January 16, 2024

Francesca Bell

FIRST RESPONDERS

The day I finally rose staggering
from our bed of kryptonite,
gnawed free from the anchor
that dragged its own boat down
with it, and walked out,
you stopped me in the drive
to set one thing straight:
were I to sleep, even once,
with anyone else, you would never,
ever, ever take me back.

It wasn’t hard to arrange that very day
and many, many days after,
that whole long spring and summer,
and sometimes more than once a day
when I felt like it, to take a man,
pretty much any man, to bed
or the shower or the high-rise
office building floor. Having been,
despite years of accusations and interrogations,
as steadfast and inert as a corpse,

I began slowly to revive, each man’s hands
on me like a paramedic’s feeling
for a pulse, their mouths bent
on resuscitation, their bodies thrusting
up inside me insistently the way a doctor
pushes and pushes on a stopped heart
trying to turn it back on, every stroke
powering a stroke of my own leaden arms
fighting, struggling from down deep
through thick, sucking water
as I fucked my way upward,
one man at a time, and came
bursting, breathless, back to life.

from Rattle #35, Summer 2011

__________

Francesca Bell: “As Stephen Dunn says, and as I tell my mother, the fact that something actually happened would be the very worst reason to write a poem about it.” (web)

Rattle Logo

January 15, 2024

Matthew King

ON LEARNING THAT WOODPECKERS DON’T HAVE SHOCK-ABSORBING SKULLS

Of course they don’t. Of course they optimize
the force that they apply with every blow.
They’d have to hammer harder otherwise,
to do the same amount of work. You’d know
this if you used your head for just a bit.
You don’t because you’d rather let them stand
as models of a headspace that you’d fit
yourself in gladly—wouldn’t it be grand
to bang and bang your brains and never mind?
You’ve seen how many jagged shards they spray,
you’ve seen how deep the holes they leave behind,
and thought, of course, they’ve got to have a way
not to feel all the force they must exert.
You wanted to believe it doesn’t hurt.
 

from Rattle #82, Winter 2023

__________

Matthew King: “Like Stephen Dunn, I started writing poems to get girls to like me. (He says ‘that’s the glib answer,’ but it doesn’t sound glib to me.) All these years later, I’m still trying to write love poems, though where love is not of the kind that I’ve come to think of as a ‘narcissism of two,’ with lovers gazing upon themselves reflected in each other, but where it’s a shared, responsive reception of the being of things, from different perspectives, in which speaking and hearing lovers—whether together or apart—reciprocally, deepeningly, open themselves and the world to each other.” (web)

Rattle Logo

January 14, 2024

Christine Potter

WHAT NEXT, WHAT NEXT?

We are all the children of what
our former lives have been. Our
 
parents were powerful but they are
gone somewhere we cannot know.
 
Winter won’t stay winter for long
enough to get a good night’s sleep
 
before it ends up there, too. I don’t
mean spring. Maybe the hour after
 
a storm when the sky clears, when
the temperature plummets. When
 
even the jays at the feeder cry out
What next, what next? See their
 
police-blue tail feathers pointing
back to where they’ve been? Life’s
 
not what we expected—certainly
not fair—and much of it stops me
 
as I strain to understand it: pale,
floodlit national monuments, God-
 
knows-what echoing inside their
stone columns and domes, wind
 
swirling something fierce outside.
Planes aloft with emergency exits
 
blowing out for no reason except
someone having forgotten it could
 
really happen. The little patches of
shelter below, where we try to live.
 

from Poets Respond
January 14, 2024

__________

Christine Potter: “The story about the plane with the emergency escape window that blew out stayed in the news a long time, probably because we have all flown on airplanes and worried about something like that happening—and also, of course, because the pilots of that flight landed it with nobody killed or badly injured. I hate flying worse than almost anything else, but I do it when I have to, so of course I read the news articles, horrified and fascinated. The whole thing also felt like a metaphor for something much bigger.” (web)

Rattle Logo

January 13, 2024

Miracle Thornton

ON MY FIRST DAY OF KINDERGARTEN

i picked a rose for my bus driver
from the bushes outside of my older
brother’s window. it was pink and red
like the deer split beside me
at the end of the driveway,
reeking of fresh cut
grass. i put my nose to the flower
but gagged. it smelled
like the green of panties
caught under the door.
my lunch rattled
in my new blue backpack
as i leaned over the deer,
my scalp thrumming hot
from the braids my mother
gave me the night before.
i was careful not to let
my denim dress touch
the liver pumping wet
and useless between us.
before i could place the rose
i heard a scream behind me
and the bus let out
a horrible sigh as it came
to a stop. the bus shook
with dozens of little pale
mouths pressed at the windows,
the driver’s mouth fullest
with teeth.
 

from Plucked
2023 Rattle Chapbook Prize Winner

__________

Miracle Thornton: “When I encountered the Aesop fable, the moral of the story—an individual caught between pride and loyalty—immediately resonated with me. Growing up, I always felt pulled between the environment of my home and my hometown. It was difficult to understand who I was when it changed depending on the room, depending on whomever else occupied the space. The bird was a powerful conduit and spoke to the illusive aspects of my ever-evolving sense of self.”

