July 29, 2021

Ekphrastic Challenge, June 2021: Editor’s Choice

 

Sunline by Annie Kuhn, painting of towels hung across a clothesline

Image: “Sunline” by Annie Kuhn. “Learning to Swim” was written by C.J. Farnsworth for Rattle’s Ekphrastic Challenge, June 2021, and selected as the Editor’s Choice.

[download: PDF / JPG]

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C.J. Farnsworth

LEARNING TO SWIM

Mother fast-friended Daddy’s distant pool cousins
So to be sure we could swim
In their inground kidney with a corkscrew
Slide we bit our tongues as mother jerked
Orange floaties up to our throats
And yanked our hair under latex blossoms
We kicked and screamed and held
Our breath with arms over our ears
As they roared kick/jump/keep your mouth shut
While Daddy’s-Mama’s-Brother’s-Girl
Smoked menthols on a chaise
In a gold bandeau drinking
Gin after gin after gin
Because, Mother said, once upon a time
She was a beauty queen before
She had a boy with sugar they called ‘Tink’
And Katrina with gold skin
And gold hair and gold ankle
Bracelets (a trophy come to life)
Who sometimes showed up
With a long-haired/shirtless/round-shouldered boy
To pick-up a few bucks
While I snuck into the house
To use the drowning-in-pink
Bathroom that was inside
Daddy’s-Mama’s-Brother’s-Girl’s bedroom
To sit at her wicker vanity wondering
Why the sun made my skin red not gold
To clip on earrings that hung
Like bunches of purple grapes
Before sloshing out the sliding doors
Connecting the bedroom to the slab patio
Right beside the pool
Convinced Daddy’s favorite Frank Sinatra’s
Bedroom must be just like this
Until Mother announced it was getting late
Until we packed into our green Pontiac
Until Mother, as heavy as the wet towels
She piled in my arms
Told me to put ’em up
Until I pinned each towel
Until all the corners touched

from Ekphrastic Challenge
June 2021, Editor’s Choice

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Comment from the Editor, Timothy Green: “Most of the poems this month, it seemed, in involved childhood memories triggered by Annie Kuhn’s watercolor, but I found ‘Learning to Swim’ to be the most engrossing. It’s always interesting to stroll through someone else’s nostalgia, but especially when the past is painted so vividly. The lack of punctuation captures the breathlessness of a young narrator, and the repetition at the end conveys an impressive range of emotions.”

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July 22, 2021

Ekphrastic Challenge, June 2021: Artist’s Choice

 

Sunline by Annie Kuhn, painting of towels hung across a clothesline

Image: “Sunline” by Annie Kuhn. “Color / Off-Color” was written by Emily Pease for Rattle’s Ekphrastic Challenge, June 2021, and selected as the Artist’s Choice.

[download: PDF / JPG]

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Emily Pease

COLOR / OFF-COLOR

Fulfilled, we stripped the bed and washed it all—
the sheets and pillow cases, the pretty dresses
we wore while dancing, yours the bronze
orange, mine the dappled pink you say
I look sexy in—plus the blue cape you
swung last night like a lasso, doing your
theatrical cha-cha. We let all that cotton

mix in the machine, hummed to the tune
of slosh and spin. It was so hot, even
the early morning air said Morocco.
Half-naked, we made iced coffee, ate
the remaining mangos. Later, when
we headed out to the line, I said you
might at least put on shorts, and you

answered, let the neighbors enjoy.
Who couldn’t love a woman like that?
Everything you did was colorful
off-color, like your canary-dyed hair.
We stood at the clothesline dripping
in the heat, pinching clothespins.
Piece by piece we hung the laundry:

stripes with stripes—pink/white/yellow
green/white/pink/blue—tangerine
bed sheet—lavender/white/pink/
orange. Our dresses sagged softly
on the line, draped at the neck as if
we still slinked in them, skin slippery
with sweat, twirling, singing, satisfied.

from Ekphrastic Challenge
June 2021, Artist’s Choice

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Comment from the artist, Annie Kuhn: “So many of the response poems captured me and held me rapt, but this poem, a painting in words of a rapturous memory, captured the feeling that inspired my painting. I painted ‘Sunline’ in remembrance of my honeymoon in the Caribbean. My husband and I stayed in a rustic hut with an outdoor shower and forgot the real world for a temporary tourists’ paradise. Even the towels on the line seemed happy for us. ‘Color/Off Color,’ too, is a specific memory, a vivid portrait of love—one that makes the reader fall for the colorful subject and hope that these women enjoyed many more dances together.”

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