weeks ago.” Always
                           use euphemism.
Avoid the rough. Lies are preferred. Do not say that Ron is dying

                           of inoperable
lung cancer and is under hospice care. Remark merely that he
                           seems “to be failing,”

as if life were an exam for which he hadn’t crammed half enough.
                           Even I
can figure out the next two rules. PLEASE REPAIR BALL MARKS

                           means to replace
the divots and stomp them down with cleated golf shoes. Leave the course
                           as you found it.

Make amends for the wrongs you have done the good ground.
                           KEEP PACE OF PLAY
is the final rule. Don’t go slow, neither hurry your game. Wait

                           for partners not as fast
as you. Not to be platitudinous, but patience is all. You must last the full
                           18 holes. Erwin

tires after hitting six balls down the driving range. It’s hot.
                           He sits in the shade
of the green kiosk, sips ice water from a conical paper cup

                           he’s filled at the five-gallon
yellow Igloo container. He takes off his khaki golf cap, which says
                           in blue letters

U.S. OPEN 2006 WINGED FOOT surrounding the logo of a gold bag
                           of golf clubs
with wings. His winged feet are lead, size 12, encased in white

                           crew socks
and white leather shoes. He sits stooped under a brass clock three feet
                           in diameter

so all golfers can see it from across the fairways.
                           Its black hands
say 9:27 on a Wednesday morning in early June.

                           Honeysuckle
is blooming. I inhale its thin fragrance like the perfume of a young woman
                           with long tan legs

in white, crisp-pressed culottes, who sways so close by us
                           on her way
to the practice putting green that I can see the sweat pearl

                           her upper lip.
Erwin wants to follow her and putt too. I heave the awkward
                           bag of clubs

onto my left shoulder. It bangs heavily against my hip.
                           The practice green
has four holes, four yellow flags that cast their long, westward-pointing

                           shadows like giant
sundials. No one knows the hour that death will come, a snickering
                           caddy, asking you to choose

a 9-iron or lob wedge for that last swing. From the bag that I
                           hold out to him,
Erwin takes his brass-plated putter. His first putt goes three feet

                           short. He shrugs.
“Watch this!” he says and aims for the far flag, eight yards away.
                           His humpbacked shadow

hunches over the small white ball. He swings his putter like
                           a pendulum.
The ball rolls over the close-mown turf, which gives and springs

                           beneath our hard
rubber soles. The ball rims the cup, wobbles,
                           and falls

in. I cheer. Erwin stands as straight as his osteoporosis
                           will let him.
He bends, picks up a forgotten tee, says, “Finders keepers,” grins.

from Rattle #37, Summer 2012

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