October 25, 2023

Angelle McDougall

HE SAID WALTZ WITH ME

till the soft cloth 
hammers shatter
and no longer reach
the strings
 
till the metal pedals
wear down to nubs 
unable to dampen
the music rings
 
till the keys turn concave
with decades of use
and middle C warbles
instead of sings
 
waltz with me, darling
come waltz with me
until we are the last
two things
 
 
 

Prompt: “This was written in October 2022 while attending my local writers’ group. The group organizer gave a writing prompt by playing a few notes on an upright grand piano in the room. I took lessons throughout my childhood on a similar ancient piano. My family didn’t have a lot of money, and dad would often open up the piano front to make small repairs to the hammers when they broke. The prompt gave me visions of the interior workings of the instrument, and I envisioned a couple waltzing together until long after the piano disintegrated from age.”

from Rattle #81, Fall 2023
Tribute to Prompt Poems

__________

Angelle McDougall: “Poetry prompts can be the best way to get my mind out of a rut and promote new thinking. Some of the best prompts have come from hearing a few notes played on an old piano, pulling a random card from a tarot deck, touching an unseen object in a dark velvet pouch, and being asked an intriguing question by a member of my local writers’ group. I love the feeling of catching a glimmer, a spark, triggered by a good prompt. It sets my imagination racing, and I have to write or type like mad to keep up. They don’t always result in completed work, but they always add excitement and ideas to build upon.” (web)

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December 13, 2022

Conrad Geller

THE COYOTE IN THE GRAVEYARD

I know you, those eyes, that furtive skulk.
I know why you have come, partly to mock
The mourners with their stones, partly to see
A curious ceremony. You are small,
Obviously starving. Your coat is bad.
You have no reason for that arrogance
Because, in spite of fortune, we are the living,
We have come here of our own accord.

But in the silence after everyone is gone
I know you, loping in and out
With your inventory nose, making acquaintance
With new members, comforting the old,
Holding your own service, noting the innocence
With which the other mourners said their prayers.

from Rattle #17, Summer 2002

__________

Conrad Geller: “For more than 50 years poetry has both sharpened and validated even my most ordinary experiences. Its forms make at least a little sense out of otherwise chaotic experiences. Its forms make at least a little sense out of an otherwise chaotic universe, and its music has always invited me to sing along.”

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October 3, 2023

The Best from the Weekly Prompts

 
For years, we’ve been offering a prompt at the end of every Rattlecast episode, to encourage folks to write new poems for the next week’s open lines. At the end of every episode, Timothy Green announced the next week’s prompt. Write yours within the next week to share it on the open lines, and submit it to this category by the end of the month to have it considered. Series editor Katie Dozier will select her favorite poems, which will be published as one of Rattle.com’s daily poems. The winner each month will also receive $100.

Submissions for the Prompt Poem of the Month are not anonymized—we still want to encourage everyone to share their weekly poems on the Rattlecast’s open lines—but choices are still being made solely based on the poem’s merit. Submit as many poems as you’d like to this category, but only poems written for the current month’s prompts. A winner will be chosen after the first week of every month.

Find a list of our past prompts here.

Current Prompts

April 1st: Write a poem set in spring that includes personification.

April 9th: Write a poem that uses internal rhyme in every line.

April 16th: Write a poem with a single word as the title, in which our understanding of that word shifts by the end of the poem.

April 21st: Write a poem to share on social media about what poetry means to you.


submit

 

 

Monthly Winners

 

Audio Available Kelly Sargent The ‘L’ Word (Feb. 2024)
Audio Available Lynne Knight Body Talk (Jan. 2024)
Audio Available Cindy Guentherman About Those Apples (Dec. 2023)
J.B. Penname The End of Hurt Is Not Healing (Nov. 2023)
Audio Available Tammy Greenwood The Accordian (Oct. 2023)
Audio Available Farah Ali White Rabbit (Sep. 2023)
Audio Available Sharon Ferrante Six Senryu from the Kitchen (Aug. 2023)

