Tony Gloeggler
ANYWAY
After we dropped dirt
on my father’s coffin
the long line of cars
drove back to the house.
We stood in circles,
took turns sitting
at the kitchen counter
and ate cold cuts.
My mother introduced me
to all her work friends
as her son, the poet.
One young woman knew
it wasn’t the time or place,
but always wondered why
people wrote poetry. I told her
I hoped to become rich
and famous, fall in and out
of love with multitudes of smart,
beautiful, mixed-up women.
She shook her head, said
maybe I should leave you alone
so you can go somewhere
and write. I didn’t follow
her, didn’t apologize for acting
like an asshole. I walked
upstairs, opened the door
to my old room, looked
for my bed and desk, my stacks
of albums. I wanted to blast
“Darkness on the Edge
of Town,” start writing
in a new notebook. I wanted
my father to pound his fist
on the door, yell turn
that goddamn shit down,
stick his head inside and ask
what are you doing anyway?
I wanted to hand him
my notebook, watch him
sit in his chair, turn on
the lamp and read, slowly,
his forefinger underlining
all the words, his lips
whispering every syllable.
—from Rattle #13, Summer 2000