Rattle Logo

January 12, 2024

Haley Jameson

AIN’T MY PENNY NO MORE

In a small town
somewhere South
somewhere East
where there were more corn
and more green beans
than people,
I asked my brother
about his dreams.
He told me,
“You gotta get out soon,
start planning now
or you’ll be stuck here.”
“Like you?”
“Like me,” and he
plodded along with his back
hunched low
and his hoe cutting deep.
From a distance,
he looked no different
than a workhorse.
I started working odd jobs,
delivery here
grocery clerk there,
and I started putting
everything into my porcelain
piggy.
But Daddy got sick,
so I gave Mama
half my savings.
So I gave Mama
all my savings.
I had to pick up the slack
help lift the burden
’cause Daddy couldn’t work
no more.
But I could.
Daddy had something
growing inside him
something bad
something big
and it was hungry,
just like we were.
And it ate Daddy,
took all the meat
off his bones
until he was just a skeleton
and then it ate his bones, too.
“That’s one less mouth to
feed,” Mama said
and I agreed.
So I started saving up again.
My brother’s hunched back
got permanent,
and he didn’t talk to me no
more about leaving.
He started showing me how
to farm
just like Daddy showed him.
But I knew if I picked up that
hoe,
I ain’t gonna be getting out of
here no more.
I saved every penny I could
said I gotta keep saving
while the savings were mine.
But then Mama got sick.
So I gave my brother
half my savings.
So I gave him
all my savings.
I had to pick up the slack
carry the burden on both
shoulders now.
Mama had swallowed the
whole ocean
and it filled up her lungs
and no matter how much she
coughed
she just couldn’t get that
water back out.
It swallowed her,
too.
“That’s one less mouth to
feed,” my brother said
and I agreed
and he handed me that hoe
and I took it.
 

from Rattle #82, Winter 2023

__________

Haley Jameson: “I journal through poetry. I’ll write about a mundane event or follow a train of thought to the end. It’s healing to get it out of my head and see it written down in front of me, whether it makes sense or not.” (web)

Rattle Logo

January 11, 2024

Richard Krawiec

THEY ARRIVE

The paper opens at the pressure of the pen and the ink sinks into the fiber.
I almost wrote “welcomes” but the paper doesn’t make that decision. It doesn’t “allow” the ink to enter it, either. Paper exists in its absorbent state and whatever presses upon its surface, whatever arrives, it is powerless against.
Just as the pen is powerless, once the tip is pressed down, to prevent the ink from flowing out.
I almost wrote “escaping” but that seems to imply capability, more choice in action, the ability to avoid, than what is held by pen and ink.
Welcomes. Allow. Escaping.
It’s like Gaza. The people in their homes do not welcome or allow the explosions. Like the paper, their homes simply sit, open to, powerless against, the incursions of missiles and bombs and bullets. Targeted or not, the explosives don’t escape to Palestinian homes.
 
in the corner
a hunter spider
wraps bodies
 

from Poets Respond
January 11, 2024

__________

Richard Krawiec: “The continuing tragedy of Palestine brings daily video of destroyed homes, people defenseless to the ordinances inflicted on them. To the point where the UN just a day ago, Friday January 5, called Gaza ‘uninhabitable.’ Yet, people are powerless to stop the flow of attacks.” (web)

Rattle Logo

January 10, 2024

Annie Finch

DEATH AND THE MOUNTAIN

You’re like a mountain made of warmth
That births a river made of touch
Where stones of time have tumbled forth
Catching the light that loves so much.
 
The dark that loves is what we feel,
However, in our nighttime path.
Look how open and bright she comes
Together with us, coming death!
 
She is the mother in the rose,
The burrow, and the sainted breath.
 

from Rattle #82, Winter 2023

__________

Annie Finch (from the conversation): “I was a middle child, overlooked in a lot of ways. Poetry kept me company. It became my spiritual heartbeat. I spent a lot of time alone outside in nature, and I would sit and recite words to myself over and over. It was a kind of self-hypnosis. And finally, my mother was quite a serious poet. That’s probably the most important factor of all. When I got a little older, I saw her writing poems, and I would share mine with her, and she would share hers with me, and I learned a lot about her frustrations. I think on some level I’m kind of carrying out some of her dreams.” (web)

Rattle Logo