October 31st, 2008

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Cathryn Essinger

TO LEVITATE…

My mother swears she saw
              my baby brother rise from his cot
                            one stormy night when
                                          we were living upstate.

She was awake, checking the shutters,
              when she saw him levitate,
                            a foot or more, covers rising
                                          with him the way they do

in carnival shows, so you don’t see
              the wires. But, he lay soft and pliant,
                            a floater, weightless as
                                          a shadow on the wall.

“Something in the air,” Mother said,
              because she believed in such things,
                            and reminded us often that most
                                          children know how to fly.

And I do remember running down a hillside,
              breathless, the ground rising to meet me,
                            my heart lifting my blood
                                          so effortlessly

I knew that if I stepped out onto the air
              that it would hold me.
                            I may even have done it
                                          without realizing

how easy it is, before doubt takes hold
              and weds you to the ground.
                            Odd that we should forget
                                          such things.

Odd, too, when I tell the story
              how no one believes exactly,
                            but the room gets quiet
                                          and everyone listens.

from Rattle #25, Summer 2006

October 30th, 2008

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Review by Lo Galluccio

DARK CARD
By Rebecca Foust

Texas Review Press
English Department
Sam Houston State University
Huntsville, TX, 77341-2146
ISBN# 13: 978-1-933896-14-4
2008, 36 pp., $8.95
www.tamu.edu/upress/

In Rebecca Foust’s first full-length poetry book, Dark Card, she creates a prism of experience, imagery and episode through which to describe and honor her relationship to her son’s struggle with Asperger’s Syndrome. The poems span in time from his bloody (almost mishap) of birth, to schooling traumas, to his rather triumphal eighteenth year when he has finally taken rational charge of things which enable him to function with others smoothly in the world. Far from a mere object lesson, Rebecca’s son is like a strange, wondrous and unruly kite that she must learn to anchor and let fly with the winds of existence. The book is also a reflection of her own transformation as her sense of her son deepens and their bond matures.

In a poem called, “No Longer Medusa,” she states:

When I had you I gave birth
to my mirror
the chink in my armor.

« Read the rest of this entry »

October 29th, 2008

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Colette Inez

ADVICE TO A WRITER IMAGINING
CONCEPTION AND BIRTH

Look for a tree stump in the woods. Compare it to love,
examine the particulars, how your mother mounted
your father on Labor Day in a bungalow, Liberty, New York.

Describe a snowfall before your parents met. Take your time.
Leave out myth and literature. Relate it to life in an American
town, one with a rotating cocktail lounge.

Now imagine yourself as a parchment worm
wedged into a crevice to avoid attack. Liken your fear
to a clamp. How does it resemble the opal clam

from New South Wales? Speak up. Check it out.
Write a poem of departure in which you use the color blue,
a hue like the glow of fish cast ashore by a stormy sea.

Your parents are leaving town. They’ve rented a bungalow
in Liberty, New York. You’re not around to say: after dark,
exact change. You’re not even a tiny moonlet in a microscope,

a bluet in the woods. Contrast your nothingness to words
that start with “k”: killjoy, kisscurl, kelp. Are these words
comical in any special way? Say how you feel about kale.

Will you grow to leave it on your plate?
Your parents sit in a trance. They have just made love
and are counting snowflakes: uno, dos, tres…

Are they from Bogota, Colombia, and in New York on
a whim? You are about to divide. Say something about the
intricate coil of DNA. Double helix. Double Dutch. Jump in.

Make the leap. Now you’re a nation newly emerged.
Dispense with history, the transitory passions of people’s wants.
Words are dropping fast.

from Rattle #25, Summer 2005

October 28th, 2008

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Frank Hughes

AN ACT OF PROCREATION

what beatings we have taken—
gave

what we have endures:
poverty, hunger, sickness,
spinal taps,
seizures,
stripped of privacy,
independence,
dignity

my rage
your vengeance
our dissembling

the gods against us

the void’s wide swallow
beneath us

the weight we lost to it
the nerves, stomach, and teeth
we lost to it

the you and me we lost to it

and i did unforgivable things
and you perfected a certain cruelty

and when the end came screaming at us
we fed it fresh, new years
our best years,
our prime of life years
they call them

so we sit here tonight
locked in the silence
our long crafted and patient
hatred built
with its own hands
with nothing to show
for all our dues

but this resentment we
killed ourselves
creating
it sits here

between us
like a dying child
waning
without cure

from Rattle #25, Summer 2006

October 27th, 2008

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Lola Haskins

HALFWAY DOWN THE BLOCK, YOUR FATHER

Stops. It’s just congestion, he says.
I have congestion, not naming it—
his lungs as gauzy as a party dress—
explaining instead how the medic
at the VA had told him his heart
was as strong as any fullback’s.
We wait while he musters the air for
the next few steps, refusing the car,
with the stubbled pride of an old man
whose frayed shirt collar has been
turned by his dead wife, and, having
no third side, cannot be turned again

from Rattle #25, Summer 2006

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