December 16th, 2010

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John Harris

GOODNIGHT, MOON

Floppy-eared,
I look through the skylight: the moon!
Like Mommy,
I’ll be pushing up daisies soon.
Like Daddy, too,
If you really want to know…

My mush…my comb…my spoon…
All in a row.

I think about the toys with which I’ve played….
Mostly boys.
The things I’d do to get laid!

The panic of childhood…the botched adolescence…
Oh man.
And then, of course,
The Games of “Adulthood” began,
With prizes! Gold, silver, and booby!—
Though not from these bunny lips
The catalogue of failures,
Like Homer’s ships.

Enough.

My bed,
My little lamp,
The soothing light…

Now I lay me down—
                                      Are you there?

                                      

                                                                         Goodnight.

from Rattle #33, Summer 2010

December 15th, 2010

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Review by Marjorie MaddoxRadiance by Barbara Crooker

RADIANCE
By Barbara Crooker

Word Press
P.O. Box 541106
Cincinnati, OH 45254-1106
ISBN# 1-932339-91-4
2005, 84pp., $17.00
www.word-press.com

Seventeen-time nominee for a Pushcart Prize, recipient of numerous national awards, and author of ten chapbooks, Barbara Crooker was long overdue for a first-book award. With the publication of Radiance (2005 Word Press Prize), her audience can once again applaud. The collection glows with what we wake to, what we breathe in, what we sleep by. Radiance catches the joy of shadows and the shadows of joy in the rooms where we live every day. I first encountered Crooker’s work as a judge for the 2004 Poetry in Public Places Poster Competition. Her poem “Ordinary Life” broke from the rituals of the mundane into exuberance. Likewise, the poems in Radiance spotlight “blue and black graffiti shining in the rain’s / bright gaze.” They wear an “evening’s melancholy shawls.” They exhale “the glories / of breath.”

The book moves deftly between struggle and song. A “congregation of grackles” is “a long black scarf unwinding / in the cold west wind”; “Even dandelions glitter / in the lawn, a handful of golden change.” Crooker sees life as “a pile of sorrows, yes, but joy / enough to unbalance the equation.” In her aptly titled poem “Sometimes I Am Startled Out of Myself,” the geese “stitch up the sky, and it is whole again.”

In Radiance, we feel the pain-wrought stitches—a son with autism; an ailing parent; a friend dying of cancer; a first child, who “was born, then died, on her due date”; a hectic life that ironically leaves no time to fix a broken clock. Through Crooker’s words, nature and art work together to make us whole, even if the mending is temporary. Through the masterpieces of Monet, Renoir, Van Gogh, Cezanne, and Manet, we see “a blizzard of color and light.” The “black flag / of pain” becomes “white / lilacs in a crystal vase.” The healing is artistic, physical, and spiritual.

Although “the sky winds its own long note, a radiant heartache blue,” as Crooker explains, she and her husband sing “loudly as we can, in our tone deaf voices / against the coming rain, the following dark.” As readers, we want to take up the song. Maybe if we do, “the suffering world” will indeed “[recede] in the background.” Radiance is half Blues, half Spiritual—contagious with hope. Just try not to join in.

from Rattle #24, Winter 2005

__________

Marjorie Maddox, Director of Creative Writing at Lock Haven University, has published 3 full-length books of poetry, 5 poetry chapbooks, 1 children’s book, and over 280 short stories, essays and poems in journals and anthologies. She is co-editor of Common Wealth: Contemporary Poets of Pennsylvania; her short story collection, What She Was Saying, was 1 of 3 finalists for the 2005 Katherine Anne Porter Book Award.

December 14th, 2010

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Charlene Fix

DEAR FSG

I fixed on the irrational notion
that you would publish my collection
when I read somewhere that old Giroux
liked to curse, or was it Straus?
I knew then yours was a real House
with its fabulous writers and glorious
poets—I’m recalling Cocteau’s Orpheus’
joke before the Tribunal that these differ.
(I’m rhyming because I’m under the spell
of Ooga Booga. Not my fault. Blame Seidel.)
My manuscript needs a seasoned reader;
contests with twenty-something screeners
aren’t cutting it. Once I was pretty
but now the portrait in the attic is sixty,
though I seem young, teaching those contagious undergrads.
In fact, I teach too much, and chair. I’m going mad
loving a husband who doesn’t wear his wedding ring,
a dog and cat and three grown offspring
(one resides in Brooklyn) because my atman
belongs to poetry. My rabbi is Whitman,
my therapist Dickinson. When I lost my dog
I prayed on a hilltop to Blake, God’s analog,
and got her back from the woods. I’m choosing
to ignore the magnitude of your slush pile,
hoping an editor can liberate FSG style.
Please: two manuscripts are pushing up and it’s late—
more poems and a study of Harpo. I need this off my plate.

