January 13, 2023

Anna M. Evans

STATE OF GRACE

for DF … and Wisconsin

I. Green Lake

 

Even the clouds look different, more defined.
The lake is silver, ripples flash like teal
minnows before the bow; the wake, behind
is jubilantly frothy. This is real.
You tell me stories of your lake-life youth.
They’re tinged with silver too and glow with joy.
The small boat’s engine counters: this is truth.
You tell me how you met your man, a boy
who made you laugh at parties. This is breath.
A light wind makes a halo of your hair.
I feel at ease with, although far from death,
And take a deep gulp in of summer air
to ask the question that this day makes clear:
would I be you if I had grown up here?

 

 

II. Interstate 41

 

Would I be you if I had grown up here—
this land of cloistered dairy cows and lakes,
straight roads that narrow till they disappear,
skirted by fields of corn? For argument’s sake,
the answer’s no, but maybe it’s a yes.
Aren’t we all products of our circumstances?
My English parents did, I must confess,
endow me with a decent set of chances
then add a lust to see and know and do
more than they did, which hurled me overseas,
led me to the place where I met you
and brought me to your state. This notion frees
me of the envy, loosens up the guilt.
Each of us owns the hard-won world she’s built.

 

 

III. Oshkosh I

 

Each of us owns the hard-won world she’s built.
Your house a twisted mirror of my own—
slate-surfaced tables, lots of wood, no gilt—
not perfect, but in every sense a home.
You have a tomcat who prowls countertops,
a dog who rests her muzzle on my knee.
We sit on your deck in tee shirts, shorts, flip flops.
I marvel at how much you are like me.
Except …
… out here, you always watch Fox News
and like Oshkosh, your vote is ruby red
while I’m a sworn-in member of the blues.
I quiet the stubborn voice inside my head
that says we can’t be friends. I will not hear,
won’t be constrained behind a wall of fear.

 

 

IV. Lake Butte des Morts

 

I won’t be constrained behind a wall of fear
and yet the rope is slithering from my grip.
You yell at your husband, but he doesn’t hear.
Keen to impress, I hold on till I slip.
Baptized in the shallow water of the lake,
I scramble up, reborn. We shake with laughter.
Whatever this friendship is, it isn’t fake.
I shed my sodden clothes, know each time after
that wearing them will summon up this day
and how my accent, too, began to slide
into the drawn-out O, the Wisconsin A.
I’m holding on now, in it for the ride.
The boat speeds from the boat launch and its silt.
I shape my mouth—my new Midwestern lilt.

 

 

V. Dockside Tavern

 

I shape my mouth around the Midwest lilt,
self-conscious in a bikini at the bar—
my clothes too wet to wear since I got spilled—
and order lunch to go. We’re heading far
across the lake to somewhere you call Stretches.
I have no data I can use to draw
comparisons. My overcharged brain sketches
and then discards ideas. When we unmoor
I try to relax, and suddenly I do,
my tense muscles uncoiling like a rope.
The sun casts blessings from a sky so blue
all apprehension vanishes in hope
a body can surrender like a voice.
Remember that contentment is a choice.

 

 

VI. Oshkosh II

 

Remember that contentment’s about choices.
The day before, we’d sat upon your bed
and shared our girlhood secrets in low voices,
a frank and warm exchange, which somehow led
to how the Supreme Court had undone Roe.
You didn’t want your state to be that way,
but when I tried to tell you how to show
your disapproval, you went on to say
you couldn’t vote for Democrats—not ever—
because we’re evil, arm around my shoulder.
I let it hurt, but couldn’t let it sever
the bonds we share or turn our friendship colder.
You cannot understand what you don’t see.
I have no way to make you think like me.

 

 

VII. Lake Winnebago I

 

I have no way to make you think like me,
but just for now, we’re visibly in sync,
sitting up front like sisters, knee to knee.
Your husband, steering, throws us a fond wink
then opens up the throttle to full force,
and now the boat is bouncing through the wake
of one in front as he sets a direct course
to our destination. This is a vast lake
to me, accustomed to the Jersey shore.
This body of water somehow dwarfs the ocean,
lacking the waves that find a sandy floor.
I am so thrilled to yield to the motion,
the motor thrumming like an inner voice 
in a rhythm that insists we all rejoice.

