Arthur Russell: “I thought I could escape my father and his car wash in Brooklyn, run away to Manhattan and succeed as an actor or as a writer and never have to reckon, as an adult, with his cruel opinions of people and the world, but I fell back into his orbit and worked closely with him for many years, and when I did escape, it was only through the door that led to law school, the profession he had chosen for all three of his children, possibly because he had dropped out of law school himself. At the Car Wash is a book of poems written over the last eight years, poems that I continue writing beyond the work between these covers, dredging, sorting, reordering and sometimes celebrating, but always reckoning, almost forty years on, with the reckoning that made me.”
John W. Evans: “I wrote the poems in The Fight Journal to make sense of an experience about which I felt strongly biased: my divorce. I wanted to recognize the humanity of all involved on the page because this was something I struggled to do in real life. I hoped to find closure, healing, and an answer to two questions. Why had my marriage failed? How had I been complicit in that failure? Adrienne Rich’s ‘From An Old House in America’ was the formal model for the long title poem. Marta Tikkanen’s ‘The Love Story of the Century’ was a precedent for writing about these dynamics. Both poems are personal favorites.” (web)
John W. Evans: “I wrote the poems in The Fight Journal to make sense of an experience about which I felt strongly biased: my divorce. I wanted to recognize the humanity of all involved on the page because this was something I struggled to do in real life. I hoped to find closure, healing, and an answer to two questions. Why had my marriage failed? How had I been complicit in that failure? Adrienne Rich’s “From An Old House in America” was the formal model for the long title poem. Marta Tikkanen’s ‘The Love Story of the Century’ was a precedent for writing about these dynamics. Both poems are personal favorites.” (web)
CooXooEii Black: “I’ve always been interested in emotionally compelling stories, whether it was music, movies, or tv. I constantly got into trouble in elementary school for telling stories, singing songs, and acting. Then in high school, I watched a spoken word video, and for the first time, I found a medium that incorporated everything I love to do. So I put a few images down on a page, and I haven’t stopped since. Because it was God who gave me the ability to write, I daily return it to Him as a form of worship.” (web)
CooXooEii Black: “I’ve always been interested in emotionally compelling stories, whether it was music, movies, or tv. I constantly got into trouble in elementary school for telling stories, singing songs, and acting. Then in high school, I watched a spoken word video, and for the first time, I found a medium that incorporated everything I love to do. So I put a few images down on a page, and I haven’t stopped since. Because it was God who gave me the ability to write, I daily return it to Him as a form of worship.” (web)
CooXooEii Black: “I’ve always been interested in emotionally compelling stories, whether it was music, movies, or tv. I constantly got into trouble in elementary school for telling stories, singing songs, and acting. Then in high school, I watched a spoken word video, and for the first time, I found a medium that incorporated everything I love to do. So I put a few images down on a page, and I haven’t stopped since. Because it was God who gave me the ability to write, I daily return it to Him as a form of worship.” (web)
Michael Mark: “I think of this collection as a family photo album. As my mother’s dementia progresses, each poem is at once a snapshot, a foreshadowing and a memory. And like memories, each is revealing, accurate, and blurry.” (web)