With language only in her bag of tricks
and with no agent but herself, yours truly, Charlene Fix

from Rattle #33, Summer 2010
Tribute to Humor

December 13th, 2010

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Ed Galing

NURSING HOME

this morning when i
got up
they had to change
the bed sheets again
because i had wet
myself during the
night
like a baby who can’t
control his bowels,
my helper, miss jones,
a nice young black
girl didn’t mind doing
it,
i just sat in a chair
when she changed the
dirty wet sheets with
new clean ones, and
i said, i am sorry,
and she said, with a smile,
it’s alright,
i used to do it for my
own father when he had
prostate cancer,
in this nursing home
everyone is good to me,
at ninety i don’t
have much chance of living
too long, my hands are
now mostly bone, without
much flesh on them,
i can hardly walk without
a walker, or wheelchair,
and each day the pain gets
worse,
they say nursing homes
like this one are your last
step before death,
and I see lots of that going
on,
the guy in the other bed
has alzheimers, a nice black
man who mumbles and shouts
and thinks he is in a palace
somewhere, when he is awake
he sings old man river,
and he looks at me, and says
do you like my song?
sure, sure, I tell him,
old man river, that’s both
of us,
and then we both laugh,
when my wife died and
my kids skidded wherever
they went to, I was alone
my home got sold, and my
social security was taken away,
just enough money they said
to keep me in this god forsaken
nursing home long as I live,
listen,
i am not angry at anyone,
i lived a full life,
i had young days when i
rolled around in bed
with many a woman
but married none
but the last,
the army took a piece
outta me too, when
world war two came
along,
christ, most of us
are now dead,
not too many vets alive
my age, bless em all,
what good did it do?
we still are at war,
afghanistan, iraq,
all phony political
wars,
in this nursing home
the dining room
is full of people
men and women like
me,
we are the remains
of a good supper,
with the bones
left over,
wheelchairs everywhere,
and screams in
the night,
do you need to know more?
the building?
what can i tell you…
it’s a prison
a large compound
surrounded by trees
so no one from outside
can see us dying
in here,
we eat in the dining
room,
no one laughs, but
everyone screams,
attendants push
the food in front of
us, lousy food,
same old staples,
most can’t eat it
some are fed by others,
their mouths drooling
as the spoon goes in,
I sit across from
three others at
my table and watch
people who are
without hope, their
eyes stare at
nothing,
they fall asleep at
the table,
not me,
i can still move my
arms,
the cancer hasn’t
reached that far
yet,
and anyway, what’s
a bit of a piss bag
that i wear day and
night?
better than pissing
in my pants,
and they change me
and don’t mind
and wipe my ass
too
cause i can’t reach
and push my wheelchair
into the main room
so i can sleep the rest
of the day
my nurse miss lilly
gives me a bath
once a week,
she submerges me in the
warm bath water,
and I am naked
and she tenderly washes
my scrotum and penis without
shame, don’t worry, it won’t
stir, i laugh at her,
and she grins and says,
you are one fresh guy,
but it feels so good the
way she massages me
all over, the warm water
is good for me,
don’t you mind doing this
kind of work, i ask her,
no, she says quietly,
we are all human beings,
later, scrubbed,
dried,
she dresses me and
pushes me and the
wheelchair
into the main
dining room
where they are
having bingo
today…
she leaves me
there and says
she will come
back for me
later
i sit around
and play the
game with the
few others
and all I hear
is numbers
going
around and around
in my head,
round and round,
round and round

from Rattle #33, Summer 2010
2010 Pushcart Prize Nominee

December 12th, 2010

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Jeannine Hall Gailey

I FORGOT TO TELL YOU THE MOST IMPORTANT PART…

Without this knowledge, you’ll never make it:
it’s one part fashion advice and two parts survivalist.
Learn to talk to people so they think you’re honest
but never be honest. Cooking eggs may save your life,
so crack them, neat and firm, pour into the skillet,
stir gently. Forget about your shoes; people will judge
you by your shine, the imminent light you offer them.
Be a lamppost in wilderness, be the elephant
in the showroom. If you steal the idol, make sure
to carry a weighted bag of sand. No surprises: we’ve lied
about having it all. It’s either the piano or the pit viper.
Cinderella’s shoe came off at midnight because it hurt,
and Red Riding Hood’s real story involves cannibalism and a striptease.
Don’t wear red lipstick, don’t you kiss your mother with that mouth?
Long bangs hide a multitude of sins. Ask your grandmother
about the herbs she used to swallow while pregnant.
The butterflies here didn’t start out black, they were white
as onion skin—and the forest was more ominous
before the smokestacks. Well, here’s your little basket
and coat, sweetheart, sweetmeat, smile like you mean it,
shake what you’ve got while you’ve got it,
go out into the world and knock them dead.

from Rattle #33, Summer 2010

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