January 20, 2025

Willie James King

THEY SING

The cicadas get one day to sing, mate
having lived seventeen-years underground
as grubs, that’s a long time for heaven’s sake,
too little for light or to fool around.
 
Who cares if others hate them when they sing
because their song is not lovely to hear
as if they’d be pleased just to have a fling
with one shot at sex while death waits so near.
 
Guess their song, to some, is like rakes on rocks
given the time they get to gasp and breed.
In twenty-twenty-four there’re two flocks
competing; they do not need time to feed.
 
It’s a wonder they’d care to sing at all,
at the rate they rise then suddenly fall.
 

from Rattle #86, Winter 2024

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Willie James King: “Mary Oliver’s American Primitive became my first writing teacher. Reading her poems taught me that it was okay to write about the things that really moved, that I cared about. Once I was bitten by the bug, although it started decades ago, I haven’t tired of it since.”

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January 19, 2025

Erin Murphy

INSOMNIA CHRONICLES XXVI

The night is full of insomniacs googling insomnia. Some of my friends are trying Dry January. Dryuary. Others are sober curious. There’s a mock cocktail called a Phony Negroni. It’s made with non-alcoholic gin. Phony Negroni. Phony baloney. When I was eight, my brother and I were walking by a house in our neighborhood when suddenly a slab of baloney sailed through the air and stuck to a chain link fence. There were no people or animals in sight. Such a funny word, baloney. What’s Biden’s favorite saying? Malarkey. So hokey. But then, even the word hokey is hokey. Monday we’ll inaugurate a felon the same day we celebrate Martin Luther King. Felonious Trump. For years we’d pass the brick rancher and say There’s the baloney house the way you might observe that it’s raining or snowing. We humans can normalize anything.
 

from Poets Respond

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Erin Murphy: “The baloney house was a mid-century brick ranch that was nearly identical to my childhood home. I’ve wanted to write about it for years, and the upcoming inauguration finally gave me the opportunity.” (web)

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January 18, 2025

Mathias Nelson

I ONLY DANCE FOR MY MOTHER

She gives me the wine
and I take the wine.
 
I mop her floors
and she walks on them
while they’re still wet
so I begin to dance
to warn her of how
easy one can slide.
 
She watches
grinning in her old green jacket
before going outside
to see the moon on the snow.
 

from Rattle #35, Summer 2011

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Mathias Nelson: “When I was little I used to act like a monkey, holding my mother’s hand and doing chimp talk. Things have changed, but I still act like an idiot in attempt to make her smile when I can.Sometimes it works, and, well, other times … she calls me a stupid sonof- a-bitch.” (web)

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January 17, 2025

Edmund Jorgensen

REGRETS

Regrets are pointless—
Which doesn’t mean
They don’t have an edge
That’s mortally keen—
 
That’ll halve your brain
And cleave your heart
And tease your days
And dreams apart—
 
Until at length
You play two roles,
Like water poured
To fill two holes—
 
And neither self
Quite stuffs your skin:
The almost-am
Or the might-have-been.
 

from Rattle #86, Winter 2024

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Edmund Jorgensen: “I write poetry because order is a protest against despair.”

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January 16, 2025

Philip Levine

ONE BROTHER SAID TO THE OTHER, “LET’S GO INTO THE FIELDS.”

Beyond the old barn
a small stream ran all those winter days,
and beyond the stream almost nothing grew
except weeds, poke grass, burdock, scatterings
of hemp plants left from years back. If you
stood still and let the pale sunlight descend
around you and said nothing, you’d catch
the echo of human voices, but better not
to hear what was said. Better to walk
beyond the sagging fences and keep going
until there was no where to go, for the birds
circling above were not there for you.
In the low trees at the edge of the woods
you might find abandoned nests, their eggs
slashed open. Reach in and touch the twigs
bundled into a gray basket of hopes.
Now let your hand wander the crusted leaves
while the west wind, rising at last, brings
what we are here for: the same blood smell.
 

from Rattle #10, Winter 1998

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Philip Levine: “I’d like to be remembered as a good teacher and a good father and a good poet and a good husband and a good brother. There are a lot of things I’d like to be remembered for, come to think of it. But I suppose chief among them would be as a good poet, or somebody who advanced American poetry or somebody who took it into areas where it hadn’t been.”

