December 23rd, 2011
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Christopher Crawford
SO GAY
How gay is it
for two men
to stroke
the same dog
at the same time.
What if they’re both
sitting on a sofa watching
When Harry Met Sally.
How about two men watching
the same gorgeous sunset
from the same high ridge.
And if a man daydreaming
on a bus ride finds his eyes when focus returns,
quite accidently, on the crotch
of the man seated opposite.
How about two men riding
a bus into a gorgeous sunset
or two gorgeous men watching
a sunset in silence. How about
two men daydreaming and stroking
a gorgeous dog and the dog makes
a strange deep sound of pleasure.
What if the men are old friends.
What if they’re brothers.
What if there’s music playing.
–from Rattle #35, Summer 2011
Pushcart Prize Nominee
December 7th, 2011
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Heather Bell
LOVE LETTER TO THE GULF COAST OIL SPILL
The photos taken from helicopters are really
quite beautiful: the weird orange waves, the way
it bends back like a spinal cord. It isn’t that I
am not sympathetic to the ocean, but it
touches the tips of birds, taking them from
naked to casket. I have always been attracted
to power in that way: fortressing my house
with brick fences and mines. The abusive
burn victims as boyfriends. Building a garden
all spring, only to maniacally cover it in poison
at the season’s end.
I wonder how the oil sounds when it speaks.
Perhaps quiet as a star. Perhaps sad as a
Wurlitzer. Perhaps it just wants to go home,
moans and cries for its mother. Maybe it is
not what it seems: its dark marigold is
its way of saying don’t leave me because
of who I am. And animals are dying and
the algae has crumbled up in the shape
and color of human blood. I find, within all the
salvage and darkness, that it has fingers.
I touch them lightly like I would
touch the skeleton of a person that I
once loved, frightened and hoping
this one doesn’t belong to me, but
it does.
–from Rattle #35, Summer 2011
Pushcart Prize Nominee
November 23rd, 2011
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Rattle is proud to announce the following nominees for the 2011 Pushcart Prize:
- Patricia Lockwood – “When We Move Away from Here, You’ll See…” (#35)
- Jan LaPerle – “She Rings Like a Bell Through the Night” (#35)
- Christopher Crawford – “So Gay” (#35)
- Heather Bell – “Love Letter to the Gulf Coast Oil Spill” (#35)
- M.L. Liebler – “Underneath My American Face” (#36)
- Dick Allen – “Knock on the Sky and Listen to the Sound: On Zen Buddhism and Poetry” (#36)
For more information on the Pushcart Anthology, and the nomination process, visit www.pushcartprize.com.
August 24th, 2011
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Matthew Olzmann
RARE ARCHITECTURE
An ordinary man hires a contractor to build
a new house. When it’s done, he rushes
to see it. But it’s not what he’s paid for,
there must be some mistake. The house
is shaped like a human head. Two eyes
instead of bay windows. A circular mouth
for a doorway. There’s even a small lantern,
like a nose-ring, set on the right nostril.
Furious, he calls the contractor. You godless
pig fucker, he yells, You whore of a human shell.
He files lawsuit after lawsuit. But the contractor
has nothing—his bank accounts hold
the emptiness of vacant lots, and his business,
which was merely failing before, has now officially
failed. So the man is stuck with this piece
of real estate. At first, he hates the head, hates
sleeping in its temporal lobe, hates eating
breakfast on a row of teeth. As stated before,
this is an ordinary man. His thoughts
are ordinary and his ambitions are sparse. Then,
in the middle of hating his ordinary life, a change.
People take pictures when he trims the ivy—
which looks oddly like facial hair—on the north
façade. Stoned teenagers road trip across
the country just to hang out on the front lawn.
National magazines run feature articles.
Suddenly, this man who was—just weeks ago—
utterly forgettable, is a minor celebrity.
He wants more. He imagines a vivid future.
