May 18th, 2012

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Devika Brandt

WHAT MY PARENTS WANT

At 86 Dad wants a new silver Mercury with heated seats.
Mom wants whatever Dad wants. We’re on the phone,
and I’m scrubbing the kitchen floor with my headset
on, scratching at the black sap marks that stick and
spread before finally letting go. We’re all tired of talking.
So I don’t ask them about moving closer to their kids;
I don’t mention the nurse they fired; I don’t say I think
they’re making a mistake. I breathe hard and tackle
a tough wad of sap. They tell me how cold it is in Las Vegas
in the winter; how the mountains turn purple in their rise
toward the sky. I don’t ask them if they’re eating. I keep
myself from mentioning their many medications. They
want me to love them; they want me to leave them alone.
They want to fumble along the walls of their stucco
house until one falls down, cheek to the cool tile
of the floor, bones so heavy, joints stiff, life blood
thick and unwilling. I hope the other one will lie down too,
pull an afghan over them, the one with squares her mother
made. I hope in the accumulating heat of the desert
they will gasp into each other’s arms and give themselves
away. I hope they can do it without breaking. I hope
they can do it in the clean sweet heat of the day, an open
mouthed entry, the last ripe fruits of breath released.

from Rattle #28, Winter 2007
Rattle Poetry Prize Honorable Mention

July 18th, 2011

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francine j. harris

KATHERINE WITH THE LAZY EYE. SHORT.
AND NOT A GOOD POET.

This morning, I heard you were found in your McDonald’s uniform.

I heard it while I was visiting a lake town, where empty woodsy highways
turn into waterside drives. I’d forgot

my toothbrush and was brushing with my finger, when a friend
who didn’t know you said he heard it like this: You know Katherine. Short.

with a lazy eye. Poet. Not a very good one. Yeah, well she died. the blue

on that lake fogs off into the horizon like styrofoam. The picnic tables
full of white people. I ask them where the coffee is. They say at Meijer.

I wonder if you thought about getting out of Detroit. When you read at the open mike
you’d point across the street at McDonald’s and told us to come see you.

Katherine with the lazy eye. short and not a good poet, I guess I almost cried.
I don’t know why, because I didn’t like you. This is the first time I
                  remembered your name.

I didn’t like how you followed around a married man. That your poems sucked
and that I figured they were all about the married man.

That sometimes you reminded me of myself, boy crazy. That sometimes
I think people just don’t tell me that I’m kind of, well…slow.

Katherine with the lazy eye, short. and not a good poet.
I didn’t like your lazy eye always looking at me. That you called me

by my name. I didn’t
like you, since the first time I saw you at McDonald’s.

You had a mop. And you were letting some homeless dude
flirt with you. I wondered then, if you thought that was the best

you could do. I wondered then if it was.

Katherine with the lazy eye, short, and not a good poet.
You were too silly to wind up dead in an abandoned building.

I didn’t like you because, what was I supposed to tell you. What.
Don’t let them look at you like that, Katherine. Don’t let them get you alone.

You don’t get to laugh like that, like nothing’s gonna get you. Not everyone
will forgive the slow girl. Katherine

with the fucked up eye, short. Poetry sucked, musta’ knew better. I avoided you
in the hallway. I avoided you in lunch line. I avoided you in the lake.

I avoided you. My lazy eye. Katherine with one hideous eye, shit.
Poetry for boys again, you should have been immune. you were supposed

to be a cartoon. your body was supposed to be as twisted as
it was gonna get. Short. and not a good poet. Katherine

with no eye no more. I avoided you, hated it, when you said my name. I
really want to leave Detroit. Katherine the lazy short.

not a good poet. and shit. Somewhere someone has already asked
what was she like, and a woman has brought out her wallet and said

This is her. This is my beautiful baby.

from Rattle #34, Winter 2010
Rattle Poetry Prize Honorable Mention

July 14th, 2011

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Valentina Gnup

WE SPEAK OF AUGUST

                    Alone in my kitchen, I copy
a chicken salad recipe from a Woman’s Day magazine
and plan tomorrow night’s dinner.

                    We don’t know what will happen
between one raindrop and the next,
yet we speak of August as if it were a contract,
a promise the sky made.

                    When I was twenty-five I married a drummer
and silenced him with disapproval.

                    Now I’m married to a poet—
he reads poems on the porch
and pets my head like a puppy.

                    My daughters grew tall as honeysuckle and left—
they took their soft skin, their buttermilk biscuit smell,
the endless hungers that organized my days.

                    My domain has shrunk to the narrow bone of my ankle.

                    I did what was asked.
I did what I feared.
Like every woman I have ever known,
I became my mother.

                    I stroll through the rows of houses and yards;
above me a skein of geese break in and out of formation—
fluid as laundry on a line.

                    Other women are out walking their dogs,
murmuring to the mothers inside their heads.

                    In the eastern sky the first star is out,
preparing for the long night of wishes.