January 7, 2022

Alison Townsend

BURRITOS IN WISCONSIN

After my brother divorced, he came every summer
to my house in Wisconsin with his kids, making
the long journey from San Francisco to Madison
as if he were coming home, the week with us respite 
in his fractured world. I’d meet them at the foot 

of the escalator for Arrivals—tall blond man 
and his two little kids, Gabe with his tight curls 
and green eyes, Fiona in ringlets and a pink polka 
dot dress, a stuffed toy called “Picture Pig” clutched 
beneath her arm, the family photo encased in plastic 

on its plush flank a perfect quartet of loss. 
The kids ran into my arms before I hugged 
my brother, his blue Oxford-cloth shirt perfectly 
pressed, as if he’d bought it just for the trip. I’d looked 
for signs his kidney disease was worse—his face 

drawn, hairline receding, the skin on his hands 
and arms onion paper thin after decades on steroids. 
When we hugged, a little shy at first, I felt Peter 
relax, his gruff guard coming down. All week 
we did summer things—swimming for hours, 

catching fireflies at dusk, visiting caves and steam
trains and farms where the kids fed baby goats bottle 
after bottle of milk as if there were no end to plenty. 
All week, my brother, who’d caught Epstein-Barr 
from a patient and couldn’t recover, slept until noon. 

And all week, I cooked, especially my burritos, 
with their creamy spinach filling, yellow rice, 
and a crisp salad his favorite. “This is so good,” 
he’d say. “This is the best food I’ve ever had.” 
I thought of his words after he died, as I searched 

his house, looking for papers I needed to manage 
his affairs. A stray page from his disability claim 
application documented fears he’d be unable to care 
for his children—true at the end, though they 
were older by then—he barely able to rise 

from the living room bed, the house stinking 
of garbage and piss, loneliness thick as dust, 
despair I can’t forget, no matter how hard I try 
to shake it off. I want to remember us the way 
we were those summers, late sunlight warming

our faces, the picnic table covered with the red 
and white checked cloth, vases of cone flowers 
and Queen Anne’s lace picked by the kids, first 
stars just coming out, the yard filled with fireflies. 
And my brother, eating one burrito after another, 

filled for a moment with everything he needed.

from Rattle #73, Fall 2021

__________

Alison Townsend: “‘Burritos in Wisconsin, is part of a series of poems I’m writing about my late brother, who died of kidney failure at age sixty-four in 2019. A doctor himself, he was a model of grace and courage, and had one of the longest lasting kidney transplants in the world. The poem arose from various memories (especially about cooking) of the times he visited me in Wisconsin. Siblings can, I think, become homes for one another in adulthood. The poem articulates my hope that I was that for him, while bearing witness to the difficulty and loneliness of his passing. Grief crystallizes things. This is one of the few poems I’ve ever written that came nearly whole, as if dictated.”

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January 6, 2023

Stephen Cohen

THE CLOSING LIST

turn the signs, close the blinds, lock the door 
count the till, clean the grill, sweep and mop the floor 
put all the receipts in a drawer 
put the dry goods in a bin, put the wet goods in the walk-ins 
clean the ovens and the countertops and the silver and the pans and pots 
turn off the dishwashing machine after you get everything restaurant 
clean prepare a statement for the bank, put the money in the safe 
say goodnight to the help, thank you, you don’t need their help anymore 
take off your restaurant clothes, move across the restaurant floor 
there’s no restaurant here anymore 
count the till, clean the grill, sweep and mop the floor 
change the signs, shut the blinds, put a padlock on the door 
there’s no restaurant here anymore, anymore, anymore
 

from Rattle #78, Winter 2022

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Stephen Cohen: “I am a writer and a performing, recording, and visual artist. I write poetry because it is one of the best ways for us human beings to express our thoughts and feelings. ‘The Closing List’ directly addresses life in these historic times.” (web)

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September 11, 2023

John L. Stanizzi

S-PLAN

Bacon Academy
Colchester, CT
October 31st, 2001

1.

Shortly after 9/11,
a boy who had been stealing pick-up trucks
from a local dealership
and hiding them in the woods
so he could sell them later,
decided to fashion a fake bomb
and place it on the loading dock
outside the cafeteria
on Halloween morning.

We, of course, were all still
emotionally threadbare
and sent into a frazzle.

The first order of the morning
was to stop the buses
before they got into the parking lot,
and not let the kids into the school.

As each top-heavy yellow clunker
pulled its plume of blue smoke into the drive,
we stopped it and tried to explain
what was going on,
without freaking out the vampires,
witches, monsters, and ghosts,
12 buses,
each filled with high school kids
all being something else for the day.

We sent the buses to the elementary school,
where all 800 ghouls
would hang out in the tiny gym
until the danger had passed.

Take a moment here to imagine that.

 

2.

