Sophia Rivkin

CONSPIRACY

The husband calls from two hundred miles away
to say he cannot stand it, his wife is dying
in a rented hospital bed in their living room
and he must put her away, somewhere, anywhere,
in a nursing home and she is crying looking up at him
through the bars like a caged animal—
she is an animal with foul green breath
and buttocks burnt raw with urine—
he cannot lift her, he cannot change her often enough,
and she is crying for the children’s pictures on the mantle,
she cannot leave the silver candlesticks,
the high school graduation pictures.
And I say, yes, it is time to put her away,
I am the friend and I say it,
the living conspiring with the living,
death standing like a Nazi general or a stormtrooper
with a huge cardboard chest covered with metals,
and he leans over her and pins a gold star
through her skin and it pricks us,
pricks us through the brain,
through our skin
but we do not bleed
when death is pushing her
out of her bed, marching her away,
while everyone stands white-faced
among the white-faced crowd,
blending in, blending in.

–2006 Rattle Poetry Prize Winner

§ 2 Responses to “Conspiracy” by Sophia Rivkin

• The Gender Question, Part 2 » Timothy Green says:

  January 28, 2009 at 9:05 am

  [...] published recently, in my opinion, were written by women: “Sloan-Kettering” and “Conspiracy“, and several of my favorite poets are women (some of my best friends are women?).  That [...]

  Reply
• There’s No Such Thing as a Great Poem | Timothy Green says:

  June 10, 2009 at 1:05 pm

  [...] Lynn Shapiro’s “Sloan-Kettering.”  Sophia Rivkin’s “Conspiracy.”  Salah al Hamdani’ “Baghdad, Mon Amour.”  And there are others.  But I [...]

  Reply