January 19, 2024

Danusha Laméris

THE VISITOR

You can get used to almost anything. 
Like whatever it was that lived
in my best friend’s house when we were girls. 
You’d hear its steady tic tic tic up and down 
the stairs, feel it sweep past you 
in the darkened hall. And what about 
 
those nights we stayed up late 
talking in the living room? How we kept 
turning up the heat, but each time, the dial 
slid back to its familiar chill.
 
The story: a medic back from World War II. 
His apartment in the attic.
 
Which explains the time she woke 
and saw a grizzled countenance
gazing down at her, a flashlight 
fixed on her face. 
 
And somehow, even after that,
kept on sleeping in her room, 
dreaming under her thick blankets,
while he went on clodding down the hall, 
taking notes, checking beds. 
 
This is how it is to live with loss, 
the visitor that never leaves. It walks 
through your house. It eats your bread, 
sleeps in an upstairs room. Sometimes, 
you pass in the kitchen, give 
each other a nod. More ordinary 
 
than terrible. Except, some nights, 
when it wakes you, shines its full heft 
in your face and what was broken in you 
breaks again, though after, your one half 
 
tells the other what it knows: 
such sorrow means you have survived, 
have lived to bear its weight.
 

from Rattle #82, Winter 2023

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Danusha Laméris: “I write because I am trying to get closer and closer to the marrow of it, whatever the It might be. I write to try and find order in chaos. And sometimes I don’t. Sometimes I do.” (web)

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January 18, 2024

Cold Sun by Jeanne Wilkinson, sepia photograph of an abandoned shopping cart in a snowy landscape

Image: “Cold Sun” by Jeanne Wilkinson. “Curriculum Vitae” was written by Dante Di Stefano for Rattle’s Ekphrastic Challenge, December 2023, and selected as the Artist’s Choice. (PDF / JPG)

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Dante Di Stefano

CURRICULUM VITAE

When I was young, I wrote a long poem
about a shopping cart overturned in
the Susquehanna River and I called it
a psalm and I can still recall the sun-
light in that poem and how the muddy
green water eddied through it and how time
slowed down as I waded through its shallows.
 
I think there was an angel in it, one
of Blake’s, dancing on the rusty right front
wheel, pointing to the invisible moon
orbiting the distant planet of all
the poetry I would one day commit
to paper and windpipe and atmosphere
and intestine and aching knuckle bone.
 
And now, in middle age, I don’t know if
the sun rises or sets in my poems,
but I know it is there, way out beyond
the overpass, and I’m here at the edge
of the desolate parking lot, where stray
cart and mud and snow commingle and God
is in the chain link and the streetlight wires
 
that hopscotch my view of the horizon,
and I believe that one day, when I’m gone,
sparrowing deep underground, I’ll still be
spiraling in the center of my lines,
voyaging along the turnpikes of verbs
enjambed in black and white, constellated
in ink on a page, syllabled to life.
 

from Ekphrastic Challenge
December 2023, Artist’s Choice

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Comment from the artist, Jeanne Wilkinson: “I have many favorites in this group of poems. Some of my friends read also, all coming up with different choices, making me go back and read again, again, again; this was a very pleasurable problem. Several of the poems gave me goosebumps, but I kept coming back to one that made me shiver every time I read it, and still does. It’s ‘Curriculum Vitae’ and I love the mood, which seems to me infused with luminous sepia tones, matching the atmosphere of my photograph: bleak, lonely, but not without hope. Bottom line, this poet had me at Blake’s angel.”

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January 17, 2024

Linda Kunhardt

BEE STING

The bee on the handle
stung me, and the pain multiplied.
 
I hurled the pail and left the bee
to life or death, I don’t know which.
 
Suddenly I felt irrelevant. To the bee,
spent and clinging to the handle,
 
I was merely a mass, a force to ignite
the stinging process,
 
as other and unknowable
as friends or enemies
 
or the bouquet carried by my ex’s
second wife down the aisle. 
 

from Rattle #82, Winter 2023

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Linda Kunhardt: “After the bee stung me, I had a strong sense of being secondary. I wanted to explore various aspects of alienation, as well as the interplay of physical and emotional pain.”

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January 16, 2024

Francesca Bell

FIRST RESPONDERS

The day I finally rose staggering
from our bed of kryptonite,
gnawed free from the anchor
that dragged its own boat down
with it, and walked out,
you stopped me in the drive
to set one thing straight:
were I to sleep, even once,
with anyone else, you would never,
ever, ever take me back.

