December 23, 2014

Charlotte Pence

AMONG THE YELLOWS, THE FACES SLACK

My grandfather died
from slicing a hive in half.
An accident. A nest
hidden in a log. A blade
thinned to a dead end.
What followed was a blur
of bees. A man running
wild. Arms twice
as thick as normal. Neck—
vibrating outside in.
He died before my birth,
which is maybe why
I imagine this:
a hundred split hexagons
shining, licked gold,
stirring with eggs, drips,
pollen-dusted legs.
Yellow slits, like lit
apartment windows
when darkness first creeps.
Inside, strangers stirring
about their lives. Who hasn’t
paused, peering in too long,
hoping to see—what is
it exactly? The clicks and hums
they make twirling their little
lives into order? The circles
with which they wash skillets.
The curve with which they read
the news. The figure-eights
with which they rinse
a toddler’s hands. Shapes
and slices of what we cannot
know. Still, we stand
on that sidewalk, staring in,
waiting for something.
And suddenly a man pushes
from his chair, rushes
toward a sound, mouth open,
arms outstretched to catch.
We guess he won’t make it
in time, we jerk forward,
trying to see what
is just beyond us.
Trying to clarify with a honed
blade. A sure swing.
A clean cut into the beautiful
trudge of daily duties,
into that space within ourselves
the hopeful once called souls.

from Rattle #44, Summer 2014

__________

Charlotte Pence: “I’m sure I’m not the only one who has looked through a home’s windows before the blinds are turned for the night. Apartment buildings are especially interesting. I’m seeing something that I wouldn’t be able to see if everyone knew I was looking. Yet, I’ve never seen anything more exciting than people going about their daily duties. More often than not, I see slumped figures. Exhausted figures forcing themselves up from a chair to wash a plate or let out the dog. And it’s those acts that intrigue me because they are the stuff that make up our lives. As the poem remembers, my grandfather died from performing a mundane task he didn’t want to do. Somehow these simple duties of living, which can overwhelm and feel so pointless, are what matter the most.” (website)

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July 16, 2014

Charlotte Pence

THINKING AGAIN OF THAT LONE BOXER

practicing in Baltimore’s Herring Run Park.
He looked like he was floating over the fogged 
field. And maybe he was. City traffic stood 
beside him as he slipped and bobbed, countered 
 
and angled, practicing the art of when to back 
down, when to dodge, when to defend.
I’d just been thinking about all I’m losing
in this thing called motherhood
 
when he delivered a left hook that could’ve spun
that string of blue stars around anyone’s head.
I refuse to say he was a dancer, for he was 
what he always is. A man fighting in an empty field 
 
against himself. Still, as long as I remember that
taut curve of back ready to uncoil a punch, 
curve of head ready to receive a blow,
how can I not believe in the possibility of peace?
 

from Rattle #42, Winter 2013

__________

Charlotte Pence: “I remember reading ‘Those Winter Sundays’ by Robert Hayden one afternoon when I was a freshmen in college. It was a warm day in March, and the heaters couldn’t be adjusted. So we were all wilting. And then we read that poem. I was transported to the cold of Hayden’s childhood. Not only was I stunned by the poem’s language, but I had never understood before that a poem could take me into another person’s memory. I decided then if that’s what poetry did, then I had to be a part of it.”
www.charlottepence.com

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August 6, 2012

Charlotte Pence

PERFECTLY WHATEVER

Only in 1998 did astronomers discover that we had been missing nearly three-quarters of the contents of the universe, the so-called dark energy—an unknown form of energy that surrounds each of us, tugging at us ever so slightly.
—from “The Universe’s Invisible Hand” by Christopher J. Conselice