 

 

VIII. Stretches I

 

In a rhythm that insists we all rejoice
the boat converges on our destination.
I look around. It’s as if, with one voice
Oshkosh’s boat-owning population
has named this sandbar as the place to meet—
pontoons and motor cruisers, large and small
are roped in lines together, like a fleet
of sailing partygoers. Your friends call
and we tie up then anchor next to them.
Men stand in waist-deep water, beers in hand,
and women lounge on swim decks. You say, Come!
and help me lower myself onto the sand.
The opaque water’s warmer than the sea.
You’re showing me your life. It’s heavenly.

 

 

IX. Dublin’s

 

You’re showing me your life. It’s heavenly,
like how we visited the Irish bar
where your son cooks. You were so proud of me—
your friend, the poet—as if I were a star.
They asked me for a haiku, which I wrote
and after that, my glass was always full.
Why should it matter to me how you vote?
An afternoon with you is never dull.
It was a relief, not to have to think,
to sing the lyrics to an Irish song,
pull the tabs off lottery cards, and drink,
forget the ways the country’s going wrong,
put any hint of conflict out of mind,
surrender to the moment and be kind.

 

 

X. Fox River Brewery

 

Surrender to the moment and be kind,
which means that when you’re hungry you should eat
and tip well. I was in the frame of mind
to wear a sundress, something loose and sweet,
so we went home, got changed, and did our hair,
then found a table outside by the dock,
took pictures perched upon a huge lawn chair
and watched the sunset. The relentless clock
had never been so silent. Was it the band?
The lively music somehow soothed my soul.
Or was it that a day could be unplanned
and still be perfect? I felt peaceful, whole.
Of course, the salmon tacos were sublime.
It was a day outside of rules and time.

 

 

XI. Oshkosh III

 

It was a day outside of rules and time.
We swayed into your house, a little drunk,
and then we called as one, partners in crime
for eighties music—indie rock, not punk,
and danced barefoot and wild like maniacs—
Blondie, The Smiths, Aha, Kate Bush, The Cure
and Frankie Goes to Hollywood’s “Relax”
while belting out the words we knew. I’m sure
your husband thought that we were both insane
but still played barkeep, audience, DJ
until our energy began to wane
and then we put our teenage years away
amazed how much our music tastes aligned.
You were the friend I’d always longed to find.

 

 

XII. Stretches II

 

You are the friend I always longed to find.
We need sunscreen, you say, then spray it on
my skin, tan lines already well-defined.
I slide back in the water, but you yawn
and tell me that you’re going to take a nap.
I dunk myself then swim around the boats,
a slow and lazy breaststroke. Every lap
your husband checks I’m still okay….Your votes
seem so incongruous, as if a song
I loved turned out to have satanic meaning—
how can I feel so comfortable, belong
with people whose beliefs are so right-leaning?
You break the structure of my paradigm.
Except for this one dissonance, we rhyme.

 

 

XIII. Lake Winnebago II

 

Except for that one dissonance, we rhyme. 
On the way back, your husband stops the boat
in the middle of the lake, because it’s time
to watch the sun go down. We bob and float
as the sky turns pink, painted with copper streaks
reflecting in the lake as burnished gold.
I haven’t felt this calm inside for weeks.
The beauty of it makes me feel less old
and that all things are possible. I didn’t know
how much I’d love Wisconsin till I came,
how hard it would be then to let it go,
and that, back home, I’d never be the same,
shaken forever from complacency,
because you are so like, yet unlike me. 

 

 

XIV. New Jersey

 

Because you are so like, yet unlike me
I’ve gifted you an audiobook I heard
on motherhood and choice. It’s not a plea
for change, but if there’s power in a word
maybe these ones will have some pull on you.
I’ve never thought the world was black and white,
so why accept it must be red and blue?
I’ve changed my desktop image to the lake
at sunset so I never will forget
the harmony. I think for both our sake
we always should be friends. I’m in your debt
because you and Wisconsin made me see
there’s hope for this sweet land of liberty.

 

 

XV.

 

Would I be you if I had grown up here?
Each of us owns the hard-won world she’s built,
won’t be constrained behind a wall of fear.
I tried to shape my mouth around the lilt,
remember that contentment is a choice,
and I’d no way to make you think like me.
In a rhythm that insisted I rejoice
you showed me how you live. It’s heavenly—
surrender to the moment and be kind.
And all these days were outside rules and time.
You are the friend I’d always longed to find.
Except for one big dissonance, we rhyme.
Is there—because you’re like, yet unlike me—
some hope for this sweet land of liberty?
 

from Rattle #78, Winter 2022

__________

Anna M. Evans: “Recent polls suggest that about two thirds of Democrats do not have Republican friends. Bucking this trend, I spent five summer days in Oshkosh, Wisconsin, visiting a woman I first met outside of both our home states, and it was blissful, even though our political views are complete opposites. Poetry can be used to explore such large, complex subjects, and because form needs to match content, this subject called for a heroic crown of sonnets. I have been advised that some people on my side of the aisle may object to the congeniality of my poem, and that is, of course, part of the point.” (web)

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August 16, 2018

Anna M. Evans

CRASH

Accident weather: sheet rain, relentless spray
thrown up from tires, the road a slippery gray
in which car headlights shimmer like fish scales,
while drowning houses blink through damp green veils.