It wasn’t hard to arrange that very day
and many, many days after,
that whole long spring and summer,
and sometimes more than once a day
when I felt like it, to take a man,
pretty much any man, to bed
or the shower or the high-rise
office building floor. Having been,
despite years of accusations and interrogations,
as steadfast and inert as a corpse,

I began slowly to revive, each man’s hands
on me like a paramedic’s feeling
for a pulse, their mouths bent
on resuscitation, their bodies thrusting
up inside me insistently the way a doctor
pushes and pushes on a stopped heart
trying to turn it back on, every stroke
powering a stroke of my own leaden arms
fighting, struggling from down deep
through thick, sucking water
as I fucked my way upward,
one man at a time, and came
bursting, breathless, back to life.

from Rattle #35, Summer 2011

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Francesca Bell: “As Stephen Dunn says, and as I tell my mother, the fact that something actually happened would be the very worst reason to write a poem about it.” (web)

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January 15, 2024

Matthew King

ON LEARNING THAT WOODPECKERS DON’T HAVE SHOCK-ABSORBING SKULLS

Of course they don’t. Of course they optimize
the force that they apply with every blow.
They’d have to hammer harder otherwise,
to do the same amount of work. You’d know
this if you used your head for just a bit.
You don’t because you’d rather let them stand
as models of a headspace that you’d fit
yourself in gladly—wouldn’t it be grand
to bang and bang your brains and never mind?
You’ve seen how many jagged shards they spray,
you’ve seen how deep the holes they leave behind,
and thought, of course, they’ve got to have a way
not to feel all the force they must exert.
You wanted to believe it doesn’t hurt.
 

from Rattle #82, Winter 2023

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Matthew King: “Like Stephen Dunn, I started writing poems to get girls to like me. (He says ‘that’s the glib answer,’ but it doesn’t sound glib to me.) All these years later, I’m still trying to write love poems, though where love is not of the kind that I’ve come to think of as a ‘narcissism of two,’ with lovers gazing upon themselves reflected in each other, but where it’s a shared, responsive reception of the being of things, from different perspectives, in which speaking and hearing lovers—whether together or apart—reciprocally, deepeningly, open themselves and the world to each other.” (web)

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January 14, 2024

Christine Potter

WHAT NEXT, WHAT NEXT?

We are all the children of what
our former lives have been. Our
 
parents were powerful but they are
gone somewhere we cannot know.
 
Winter won’t stay winter for long
enough to get a good night’s sleep
 
before it ends up there, too. I don’t
mean spring. Maybe the hour after
 
a storm when the sky clears, when
the temperature plummets. When
 
even the jays at the feeder cry out
What next, what next? See their
 
police-blue tail feathers pointing
back to where they’ve been? Life’s
 
not what we expected—certainly
not fair—and much of it stops me
 
as I strain to understand it: pale,
floodlit national monuments, God-
 
knows-what echoing inside their
stone columns and domes, wind
 
swirling something fierce outside.
Planes aloft with emergency exits
 
blowing out for no reason except
someone having forgotten it could
 
really happen. The little patches of
shelter below, where we try to live.
 

from Poets Respond
January 14, 2024

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Christine Potter: “The story about the plane with the emergency escape window that blew out stayed in the news a long time, probably because we have all flown on airplanes and worried about something like that happening—and also, of course, because the pilots of that flight landed it with nobody killed or badly injured. I hate flying worse than almost anything else, but I do it when I have to, so of course I read the news articles, horrified and fascinated. The whole thing also felt like a metaphor for something much bigger.” (web)

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January 13, 2024

Miracle Thornton

ON MY FIRST DAY OF KINDERGARTEN

i picked a rose for my bus driver
from the bushes outside of my older
brother’s window. it was pink and red
like the deer split beside me
at the end of the driveway,
reeking of fresh cut
grass. i put my nose to the flower
but gagged. it smelled
like the green of panties
caught under the door.
my lunch rattled
in my new blue backpack
as i leaned over the deer,
my scalp thrumming hot
from the braids my mother
gave me the night before.
i was careful not to let
my denim dress touch
the liver pumping wet
and useless between us.
before i could place the rose
i heard a scream behind me
and the bus let out
a horrible sigh as it came
to a stop. the bus shook
with dozens of little pale
mouths pressed at the windows,
the driver’s mouth fullest
with teeth.
 

from Plucked
2023 Rattle Chapbook Prize Winner

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Miracle Thornton: “When I encountered the Aesop fable, the moral of the story—an individual caught between pride and loyalty—immediately resonated with me. Growing up, I always felt pulled between the environment of my home and my hometown. It was difficult to understand who I was when it changed depending on the room, depending on whomever else occupied the space. The bird was a powerful conduit and spoke to the illusive aspects of my ever-evolving sense of self.”

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