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January 15, 2025

Stephanie Glass

A LETTER TO MY FRIEND AFTER SWIMMING

hey girl/ so I keep taking Milo to the pool/ he’s on the swim team now/ level one/ he’s still learning to blow bubbles and float and breathe/ while he swims I swim/ freestyle and breaststroke and butterfly/ and/ I’m learning to breathe too/ learning to breathe/ seems like it should be easy/ but it’s like/ like learning to walk/ like learning to blink/ learning to look at someone and know that you love them/ like learning to pick up the pieces/ after that person disappears/ I always pick up the pieces/ get my son to the pool on time/ the dentist on time/ the doctor on time/ school on time/ I am on time/ I’m learning how to breathe/ and every breath is ten thoughts right now/ isn’t that just how it works sometimes?/ sometimes a breath is just a breath and/ sometimes it’s everything/ you can do to inhale without drowning/ but at the end of my swim/ he comes through the double doors toward me/ running the way you run when you can’t run by the pool/ to stand over me/ where I’m waiting after finishing my lap/ and my watch is counting down to the next repetition/ the next series of strokes through the sterile blue/ the next exhalation of everything I’ve got into bubbles and motion/ and I’m inhaling the scent of chlorine like it’s peace/ and there he is/ smiling like he’s won the lottery because it’s the end of the lesson and he/ gets to swim/ with his mom/ and girl, I gotta tell you/ in that moment/ I don’t have to think/ about breathing.
 

from Rattle #86, Winter 2024

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Stephanie Glass: “I am an 8th-grade English teacher in Chadron, Nebraska. The majority of my time is spent with my child and with my students. In my moments of free time, I dedicate myself to nature, to music, to literature, and to the exploration of self. My son and I spend quite a bit of time at the pool or fishing local creeks, rivers, and lakes. We live with four cats (Fred, Jelly Bean, Pants, and Mr. Darcy) and two guinea pigs (Sun Cake and Moon Nibbles). I am quite grateful for my peaceful life, and I write to capture and acknowledge the simplicity I find so beautiful.” (web)

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January 14, 2025

Denise Duhamel

POEM IN WHICH I PRESS FAST FORWARD

my young mother becomes my dead mother
my new car becomes a clunker
 
my blond hair becomes gray,
my favorite sweater, a rag
 
my beloved becomes my enemy
my enemy, someone I can’t remember
 
my past becomes a murky place except for a few sharp excerpts
my memory, a torn plastic bag, groceries spilling onto the pavement
 
my love of apples becomes a metaphor
my love of apples becomes my love of applesauce
 
my flat chest becomes a set of breasts that later flop
my bright pink scar becomes a faded white line
 
my childhood friend becomes a stranger, then a corpse
my childhood home becomes someone else’s home
 
my baby fat becomes adult fat
my new sneakers, worn and ready for Goodwill
 
my obsessions become ash
my fire, a cold sandwich
 
my scribbles becomes more scribbles
my wedding dress, a punchline
 
my glass of wine becomes my rewind
my beer stein, a pencil cup
 
my garbage becomes landfill
your trees, my kitchen table
 
my biggest problems dissolve
then bubble up years later like Alka-Seltzer
 
my belly laugh becomes a bellyache
my aversion to conflict becomes a migraine
 
my frown becomes a ray of frown lines
my dance moves becomes a skeleton rolled into an anatomy classroom
 
my childhood love of the sea becomes my adult political quest
my pet peeves soften into petty concerns then become peace lilies
 
my fall from grace becomes my saving
my savings become my coffin’s down payment
 

from In Which
2024 Rattle Chapbook Prize Winner

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Denise Duhamel: “I started writing the poems from In Which after reading Emily Carr’s brilliant essay ‘Another World Is Not Only Possible, She Is on Her Way on a Quiet Day I Can Hear Her Breathing.’ (American Poetry Review, Volume 51, No. 3, May/June 2022) Carr borrows her title from Arundhati Roy, political activist and novelist. In her delightfully unconventional essay, Carr talks about rekindling intuition in poems, offering ‘a welcome antidote to whatever personal hell you, too, are in.’ Carr’s invitation to be unapologetic, even impolite, gave me new ways of entering my narratives. Soon I was imagining I was someone else completely. Or sometimes I looked back at my earlier self, at someone I no longer recognized.”

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