And I take care now; I take so much care
to feed the wheel through fingers, prayer by prayer
for all the travelers cased in treacherous metal,
sweating the wet commute with foot to pedal,

because a month ago in strobe light sun
on a road scrubbed clean and dried, I killed someone,
though I was not, no, I was not to blame.
He did not see me turning left. He came

hurtling up on his black sclerite bike.
Perhaps he screamed before I felt the strike
of his helmet on the rear door of the van.
I do not know. I heard nothing. The man

and bike slid, unredeemable, to the ground.
Then the bright crowd gathered, mouths in round
o’s of melodrama. The police said he
was riding too fast. It wasn’t me. Not me.

I saw his body, whole as if asleep
upon the asphalt, bike a yard sale heap.
So little blood! Death in a sky blue cloak,
arriving like the punch line of a joke

I didn’t quite get.
Now, in the wind and rain,
with that comic, Death, stalking the wings again,
it won’t be my fault. (It wasn’t.) These days I drive
with so much care, the man would have to live.

fromRattle #30, Winter 2008

__________

Anna M. Evans: “‘Crash’ epitomizes the relationship between poetry and truth. Whenever I read it, people approach me afterwards to ask if it is a true story. ‘Does it feel like I true story?’ I ask in return. ‘Because if it does, then it is as true as it needs to be.’” (web)

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October 21, 2016

Anna M. Evans

THE ADJUNCT’S VILLANELLE

You just come in and teach, then you can go,
she says, distracted by her tenure file.
I wish someone would tell my students so.

From there I leave to meet with one who’s slow
to understand the work. It takes a while
to teach him what he needs. Then, I can go.

Another texts: the fetus didn’t grow.
She’s on bed rest for weeks. Can I compile
the work she’ll miss? I can, and tell her so.

Two student emails wait: one’s in a show
and really wants me there. Good kid. I smile
and write back saying I’ll be thrilled to go.

The second wants a reference. Just say no,
I’m told. I could, but cannot reconcile
this with the student I remember. So,

the one whose mom died doesn’t need to know
my story, how I have to swallow bile
when I hear how I come, and teach, and go.
I don’t. I wish someone would tell them so.

from Rattle #53, Fall 2016
Tribute to Adjuncts

[download audio]

__________

Anna M. Evans: “Although this poem is the first and only I have so far written to address the subject of my work as an adjunct professor at Stockton University directly, my job affects my poetry in subtle ways. I have become a crusader for social injustice and that is a thread that runs through my poems. I also see social media as the battleground in which these issues will play out and have worked hard to understand it.” (website)

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October 12, 2015

Anna M. Evans

THE NON-EUCLIDEAN UNIVERSE

A line that looks dead straight can be an arc
like the horizon when you’re out at sea.
True distance is deceptive: in the dark

it can’t be measured. Yes, you made a mark
or two, in fact, but you can barely see.
A line that should be straight becomes an arc,

the path that’s traveled by a welder’s spark
when danger’s just a matter of degree.
Since distance can’t be measured in the dark

most people turn the light on. And the stark
divisions blind them with geometry.
A line that isn’t straight is called an arc—

no! Think outside the box! Perhaps a quark
moves like a knight in chess, a hop-two-three.
(True distance is deceptive.) In the dark

all rules break down completely. What a lark!
The future’s coming at you in 4D.
A line that should be straight looks like an arc.
True distance can deceive you in the dark.

from Rattle #49, Fall 2015
Tribute to Scientists

__________

Anna M. Evans: “A long time ago, in a galaxy far, far away (known as England), I acquired a master’s in chemical engineering. I have spent the last 25 years trying to escape it, moving continents and gaining a further master’s in creative writing, but it still resurfaces thematically in my poems. It is also arguably one of the reasons I mainly write in form (number patterns!) and is definitely why I am currently teaching a quirky undergraduate course entitled ‘Poetry & Math.’” (website)

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