John L. Stanizzi: “The poem is from a manuscript in progress called Hallelujah Time! based on the albums of Bob Marley—specifically Burnin’, Exodus, Confrontation, and Survival. The poems are loosely inspired by Bob’s songs, and when it’s appropriate the biblical inspiration Bob used to get to the writing of the song. The poems in the book appear in the same order as the songs on the albums. Completion of Hallelujah Time! is about two years ago. Jah Bless!”
John L. Stanizzi: “It occurred to me that generations upon generations have been ‘practicing’ in one way or another for some terrible ‘thing.’ We have been rehearsing so that we will know just what to do when the unthinkable happens. This is the myth around which my poem swirls.” (website)
Releasing in December, 2010, Rattle #34 turns its attention to another intimate vocation, spotlighting the poetry of 26 mental health professionals. These psychiatrists, psychologists, therapists, counselors, and case-workers dive inside the mind daily and come home soggy with the muck of dreams. Many of them write about their careers, but the scope is broad, and all of their poems are informed by years of training and unique insights on the human soul. The section is highlighted throughout by the stunning abstract portraiture of art therapist Mia Barkan Clarke. As psychoanalyst Forrest Hamer writes, “so much depends on what’s under.”
Yet the Tribute is only part of the issue. Rattle #34’s open section features the work of 50 poets, plus the 11 winners of the 2010 Rattle Poetry Prize. Also, Alan Fox interviews former U.S. Poet Laureate Ted Kooser and Pablo Neruda translator William O’Daly.
Releasing in December, 2009, issue #32 celebrates the “little song,” poetry’s most enduring traditional form. Shakespeare and Petrachan sonnets, a backwards sonnet, free verse sonnets, blank verse sonnets, clean sonnets, dirty sonnets, invented sonnets, sonnets that praise sonnets, sonnets that mock sonnets, a sonnet that uses only one rhyme-word fourteen times…all capped off with a full heoric crown of fifteen sonnets by Patricia Smith. The variations are limitless—there’s nothing more liberating than a little restriction. T. S. Davis introduces the special section with a personal essay on his journey into form.
Also in the issue, Alan Fox interviews Alice Fulton and Molly Peacock. Along with 60 pages of open poetry, we share the 11 winning poems from the 2009 Rattle Poetry Prize, culled from over 6,000 candidates.
As much as we loved providing an audio CD for issue #27’s Tribute to Slam, we didn’t want page poets to be left out. The tradition of public readings is central to contemporary poetry, whose medium, we’ve always felt, isn’t the page, but rather the breath itself. Here is an opportunity to listen to poems as the authors intended them to sound, in their own voice.
Any poems that have appeared in Rattle are eligible, and this archive will be updated regularly. If you are a poet who we’ve published, and would like to be included, email us to ask how. We also plan on adding audio clips from recent and upcoming interviews—keep an eye on this page for updates.
Rattle #43 focuses on the love poem, with new work by 40 poets. From sonnets, triolets, and villanelles, to free verse, letters, and lyrics—we spent a year looking for love, in all the ways a poet can slice it. Old love new love, red love, blue love. Mean love, green love, thick love, lean love. In one poem kissing is a religion, another’s love is for a chicken. The issue is a strange brew, but love potions often are. To help make sense of it all, we interview poet and philosopher Troy Jollimore, author of the non-fiction book Love’s Vision.