March 19, 2018

George Swede

HANDS

with
veins

the
roots
of an

old tree
seeking
if not

relocation
at least
something

sublime
from their
crooked

fingers
on the
keyboard

from Rattle #58, Winter 2017

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__________

George Swede: “I seem to have had an archetypal background for becoming a poet—a birth in Europe at the start of WWII; the loss of my biological father at the age of three; on the run with my mother and stepfather from the Nazis until the end of the war; the move to North America at the age of seven; the death of my step-dad at the age of ten; a lot of time spent alone. Naturally, I wanted to make some sense of all this and found that the best way was via the language of poetry.” (web)

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June 11, 2015

George Swede

THREE HAIKU AND A TANKA

tar pit an urge for immortality

 

 

only an eternal present jackhammer

 

 

the wasp’s face
what friendship
can become

 

 

Night hurrying
down the mountainside
to work as shadows
for the day—
I re-knot my tie

from Rattle #47, Spring 2015
Tribute to Japanese Forms

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__________

George Swede: “I got hooked on short-form Japanese poetry in the mid-1970s after getting a review copy of Modern Japanese Haiku (edited by Makoto Ueda, University of Toronto Press, 1976). The twenty anthologized poets did unexpected, marvelous things with the form that made me see haiku as poetry rather than as a school exercise for counting syllables. Since then I’ve published twenty or so collections of haiku and two of tanka.” (website)

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