April 10, 2015

Charles Rafferty

THE REDUCTIONIST

The girl who kissed me first never kissed me again. It’s as if I spat her out across the years, farther and farther, until the taste of her disappeared, until she was reduced to black ink on an ivory page. More and more things are ending up this way: mountain ranges, the cosmos of swamp water, the wind as it rolls across ripening hay—all of it rendered in a tiny font that shivers like ants beneath your breath, leaving the worm exposed.

from Rattle #46, Winter 2014

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Charles Rafferty: “For the past two years, I’ve been focusing on writing only prose poems, in an effort to see what can be accomplished without lineation. ‘The Reductionist’ is part of this series.”

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March 8, 2010

Charles Rafferty

OHIO

The state quarter celebrates our love
of sky, minting the Kitty Hawk and the man
on the moon together: the first step
and the first flight growing improbably
from that same Ohioan soil. If I had
my own quarter, I’d stamp it with a girl
who sung me to glass that glittered to bits
and the wife who glued me back.
Or with the skyline of Derby
and a wasp-filled cupola at Fairfield Hills.
Or with the Beatles and the darkened dial
of my car radio. Or with a Gemini capsule
and a jetliner slamming itself to marigolds.
It’s possible to love the ground too much.
Before I’d ever flown I had a fear of flying,
which is really a fear of falling, which is also
a fear of pain—and how can a life be lived
except by accepting pain? So once
when I was twenty, I stepped off a Cessna
at three thousand feet above a field
of daisies and goldenrod. I remember letting go,
then nothing. Then a stillness, a floating,
the motor of the plane receding like a bug.
I hung there clutching a dandelion plume—
my legs in a dangle above the field
that kept on rising to where I was.

from Rattle #31, Summer 2009

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