Now that you’re finally sexed-up, you notice
how sexed-down your friends are. One leaves
post-it notes on your office chair ordering
you to stop shaving your pubic hair. Another

with fourth-stage breast cancer tells you once
this is done, she never wants to be touched again.
Another admits whenever she has sex
with her husband, she cries, his body “perfectly

whatever.” What can you say? These conversations
gnaw at the moments in-between your next
great fuck. How can you concentrate on their currs?
Oh, but you did at one point. It’s as if you’ve woken

to a new universe in need of different equations
since the discovery of this so-called dark energy.
You can no longer read Milton, so you masturbate
instead. You see a therapist about these desires,

and she, a virgin, a Baptist, a good-girl, says, “Enjoy.
Enjoy. You’ll one day be an old lady on a bike
with plastic flowers, so do it now.” And you want
to know about this bike, these flowers,

that old woman, but you cannot concentrate.
Now that your desires are certified sane, you go
full force into this one man you’ve wanted.
Fucking in the hall, against the wall, on the carpet

spotted with NASA-neon stains that are you,
your fluids changed from drugs you take for constant
UTIs. You suspect friends disapprove of this new you.
And you can’t blame them. You know the messiness

of calculating new variables and constants. Still, you,
a vegetarian, gorge on KFC. You and this dude
fuck and eat and fuck and sleep and fuck, and
you pick up Milton’s Paradise Lost, yet again,

and look for connections. Is this world beginning
or ending? Does dark energy signify anything dark?
“World expanding,” is what you read in Scientific American.
Dark energy, the creator of us. Maybe the destroyer

that will pluck the sun like a football from our solar system,
separate atoms from atoms. Who knows? Who
cares? What is known is Nothing is now Something,
and you read the name for it: the Cosmological Constant—

and you confuse that with the air from your couch
to the wall, the air he pushes you through
to reel you back in, the air through which Satan
and the warring gods fell from one world to the next.

from Rattle #36, Winter 2011
Rattle Poetry Prize Finalist

__________

Charlotte Pence: “I’ve been increasingly interested in extending the circle of subjects that we bring to poetry. Science articles, which are often full of little poetic gems like ‘human flesh smells brown,’ have been my source of inspiration for the last few years. This poem lassos together a woman’s sexual peak and dark energy’s discovery, which is a combination I hope adds complexity and tension to both subjects.” (website)

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March 4, 2010

Charlotte Pence

(A+B+C)

All month in Ecuador I’d been waiting for it.
So, when I found myself on all fours circled by
eight policeman, guns pointing at my spine,
left kidney, shoulder, it was something of a relief.

I’m not saying Ecuador’s that third-world
gang-rape-a-girl place. I’d been there
six times before, never felt nervous,
but I’d noticed a change this last visit.

Longer stares not at my ass or tits or hair,
but at my jacket pockets, my hands. We’d become
drug runners. “We,” I’d learn later, blonde
Americans in their twenties, in search of life

experiences. So, I was separated from my husband,
taken across the tarmac to an empty airport hanger.
But nothing’s ever empty: jumbled engine parts,
some mattress pads, dried palm leaf.

Los perros huelen las drogas, one said, and pointed
to my suitcase on the concrete floor
where I was ordered to get down, unpack it.
So there I was on all fours, circled by them,

thinking how my body is just a body.
I began yanking everything out, shaking the panties
and polka-dot bra. Two guys turned away. I started
yelling, Do you know who I am?, although the answer

is nobody. Nobody in the same way no place
is ever empty. And then I found it,
a three-pound bag of animal crackers in shapes
of the blue-footed booby, lava lizards,

Galapagos sea turtle and cormorant.
I could have had a dick in mouth, pussy, ass
because of cookies drug dogs craved.
The flightless cormorant knows how one event

leads to the next—like how a MasterCard expiring
on the trip led to less money to buy 8 nephews
a gift, which led to the 3 pound bag of cookies,
too bulky for my carry-on—how all that can end up

resulting in something. Just basic math:
a country’s lack of money equaling young men
with guns, drug-running girls, and tourists
in need of “exotic” gifts. And I knew

it was nothing to rage against, but I had to keep
yelling to hold them back, any silence an opening.
I thought of how a+b+c leads to birds too fat to fly
and girls on all fours waiting for one man

to decide restraint has no benefit and take that first
step closer. One man plus one step would equal
a second man and wrenching back
of one arm. Simple arithmetic the thing between us.

from Rattle #31, Summer 2009

__________

Charlotte Pence: “This narrative poem about being accused of drug smuggling was inspired not by the immediacy of the event, but by a couple of fiction writers who were taking a poetry workshop with me. I tend to write lyric poetry and had never allowed myself to tell a story straight, feeling that was cheating, too easy. Reading some of their work, however, convinced me to try—and this poem is the result. And was far from easy.” (website)

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