                    At dusk every flower looks blue.

from Rattle #34, Winter 2010
Rattle Poetry Prize Honorable Mention

July 11th, 2011

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Heidi Garnett

SIN OF UNREQUITED LOVE

In war there are no unwounded soldiers.
—Narosky

We had the problem of youth, the problem of desire,
our testicles pulled tight as empty purse seines,
the starved musculature of the heart.

We watched clouds move from east to west,
but with no real avidity. The sun rose and set.
We ate three meals a day, slept seven hours,

washed and shaved, listened to the radio. Mostly,
we followed orders, but some evenings desire
stalked us in musty theatres called Roxy or Empress

where we watched a film noir starring a blonde bombshell
who wore a tuxedo and sang with a voice like a grenade,
its pin pulled. She couldn’t sing worth a damn,

but who cared. She looked dangerous and life then
was all about severity, the sharp angles of cheekbones,
a white chalk outline drawn around a body,

the spasm of detonation. We said less and less
and spent our days drinking or lying in bed
and imagining our imminent deaths;

but this problem of wanting, wanting to stay, to fall in love
and plant raspberry canes, to swim to the other side of a lake
and stare at things as if they matter.

from Rattle #34, Winter 2010
Rattle Poetry Prize Honorable Mention

May 31st, 2011

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Ken Meisel

CAR ACCIDENT
          9th Street, St. Petersburg, Florida

The same month that woman
went into outer space,
and I mean Judith Resnik, who died
in the Challenger a few years
later, underneath the watching eyes
of God or NASA,
another woman I didn’t really know, either,
a common woman,
crashed herself into a telephone pole
in North St. Petersburg,
because she was drunk and speeding.
And she’d had one too many at the bar.
And maybe because whatever it is
that electrifies self destructiveness
in the brain, spit-fired disaster in her, too.
And so she wanted to get it all out,
and smash it on for size
against something bigger…
Her family must’ve wondered why.
Perhaps she wanted to escape
from the night, with the coolness of closed up
shopping malls and the lonesome
ramshackle beach bum motels,
and the shadows ghosting the windows.
Maybe she hated the smoky, paneled bars,
spotted alongside the beach roads
with their endless games of darts
played by blue collar dead beats
and their sad wooden tables
littered with ashtrays and old french fries,
and their juke boxes
playing songs of heartache
for the lonesome, clinging drunks
dancing against tomorrow.
Maybe it was for the smell of smoked fish,
clinging like invisible fingers to her jeans
that made her wish
for the salt of a man to grab her
in her bed at night and comfort her,
and take away all her burdens.
And maybe, also, for the men
who’d wronged her, or had stolen love
from her.
Perhaps she drove against the small
banalities of her thoughts,
or against the ledger of her failures
that kept knocking her back
into her final insignificance,
and into the stubborn palm trees
planted to beautify a sad, aging
fisherman’s city
stuck on the Gulf of Mexico
that, because it was sad,
kept on shining
under the sun anyway.
Whatever it is that made that woman
get angry, or lonesome,
or whatever it is that made
that other woman want to fly
up into the Universe, past the earth,
I can’t really say…
But I do know that jewelry,
and men’s love, and a baby
weren’t reason enough to keep either
of them here…
We’re all astronauts.
The heart owns its terrible burdens.
The heart breaks the strings
of pearls that are its ambitions.
You could hear the crash,
and then the silence.
And then there was the eye-popping
shock that followed,
the loud snap like a door,
where the brain tells the legs to run.
Whatever else happened then,
whether it was commotion,
or the survival of her drunken soul
climbing out of the wreckage
like a torn piece of jellyfish
soaring way up high to the surface
and trying to figure out
if it had turned into a ghost
or an angel,
or some angry, electric sparkling
of her brain’s gray matter
swimming up out of bone
and into the blanched humid night,
I can’t really say.
All I remember is that the radiator
blew up.
And then there was that hissing
that tells you the smashed car,
because it’s enraged,
is about to explode.
Sometimes, because we see it,
this light, this moon,
shining above us like something
avenging something else,
like some engorged bird,
seeking shelter in a tree,
we fill in the gaps,
the hand-fills of nothingness
with whatever else there is.
I guess it’s the way we tell ourselves
what to see and what not to see.
And what to remember or to forget.
For me, I was watching
Johnny Carson with my father.
And my sister had given birth to a boy.
We’d just talked to her.
She was nursing him.
And putting him into his little bed.
And, outside, where the moon
slid behind a gravy train of clouds
and the pin sized crickets
had started up their chirruping
like a black church choir
singing at a funeral in the weedy canal
behind the apartment building,
I called an EMS
even though I knew she’d be
a goner—
because I couldn’t think of anything
better to do,
and because it was better than nothing.
I was just trying to fill in the space
with something other than shrieking—
which was all that was left,
to do.

from Rattle #26, Winter 2006
Rattle Poetry Prize Honorable Mention

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