I thought of my own youth—
different time, same fear—
the old days of “duck and cover,”
air raid horn baying at the spring sky,
and all of us either balled up under our desks,
or standing, boy girl boy girl
against the cool, cool
painted cinder block walls
in the shadowy hallways of St. Mary’s,
the perfume of lilacs
in the breeze that breathed there,

or before me, in England,
the shelters in underground tubes,
railway arches, subways,
and my Auntie Elsie,
staring in dread at the ceiling
in the shelter in her cellar.

And later,
after the Russians did their bomb,
and Yuri Gagarin swirled around in our sky,
General Foods and General Mills
sold dried war rations,
and the nuclear protection suit was a hot item.

Wall Streeters even claimed
that the bomb shelter business
would gross billions in the coming years,
if there were any.
And every day
the radio sizzled warnings
that a shoddy, homemade shelter
would get you broiled “to a crisp”
or squeezed “like grapefruit,”
as in American neighborhoods
people built “wine cellars,”
or else the contractors worked
under cover of night.

I cried into our couch
for 14 days straight in 1962,

and I didn’t even really know why
beyond the fact that all the adults
seemed quiet and scared,
and I understood the word annihilation,
and saw, over and over again,
the documentary where the house
gets blown away sideways
by a speeding cloud of nuclear winter.

But the bomb never fell,
even though everyone,
including me,
kept fear in their hearts,
and spent years
practicing for the end,

 

3.

and it’s the same now.

When the kids returned to school
later that morning,
we tried to resume a
typical Halloween
in a typical American high school,
the kids dressed to kill,
the sugar-high higher
because they were back on familiar ground.
But the party didn’t last long.

Soon a voice filled with urgency
squawked over the perpetual loudspeaker
that we needed to immediately
go into the “S-plan.”

Ignore all fire alarms and bells.

Students in the hallway
should run to the nearest classroom.

Teachers lock your classroom door.
Do not let ANYONE in.

If students ask to be let in,
do not let them in.
Direct them to the office.
Do not let them in.

Cover the windows
with the black paper
that you’ve put aside
for this occasion.

Huddle all your students
into the corner,
away from the windows and doors.

Do not use the school phone
or your cell phone.

Stay there until you receive instructions.

And we did. For two hours,
me and the bum,
the Ninja Turtle,
the Queen of Hearts,
fear in the eyes behind the masks,
fear in the tears of the ballerina.

from Rattle #32, Winter 2009

__________

John L. Stanizzi: “It occurred to me that generations upon generations have been ‘practicing’ in one way or another for some terrible ‘thing.’ We have been rehearsing so that we will know just what to do when the unthinkable happens. This is the myth around which my poem swirls.” (website)

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April 11, 2024

Nancy Beagle

THE WEDDING DOLL

She boxed me—saving me, she said, for the wedding.
She shall be my centerpiece, stand next to the cake.
That was when she was twelve.
 
I was a birthday gift to a girl who loved dolls. A girl who had
dreams, pictured herself, apron-clad, in a sunny kitchen
fixing pot roast for a husband, four children.
 
It is now 65 years later, and I’m stuck up in the attic,
like a child’s cradle outgrown or a rocking horse
no longer needed. And I am still in the turquoise box
 
with magenta lettering proclaiming Madame Alexander.
We, the most cherished dolls of the era. This was
before Barbie, Cabbage Patch kids, and American Girl.
 
My box itself has begun to collapse, its corners broken,
its top dented from move after move. The wedding dress
I wear now is tainted—tea brown with age. The lace
 
delicate, ready to dissolve at the touch. My face, too, is
cracked, but my blue eyes are still open. She takes me
out now and then and witnesses time, acknowledges
 
that I never got that center spotlight—nor did she.
How do I feel having been boxed for decades? How does
she feel never having had a man to hold at night,
 
children to embrace? She, too, has been in a box. Hers
constructed of societal expectations. No less imprisoned
than I. Do I pity her? Not really. She had choices whereas
 
I had none. She could have, at any time, lifted her lid,
flown over the edge.
 

from Prompt Poem of the Month
March 2024

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Prompt: Write a poem from the perspective of one of your childhood toys.

Note from the series editor, Katie Dozier: “The twirling between the doll and the speaker in Nancy’s poem invites us to get lost in the ruffles of regret. At once exploring our need to cherish and to be cherished, as well as to love and to be loved, the honesty in this poem unboxes a trove of emotion.”

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