So he calls the contractor to apologize. He wants
to suggest building a second house, perhaps one
shaped like the president or Elvis. But the line
is disconnected. No one’s there. Turns out,
the contractor has vanished—after the lawsuits,
his luck took a turn for the worse, then another,
then—nothing. He disappeared. So, there will
be only one house shaped like a head.
And after a couple months, the novelty wears off.
The man inside is old news. But night
after night, you can see him up there, sitting
behind the house’s left eyelid, both he
and the house just staring at the street.
What must the street look like to them?
Tonight, there’s so much fog, both the trees
and the sky are invisible. But every once
in a while, there’s a part in the mist, a rip
in the veil, an opening where the world looks—
for only a moment—different. Then
it’s hazy again, then it’s nothing at all.
–from Rattle #34, Winter 2010
Pushcart Prize Nominee
August 19th, 2011
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Andrew Nurkin
THE CONTEST
Most mornings, even in the wet starvation covering everything
after the third snow in ten days, and for reasons I suspect
but am in no position to confirm, my neighbor comes out back to piss
on his garbage can in the small paved space between our houses
just below the window I stare out while pretending to read
but really trying with coffee and first light to melt the sleep,
the sense of already having blown the whole day, wasted the minutes
before they’ve even happened, though the municipal garbage truck
is just now beginning its arachnid climb up the street.
The birdbath in the middle of his yard still topped with snow like a
coconut crème on a cake service, the ones you see in diners down south,
delicious from this distance, and the tacky little cupid flag
his wife staked by the fence for Valentine’s Day now thankfully obscured
by a solid twenty inches of compressed erasure. I hear his screen door
slam and look up hoping to see his Tsi Tzu, whom he calls Terry Theresa
in his gruff mutter, the vocal illustration of enmity for the whole world,
even his damn ugly dog, as in “Terry Theresa, get the fuck out there and pee,
you turd,” hoping to see her bolt out the door, skid and slide
across the frozen yard, yapping in distress, this at least a moment of humor
at their expense, which is, I can only assume, what my neighbor
is searching for, a comedy of canine perturbation, when he flings
spoiled cold cuts over the lilac bushes lining the fence into our yard,
which he does often, slices of ham and bologna my dog gobbles down
with glee behind my back, barks for more of, scratches at the door to get,
this platter of salt and meat so unlike the dry kibble and occasional carrot
he’s used to, so new to his stomach that he vomits it up a little later
on the kitchen floor. And this is why the vengeful part of me, the raging part,
longs to see Terry Theresa yap for help as she careens
like a failed figure skater into the fence. But my neighbor follows her
out in his bathrobe, sidles up to the city-issued garbage bin
to relieve himself, and as I stare somewhere between the window
and the top of my screen, trying to take in the scene for its pure absurdity
but also revolted, for my neighbor must weigh almost three hundred pounds,
so full a man that if he were not dead I would swear I lived next door to
Marlon Brando in the later years, but it is just my enormous sonofabitch neighbor
pissing while I watch and don’t watch at the same time until he looks up
and somehow finds my gaze, and, knowing he has caught me
though I still refuse in the fragments of second that pass to meet his eyes
straight on, spreads a smile across his coldcut jowls, waves
with his one free hand, which he then lowers and uses to pull back his
bathrobe to show me his dick in full stream. It is then that I lose my nerve
and look away completely, an action I later interpret as defeat, though
what triumph would have been I have no clue. Perhaps triumph
would have been opening the window and pissing on his head,
or tossing chocolate-dipped milk bones over the lilacs, which would be the end
of Terry Theresa, or having lots of extra loud sex with strange men
right next to the window at all hours, which might be what pissed him off
to begin with, but these are just fantasies of triumph,
so all that is left to me is to write this poem, and there, now I’ve done it,
written a poem about my fat neighbor who feeds my dog deli meat,
urinates in the snow and exposes himself to me in the raw cold,
which is exactly what I needed to have done to get on with my day.
–from Rattle #34, Winter 2010
Rattle Poetry Prize Honorable Mention
Pushcart Prize Nominee
